With just 28 days until before his impending execution young attorney Adam Hall sets out to trace the events of a grisly event in an effort to prevent his grandfather from going to the gas chamber for a racist murder... Chris O'Donnell and Gene Hackman star in this electrifying thriller based on the novel by John Grisham with a screenplay from Oscar winner William Goldman.
Jim Bergerac (Nettles) is a recovering alcoholic divorcee and father of a young daughter a Detective Sergeant with the Bureau des Etrangers Jersey. Jim likes doing things his own ways a true maverick and consequently doesn't always carry out his investigations in the traditional manner the way his boss would like... Episodes Comprise: 1. Ninety Per Cent Proof 2. A Hole In The Bucket 3. Holiday Snaps 4. Ice Maiden 5. Come Out Fighting 6. A Touch Of Eastern Promise 7. A Cry In The Night 8. The Company You Keep 9. Tug Of War 10. House Guests
Jackie Collins' sweeping story of passion power greed and betrayal spans over 40 years from the tough streets of depression bit New York to the glitz and glamour of Hollywood and Las Vegas.
JACKIE is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). JACKIE places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband's legacy and the world of Camelot that they created and loved so well.
Entertaining children's stories danced by the Royal Ballet wearing animal masks. Music by John Lanchbery choreography by Frederick Ashton. The adventures are alive with same energy and passion of the books and feature unheard melodies from British Museum manuscripts recovered and transcribed by composer John Lanchbery. As the characters waltz their way across set to the rhythm of the songs you'll join in with the merriment and hot step with the cast - a must see treat for the entire family.
Meet the Kumars at No. 42. A fictional immigrant family who have bulldozed their back garden so they can build a studio on the back of their house and indulge their spoilt son Sanjeev who fancies himself as a celebrity chat show host. Each week the celebrity guests are invited onto the show to partake in the unique Kumar experience -a thorough interrogation by the entire family. Dad is keen to get down to business literally; Mum just wants what every Asian mother wants a wedding
No review of Lawn Dogs can adequately describe this extraordinary movie, nor can the title or any simple synopsis. In fact, there's no way of knowing what Lawn Dogs is really about until the very end when the last 90-minutes takes on a whole new significance. The basic story follows the formation and fruition of a simple friendship. Devon (astounding newcomer Mischa Barton) is a 10-year-old girl born to glamour magazine identikit parents who live in the plush US suburban Camelot Gardens Estate. Trent (Sam Rockwell) is a 20-something lawnmower man whom everyone considers trash and who lives in a forest trailer. As secret friends they fill the holes in one another's lives. She has no other friends because she thinks "other kids smell like TV". It's all perfectly sweet and innocent. But naturally there's no way the uptight neighbourhood would perceive it that way. A creeping sense of doom begins to overtake events; but it is where this seemingly obvious tale twists at the end that makes the community's darker quirks a revelation. On the DVD: Lawn Dogs on disc comes in a 16:9 transfer that retains the superb cinematography of endlessly stretching flat horizons. The three-channel sound is equally of benefit to a subtle bluesy score. Regrettably the only extra is a trailer. As a winner at numerous International Film Festivals, this picture really deserved something more. --Paul Tonks
Hugh Grant stars in this satire of American identity, in which the President becomes a guest judge on the reality TV show.
A performance of Wagner's opera 'Parsifal' featuring the Metropolitan Opera Orchestra and Chorus. Conducted by James Levine. The action takes place in the Middle Ages. At the castle of Monsalvat cut off from the rest of the world the brotherhood of Grail Knights guards the chalice in which the blood of the crucified Saviour had once been caught. In an effort to seize possession of the Grail Klingsor a powerful magician has established his realm at the foot of the mountain peop
When the first Evangelion feature, Death and Rebirth, proved no more satisfying than the last episodes of the original series, Hideaki Anno brought his watershed epic to its conclusion in this final instalment. End of Evangelion begins where the series ended: with the Angels defeated, the sinister cabal SEELE attacks NERV headquarters to seize the Evas and realise their plan for humanity. Misato and Ritsuko fight from inside while Asuka decimates a new Eva series. But when Rei merges with Lilith, and Shinji seems to fuse with Unit 01, the final traces of a coherent story line dissolve into a protracted collage of fantastic images, played against discussions involving Rei, Shinji, Asuka and Kaoru. Anno's dazzling apocalyptic vision forms a weird but oddly logical finale that ultimately can be interpreted to mean whatever the viewer chooses. --Charles Solomon
Pittsburgh (Dir. Lewis Seiler 1942): Charles 'Pittsburgh' Markham rides roughshod over his friends his lovers and his ideals in his trek toward financial success in the Pittsburgh steel industry only to find himself deserted and lonely at the top. When his crash comes he finds that fate has dealt him a second chance. Dakota (Dir. Joseph Kane 1945): John Devlin helps Dakota wheat farmers save their land from swindling entrepeneurs who hope to make a fortune selling it to the railroad for its right-of-way.
