Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognisable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not as commercially successful as those two movies, it is a genuinely compelling work graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh
Al Pacino (The Godfather), Jack Warden (Shampoo), and John Forsythe (The Trouble with Harry) lead the ensemble cast of ...And Justice for All, a brutal indictment of the American legal system from director Norman Jewison (A Soldier's Story).Firebrand defence attorney Arthur Kirkland (Pacino) finds that the demands of his job are at odds with his conscience. When he is forced to defend a judge (Forsythe) who is accused of a terrible crime, he plunges into a moral crisis.Written by Barry Levinson (Rain Man) and Valerie Curtin, and with acting support from Lee Strasberg (The Godfather Part II) and Jeffrey Tambor (The Larry Sanders Show), ...And Justice for All is a riveting and powerful exploration of hypocrisy and injustice.INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURESHigh Definition remasterOriginal mono audioAudio commentary with director Norman Jewison (2001)Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025)Norman Jewison: The Testimony of the Director (2008): archival interviewBarry Levinson: Cross-Examining the Screenwriter (2008): archival interviewBarry Levinson at the BFI (2000): archival audio recording of the writer-turned-director in conversation at BFI Southbank, LondonOriginal theatrical trailerImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Sergio Angelini, archival interviews with Al Pacino, Barry Levinson, and Norman Jewison, and full film creditsUK premiere on Blu-rayLimited edition of 3,000 copies for the UKAll features subject to change
Upon its release The Godafther: Part II was hailed as the best sequel to a movie ever made however this film is much more than that. Coppolla utilised a quite brilliant screenplay and turned it into a visually captivating treat as well as using his directorial skills to make the audience view the rise and demise of the ill-fated Michael Corleone (Al Pacino) as first-person participants with masterful skill. Add to this an astounding performance by Pacino and an Oscar-winning portra
After serving 28 years in prison for refusing to give up information on one of his close criminal associates Val (Al Pacino) is released and picked up by his best friend Doc (Christopher Walken). They soon re-team with Hirsch (Alan Arkin) and the three embark on what turns into their last crazy night together. As the sun rises on the guys' reunion a dangerous secret comes to light and they must confront their pasts once and for all. Special Features: Director Commentary Featurettes: The Lowdown of Making Stand up Guys The Stand up Song of Jon Bon Jovi American Muscle: The Stand up Stunt Driving Scenes Deleted Scenes
Decorated homicide detective Ray Archer (Al Pacino) partners with criminal profiler Will Ruiney (Karl Urban) to catch one of the city's notoriously vicious serial killers, who is playing a twisted version of murder using the child's game HANGMAN, while crime journalist Christi Davies (Brittany Snow) reports on the crime spree, shadowing the detectives. The trio races against the clock to prevent the murders, as every 24 hours, a body is hung revealing a new letter of the game carved into the backs or chests of the victims.
Father Theophilus Riesinger and Father Joseph Steiger, the former struggling with his faith and the latter dealing with his past, work together to complete a series of exorcisms on Emma Schmidt, a young woman who's allegedly experiencing demonic possession.
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogyMario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola,a more appropriate conclusion to The Godfather and The Godfather: Part II. Product Features Introduction From Francis Ford Coppola
Academy Award winner Al Pacino reunites with his Scarface director Brian De Palma for this tough-minded thriller about a gangster looking for salvation down the mean streets of 1970s New York City. Gangster Carlito Brigante (Pacino) gets released early from prison thanks to the work of his lawyer, Kleinfeld (Sean Penn, Milk). Vowing to go straight, Carlito nonetheless finds dangers waiting for him in the outside world. As Carlito works toward redemption, Kleinfeld sinks into cocaine-fuelled corruption. When Kleinfeld crosses the mob, Carlito gets caught in the crossfire and has to face a hard choice: remain loyal to the friend who freed him or protect a new life with the woman he loves (Penelope Ann Miller, The Relic). With enemies closing in from all sides, Carlito must find his way before it's too late. Also starring John Leguizamo (Land of the Dead), Luis Guzmán (Magnolia), and Viggo Mortensen (The Lord of the Rings), Carlito's Way has come to be regarded as among De Palma's most accomplished films. A hard-hitting gangster noir laced with romance and melancholy, powerful performances and nail-biting suspense. Product Features 4K DUAL FORMAT LIMITED EDITION CONTENTS Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Obviously