Deborah Warner's 1995 production of Don Giovanni for Glyndebourne is characterised by a central portrayal of the Don as at once evil and sexually magnetic. Gilles Cachemille has at one at the same time a raffish charm and a deep mean-spiritedness--many Don Giovannis don't bully his servant nearly as much as this one, and Warner pushes his sinfulness all the way into sacrilege--apart from mocking the Commendatore's grave effigy, this Giovanni also has his way with a statue of the Madonna. Pieczonka's Elvira is at once stately and sensual--there is no sense of hysteria here, rather more of a deep sadness and sense of a ruined life. Page's Leporello is a wonderful long-faced clown; his catalogue aria is at once genuinely funny and a rather sadistic tease of Elvira. Though Kreizberg is working with authentic forces, the feel of his performance has a passionate gloominess that teeters on the brink of Romanticism without ever exceeding the work's adventurousness. The DVD comes with subtitles in English, French, German, Italian and Spanish, as well as a full printable text of the libretto. --Roz Kaveney
Riccardo Muti and an outstanding cast of singers were joined by the Vienna State Opera ensemble in a spirited and time-travelling interpretation of the eternal myth of Don Giovanni.
Strauss: Der Rosenkavalier (Bychkov)
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