This summer they don't get a job they do a job. Going through summer vacation is the worst thing that could happen for lifelong friends Stacey and Dega. The guys soon match wits and come up with a seemingly fool proof plan to make easy money. Soon enough the plot goes awry and the homeboys go on the run from a host of crazy characters trying to hunt them down.
Celebrities Caught On Camera! See the ultimate unauthorised and uncensored program of Hollywood's hottest stars. You've heard the stories in the news but now find out the truth behind the headlines glitz and glamour in this revealing look at your favourite celebrities. Some love the paparazzi some hate them. Witness the outrageous behaviour of some stars caught on camera and you be the judge! Celebrities caught on camera: Madonna Pamela Anderson ; Tommy Lee ; Julia Roberts ; Nicolas Cage ; Leo DiCaprio ; Heather Locklear ; Sylvester Stallone ; Brad Pitt ; Jack Nicholson and many more!!!
For the very first time ever all seven seasons of Star Trek: Deep Space Nine adventures from Captain Ben Sisko and the crew in one very special limited edition box set!
Art Blakey was an acknowledged musical master a founder of modern jazz drumming and a father figure to three generations of jazz superstars. His Jazz Messengers first appeared on the scene in 1954 and the alumni is a who's who of great jazz names including Lee Morgan Donald Byrd Johnny Griffin Wayne Shorter Keith Jarrett and many more. Here Wynton Marsalis makes his debut appearance as Blakey's trumpeter. From the first distinctive Blakey drum roll the Messengers deliver a sizzling hard bop concert playing Little Man New York Webb City and an extended version of Kurt Weill's My Ship which features Wynton as trumpet soloist.
Casey. Arrow. Jackson. They've been buddies since they were kids. They're the rave crowd who can get any illicit drug for the right price. No way these guys could get played right? Wrong. When their latest deal goes south their entire world may go up in smoke. They're up against the wall and they're running out of options. In the tradition of Go and Pulp Fiction Devious Beings is a wild ride you'll never forget.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Positron the journey starts here...Our search for Super Awesome Pow has lead Devun Walsh JF Pelchat Bjorn Leines Kale Stephens Hans Ohlund Eric Leines Tadashi Fuse Morton Vigeland Chris Brown Dionne Delesalle Chris Dufficy Paavo Tikkanen Kevin Sansalone Gaetan Chanut and many more into the heart of snowboarding's most vile adversary - Mother Nature. Proving their abilities to fight evil and win Positron's soldiers take snowboarding to new heights with the most progressi
A disgraced medium finds that a new client opens a world of devious intrigue.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncles newspaper to take on big business as an enemy of the people. Miss Martin (Marilyn Monroe) works in the Herald newspaper office. When tragedy strikes Blake must re-examine his views.
Angela Strehli & Sarah Brown: In Concert - Ohne Filter
The word 'cop' isn't written all over him - something more puzzling is. In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Famed for it's Lalo Schifrin score and one of the greatest car chases in cinema-history 'Bullit' won the 1969 Oscar for Best Film Editing (Frank P. Keller).
Ladder 49: (Dir. Jay Russell) (2004): What does it take for a man to run into a burning building when everyone else is running out? Why do firemen leave their families each morning to risk their lives for strangers? The film chronicles Baltimore firefighter Jack Morrison (Joaquin Phoenix) as he makes the transition from inexperienced rookie to seasoned veteran. As he struggles to cope with a risky demanding job that often shortchanges his wife and kids he relies on the support of his mentor and chief Mike Kennedy (John Travolta) and his second family - the brotherly bond between the men of the firehouse. But when Jack becomes trapped in the worst blaze of his career his life and the things he holds important - family dignity courage - come into focus. As his fellow firemen of Ladder 49 do all they can to rescue him Jack's life hangs in the balance. Guardian: (Dir. Andrew Davis) (2006): In an effort to find his place in life a troubled young man enlists in the Coast Guard where he's taken in by a renowned rescue swimmer who's hardened by the loss of his team from an accident years back. Unfortunately for the pair the past is about to re-incarnate itself...
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