A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman
Annabelle's Wish is a magical animated feature based on the legend that on Christmas Eve Santa Claus gives all animals a speaking voice just for one night. A loveable calf named Annabelle born on Christmas Eve has a very special wish: to fly like on of Santa's reindeers. A special friendship forms between Annabelle and Billy a young boy who cannot talk. Along with a friendly bunch of barnyard animals they contend with Billy's mean Aunt and the bullies in the neighbourhood. Annabelle shows the true meaning of Christmas by making one very special wish come true.
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
What does a stray cat have in common with a radical technique to quit smoking the window ledge of a sky scraper and an evil goblin? Three of Stephen King's most imaginatively terrifying tales brought to life in this chilling trilogy of short stories...
Set in a dying mill town in the heart of Pennsylvania Stef (Cruise) dreams of winning a football scholarship to escape from a hopeless future...
For a limited time only, Universal Pictures are re-releasing some of their most beloved Cinema Classics in cinemas around the UK, including "The Blues Brothers".
The second series of Star Trek: Deep Space Nine must have caused mixed feelings for those involved. There was a sense of optimism behind the scenes that stemmed from having gained a loyal following--made up of plenty of new fans--in its relatively short first year. The show had genuinely succeeded in being different from its predecessors. Better still, The Next Generation would be bowing out gracefully halfway through this year. So it was that, with several more series guaranteed, the writers changed tack from standalone tales and into long-running story arcs. This was immediately evident in the format-testing three-part opening. Through the actions of Kira and her old pals, we saw that the Bajorans would only ever work toward their own agenda, whereas the Cardassians easily switched sides to suit their various agendas. The Federation was hardly innocent of political machinations either, especially with the discovery of the Maquis terrorists a few episodes later. This three-way dynamic would underpin the entire run of the show. Expanding upon it was the handover of the Klingon saga from The Original Series and TNG, in which old warhorses Kor, Kang and Koloth first appeared. That left the Ferengi to maintain an element of fun with their Rules of Acquisition (Number 112: "Never have sex with the boss's sister"), exploration of their sexist culture and, naturally, through everything touched by the scene-stealing Quark (who was rewarded with a cameo for his real life wife). What seemed like standalone stories--Odo meeting his mentor, a trip into The Original Series' parallel universe and the culminating encounter with some super-soldiers (the Jem'Hadar)--later turned out to be more optimistic seed-sowing. Unfortunately, this second series also began with some concern about a competitor franchise, which started at exactly the same time as TNG ended. The impact of Babylon 5 on DS9 and TV SF in general by the end of the year could never have been envisioned at the start. --Paul Tonks
Enter season 5 of Angel featuring all 22 episodes of the final series. Episodes comprise: 1. Conviction 2. Just Rewards 3. Unleashed 4. Hell Bound 5. Life of the Party 6. The Cautionary Tale of Numero Cinco 7. Lineage 8. Destiny 9. Harm's Way 10. Soul Purpose 11. Damage 12. You're Welcome 13. Why We Fight 14. Smile Time 15. A Hole in the World 16. Shells 17. Underneath 18. Origin 19. Time Bomb 20. The Girl in Question 21. Power Play 22. Not Fade Away
After narrowly escaping an attempted rape Marjorie is haunted by the fact that her attacker knows where she lives. But when he appears on her doorstep and subjects her to a non-stop barrage of physical and mental assaults Marjorie manages to disarm and capture him. Filled with fear and hostility she conspires with her roommates to take the law into their own hands. But as her rage consumes her Marjorie shocks her friends with a proposal that challenges the perilously thin line bet
The fourth series of Deep Space Nine can be summed up in one word: Klingons! The show's producers apparently felt beset from all sides. Babylon 5 was a huge hit, as was Star Trek: Voyager, the flagship of new channel UPN. Stepping up DS9's action quotient seemed to be the answer. Time would tell, however, whether doing so via Trek's tried-and-tested former bad guys was the best solution. Opening with a special two-hour extravaganza, the new year was immediately unfamiliar. Dennis McCarthy's original theme--despite winning an Emmy--was deemed too subdued. As its upbeat new rendition kicked off, the station was seen in battle and swarming with activity. Moments later, we met old/new crewmember Worf, whose sudden appearance was the result of a brewing invasive strategy by the Klingons. This initiated the first of many loyalty shifts, as the Cardassians became the victims. With plenty of re-appearances by Gowron, Kor and Kurn, it was clear that an ongoing space opera was being crafted. Dukat revealed a tragedy-ridden daughter; Odo's relationship with his people (and Kira) became increasingly melancholy; and even the Jem'Hadar foot soldiers were given a sympathetic angle by their drug addiction. Adding to the layers of ambiguity about Earth's (read: the Producers') position over being at war, was the "outing" of Eddington and Sisko's girlfriend as rebel activists. Lest we forget the homely/spiritual side of the Captain, time was spent with a future version of Jake, with his father (Brock Peters), and on the nature of his role as "The Emissary". Avery Brooks worked behind the camera a couple of times, but this year the surprise was LeVar Burton directing five shows. There was still time for comedy: the Ferengi warped back to Roswell in 1947 and Bashir played at James Bond. But the year will be recalled predominately for its violence. One of the episodes Burton directed had its fight scenes drastically cut, while the series as a whole won an Emmy for its space battle effects. On the DVD: Deep Space Nine, Series 4 contains more than two hours of extra features. Although they might all have been better compiled into one long documentary, the sections devoted to Aliens, Production Design and Artwork are, nevertheless, nicely contained. "Charting New Territory" is a 20-minute featurette on all the big changes attempted this year: Worf's introduction, arming the station and being daring with stand-alone episodes. There's also a terrific and candid dossier on Michael Dorn (Worf), ten mini-cameo cast tales, four seasons' worth of episode introductions, and a well-stocked Photo Gallery. All this can be found on the set's seventh disc; there's also the fourth CD-ROM disc, which allows you to build your own station at home. --Paul Tonks END
It's name is Quetzalcoatl... just call it Q that's all you'll have time to say before it tears you apart! It's just another monstrous day in New York City where window washers have their heads bitten off topless sunbathers are plucked from rooftops bloody body parts rain down onto the streets and small-time crook Jimmy Quinn (Moriarty) discovers an enormous nest in the spire of the Chrysler building. Meanwhile an NYPD detective (Carradine) investigates a series of ritual
Ferris Bueller's Day Off: Ferris Bueller. Larger than life. Blessed with a magical sense of serendipity. He's a model for all those who take themselves too seriously. A guy who knows the value of a day off. Ferris Bueller's Day Off chronicles the events in the day of a rather magical young man Ferris (Matthew Broderick). One spring day toward the end of his senior year Ferris gives in to an overwhelming urge to cut school and head for downtown Chicago with his girl (Mia Sa
Experience the power of Upendi-which means love - as Kiara, Simba's strong-willed daughter, seeks adventure away from her father's watchful gaze. Timon & Pumbaa can only do so much to protect her, especially when she encounters an intriguing rival, Kovu, a cub who is being groomed to lead Scar's pride. As Kiara and Kovu search for their proper places in the great Circle Of Life, they discover that it may be their destiny to reunite their prides and bring peace to the Pride Lands.Featuring the original all-star voice cast, breathtaking animation and enchanting songs, Kiara and Kovu's adventure thrills audiences of all ages as the glorious Circle Of Life continues for a new generation.
