When Sally inherits a country house, her young brother Ronald, an aspiring journalist, hits on a sensational way to make his first big scoop: Sally will 'disappear', and he will be arrested for her murder! At his trial she will reappear, his acquittal will follow, and he will be able to supply his paper with an exclusive story. Sally and her fiance, Bill, fall in with the scheme. However, there are complications which they had not foreseen...This humorous thriller was among several '30s films featuring Aileen Marson, a tragically short-lived British actress whose career briefly flourished on both sides of the Atlantic. Marson's co-stars include impeccable comedic actor and singer Billy Milton, and veteran screen villain Noah Beery; the film is directed by leading silent-era director/actor/writer Herbert Brenon nominated for Best Director at the very first Academy Awards ceremony in 1927. Someone at the Door is presented here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.
Allan Quatermain and the Lost City of Gold had the task of bettering its hilarious predecessor, King Solomon's Mines. It failed. Looking back from the age of slick computer graphics, it's painfully distracting to spot obvious back-projection, shoddy miniatures and some of the worst wire-work ever. Instead one must concentrate on the easy chemistry between Richard Chamberlain and Sharon Stone reprising their roles, this time in a quest for Quatermain's lost brother. Together they traipse across Africa, encountering all the usual pitfalls (literally) as well as jungle animals, restless native tribes and fast-flowing rivers and so on. James Earl Jones takes the money and runs through his wooden dialogue, all the time backed by endless repetitions of Jerry Goldsmith's sub-Indiana Jones hero theme. Taken on its own it's pretty atrocious viewing, but played back-to-back with the first movie The Lost City of Gold's surreal self-contained universe of hilarious adventure movie clichés is a lot of fun. Sharon Stone's hair remains perfect throughout, of course. On the DVD: Allan Quatermain and the Lost City of Gold, like King Solomon's Mines, is presented on disc in a surprisingly pristine print, and in 2.35:1 widescreen. Also like its predecessor, the sound is in Dolby 2.0, which again reflects the limited number of spot effects layered into the soundtrack. The original trailer is the only extra feature. --Paul Tonks
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