Robert Altman's a biting satire on the Hollywood industry, The Player, has always been acknowledged by insiders as too close to the truth for comfort. Opening with a self-referential nine-minute tracking shot around the studio lot where producer Griffin Mill (Tim Robbins) works, the story's intrigue begins with the first of several postcard death threats from a writer he's angered. After accidentally killing the wrong man, Mill moves from one star-studded lunch table to another. All the while he's hounded by the real writer and an obsession with "Ice Queen" artist June Gudmundsdotter (Greta Scacchi) who'd been the deceased's girlfriend. Altman's tradition of improvised dialogue makes each of the dozens of cameos a fascinating treat for movie fans. Blink and you'll miss Angelica Houston, John Cusack, Rod Steiger, or Bruce Willis and Julia Roberts who appear in the hilarious movie-within-a-movie finale. There's an endless list of terrific support from the likes of dry-witted Fred Ward, fly-swatting Lyle Lovett, or tampon-twirling Whoopi Goldberg. Aside from the star-spotting and a script that crackles with sharp dialogue, this also warrants acknowledgement for being the movie to set off an explosion of independent film in the Nineties. On the DVD: there's a commentary track (which leaves the film's soundtrack playing a little too loud) from director Altman who talks at length about the poor state of today's industry, and writer Michael Tolkin who contributes about ten minutes of veiled displeasure about the treatment of a writer's work. There are five grainy deleted scenes featuring lost cameos from Tim Curry, Jeff Daniels, and Patrick Swayze. Then in a 16-minute featurette a lot of the deleted footage is repeated around an interview with Altman. A trailer rounds out the package. --Paul Tonks
An inspiring commercial artist Alison Gertz was young white and upwardly mobile from a strong upper middle class family. She was heterosexual not promiscuous had never used intravenous drugs and had never had a blood transfusion. Yet her life and the lives of her family and friends are changed radically by her diagnosis as having AIDS at the age of 22. One moment of passion changed Alison Gertz's life forever.
Look ma, no script! As expected from a movie by Hong Kong action director Hark Tsui, there are many explosive, fast-paced sequences in this Jean-Claude Van Damme vehicle. Some are thrilling, others inconsequential. There is also another mumbling, overdone performance by Mickey Rourke, who looks as if he performed his own plastic surgery. Except for an unintentionally humorous ending, the only surprise is Dennis Rodman as Van Damme's partner in exploitation. Rodman has plenty of charisma, but needs someone to weed out those inferior scripts. He plays an eccentric arms dealer coerced by an avenging Van Damme into tracking down the evil and sadistically weird character played by a well-muscled Rourke. It says little for the production that the best sequence of the movie occurs a quarter of the way into the action. It concerns an escape by Van Damme from an island think tank for forcibly retired covert agents. After that, everyone should have gone home. --Rochelle O'Gorman, Amazon.com
Werewolf Of London: The first Hollywood film to explore a werewolf on the silver screen a creature rooted in folklore worldwide. Directed by American Stuart Walker and starring Henry Hull Warner Oland and Valerie Hobson. Werewolf of London chronicles the life of botanist Dr Wilfred Glendon who sets off on an expedition to the Himalayas to find the marifisa lupina lumina a rare orchid that only blooms by moonlight. When he finds the unique plant he is attacked and injured b
Mel Gibson and Robert Downey Jr. are two renegade pilots ensnared in the madness of covert operations over Laos during the Vietnam conflict. They lead the crew of Air America a not-so-secret airline that drops everything from live pigs to opium over villages throughout the Vietnam countryside. Join Mel Robert and the crazy crew of wartime flyers in the funniest action-comedy since 'Lethal Weapon 2' and 'Good Morning Vietnam'!
American chemist Ned Faraday marries a German entertainer and starts a family. However he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe she continues with Nick but when Ned returns cured he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run just one step ahead of the Missing Persons Bureau. When they do finally catch her she loses her son to Ned. Once again she returns to entertaining this time in Paris and her fame once again brings her and Townsend together. Helen and Nick return to America engaged but she is irresistibly drawn back to her son and Ned. In which life does she truly belong?
This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain's finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it's hard to find fault with the rendering of this familiar story--it is respectful and definitely done, you might say, by the Book--it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss--none of which is helped by the figures' blank-eyed stares (if animators are becoming ever more sophisticated, why can't they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won't insult their kids' intelligence will be thrilled. --Anne Hurley
Pop diva Mariah Carey plays a young young singer who is eager to become a big star who dates a DJ who helps her get into the music business.
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
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