A happy newlywed marriage counselor's views on wedded bliss get thrown for a loop when she finds out her parents are getting divorced.
The story of Beary Barrinson a ten year old bear cub raised by a human family after he was found abandoned in the forest. Beary is desperate to find out where he really came from and travels to Tennessee to seek out his family...
The early 1980s experienced a wave of technology fever, and it seemed like every machine wanted to be bionic. There was K.I.T.T. the car, Street Hawk the motorbike, Airwolf the helicopter, and Blue Thunder--which looked like the Mechano version of Airwolf. In what seems a moment of Austin Powers humour, it's explained that this super chopper cost "five million dollars"! Its supposed reason for being is aerial crowd control, but as Murphy (Roy Scheider) discovers--when not suffering 'Nam flashbacks--there's a government plot to silence a Senator who's disgruntled with urban pacification standards. Director John Badham obviously loved fiddling about with technology--he directed Wargames after all--and here there are lingering shots of buttons and switches, multiple takes of turns in the air, and any excuse used for a bit of primitive computer imagery. The secondary characters quickly begin to seem like wallpaper: Daniel Stern's spunky co-pilot has but one plot device to execute, and Malcolm McDowell plays the same tired old Brit baddie he's played for years. Ultimately it's the protracted aerial battle finale (which played havoc with LA air traffic control) that stays with you. Oh, and a gratuitous cameo from a nude contortionist! On the DVD: There are no special features here, except a trailer and filmographies. --Paul Tonks
Deep Space Nine's third series begins eventfully, with Sisko promoted to captain and being gifted a prototype warship equipped with a cloaking device, while Odo learns where he came from. In the two-part opening tale, this clever gambit is played to hook viewers into the idea of DS9 becoming an ongoing mystery/conflict show. Why the sudden intense format tweaking? Mostly this was to ensure the show continued to thrive when a really rather greedy production hierarchy fast-tracked Voyager onto the air mid-season (cue unnecessary crossover episode with Tuvok). Of greater concern was ratings thief Babylon 5, which played its counter-Trek cards at precisely the right time. Fortunately the result (initially at least) was a genuine boost for DS9. Cast members seemed to have hit their stride and played off one another more assuredly than before. For example, Odo's character took several additional interesting twists, especially in his relationship with Kira. Rene Auberjonois had a very good year, directing two episodes to boot. Avery Brooks had begun this trend with the previous year's penultimate show. The real surprise was seeing Jonathan Frakes's name working behind the camera on three occasions, because he also appeared on screen in his alternate rogue Riker role, when Thomas dramatically steals the Defiant. Other welcome cameos that aided the feeling of casual camaraderie included the return of Lwaxana Troi, as well as first appearances by Quark's Mum, the spooky Founder Leader, the lovely Leeta and the sneaky Eddington. Clint Howard--a cult Trek figure--was briefly welcomed back, and with the many faces of Jeffrey Combs another was born. Stories progressed the complicated Bajoran/Cardassian healing process, while simultaneously brewing potential conflicts far worse than the behind-the-scenes ratings war. --Paul Tonks
Legendary recording artist and Oscar nominee Diana Ross stars with multi-platinum Grammy Award winning singer and actress Brandy in this compelling story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. With dazzling performances from both stars the film includes an exclusive duet ""Love Is All That Matters."" Eighteen years after leaving her baby daughter in pursuit of fame Olivia (Diana Ross) returns to seek out Kayla (Brandy) and make amends for the past. With years of experience and well placed contacts Olivia helps Kayla realize her own dream of singing stardom. But their fragile mother-daughter bond is tested when Kayla's success threatens to surpass her mother's... Together they must discover that love is more powerful than ambition and family more important than fame.
Johnny Depp plays Axel a young drifter caught between the dreams of youth and the responsibilities of adulthood. Enticed back to his Arizona hometown the oddball residents take more than a passing interest in him. His wheeler-dealer uncle badgers him to take over the Cadillac salesroom. What's more Axel becomes the pinnacle of risque love triangle with a wealthy widow and her stepdaughter...
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