Creative Double-sided fold-out poster featuring newly-commissioned artwork by Tom Ralston and Obviously Creative Seven double-sided, postcard-sized lobby card reproductions Illustrated collector's booklet featuring new writing on the film by Barry Forshaw and original production notes DISC ONE: FEATURE (4K ULTRA HD BLU-RAY) 4K Ultra HD Blu-ray (2160p) presentation in High Dynamic Range Original stereo, 5.1 DTS-HD Master Audio and DTS-X audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by Matt Zoller Seitz, author of The Wes Anderson Collection and The Soprano Sessions Brand new audio commentary by Dr. Douglas Keesey, author of Brian De Palma's Split-Screen: A Life in Film DISC TWO: FEATURE AND EXTRAS (BLU-RAY) High Definition Blu-ray (1080p) presentation Original stereo and 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by Matt Zoller Seitz Brand new audio commentary by Dr Douglas Keesey Carlito and the Judge, a brand new interview with Judge Edwin Torres, author of the novels Carlito's Way and After Hours on which the screenplay for Carlito's Way is based Cutting Carlito's Way, a brand new interview with editors Bill Pankow and Kristina Boden De Palma's Way, a brand new appreciation by film critic David Edelstein All the Stitches in the World: The Locations of Carlito's Way, a brand new look at the New York locations of Carlito's Way and how they look today De Palma on Carlito's Way, an archival interview with director Brian De Palma The Making of Carlito's Way, an archival documentary on the making of the film, produced for the original DVD release Deleted Scenes Original promotional featurette Theatrical teaser and trailer Image gallery
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in Heat, an intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, Heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
Some top Hollywood (and British) talent are on hand for this lavish version of Shakespeare's play, set in 16th century Venice.
Garry Marshall (Pretty Woman) directs the screen adaptation of Terence McNally's play Frankie and Johnny at the Clair de Lune, the story of a short-order cook (Al Pacino) who drives a waitress (Michelle Pfeiffer) crazy with his adamant courtship and mixed messages. The film is okay and not much more than that, the major stumbling block being Marshall's failure to scrub away enough star veneer on Pacino and Pfeiffer to accept them as minimum-wage drones with nowhere to go but toward each other. Fortunately, Marshall's feel for the texture offered by supporting players--Hector Elizondo as a café owner, Nathan Lane as Pfeiffer's inevitably gay neighbour-buddy, Kate Nelligan as another lonely waitress--keeps things interesting enough. --Tom Keogh, Amazon.com
Two For The Money (Dir. D. J. Caruso 2005): Academy Award winner Al Pacino and Matthew McConaughey star in this adrenaline-charged thriller about the sexy high-stakes world of sports betting where fortunes can be made and lost with a flip of a coin. When Brandon Lang (McConaughey) becomes the protg of sports gambling's power player Walter Abrams (Pacino) he swiftly becomes the golden boy of the high-rolling world for consistently picking football winners. Now with millions on the line he finds himself in a deadly game of con-versus-con with his new mentor. Scent Of A Woman (Dir. Martin Brest 1992): Al Pacino won his first Best Actor Oscar for his brilliant portrayal of an overbearing blind retired Lieutenant Colonel who hires a young guardian (Chris O'Donnell) to assist him. It's a heart-wrenching and heartwarming tale of opposites attracting when they embark on a wild weekend trip that will change the lives of both men forever.
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogyMario Puzo's THE GODFATHER, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, a more appropriate conclusion to The Godfather and The Godfather: Part II.
After a career slump that plagued him through most of the 1980s, Al Pacino made a stellar comeback in this taut 1989 thriller, playing a weary New York police detective who falls in love with the woman (Ellen Barkin) who is the prime suspect in the murder case he's investigating. Expertly written by Richard Price and directed by Harold Becker, the story is designed to keep its central characters (and the viewer) in a state of constant suspicion and arousal--an emotional combination that sends dangerous sparks flying between Pacino and Barkin. Their chemistry is intense, and their love scenes are some of the hottest of any movie of its decade. But Sea of Love is not merely concerned with cheap titillation. It's a riveting whodunit with scenes of nail-biting suspense and memorable dialogue that make it as interesting to listen to as it is to watch. Barkin had made a similarly sexy impression in The Big Easy, and here she gives one of the best performances of her underrated career, matching Pacino's excellence scene for scene. The ending's a bit of a letdown because the murder solution comes somewhat out of the blue, but it's the acting and suspense that you'll remember most--qualities that make Sea of Love one of the best films of its kind. --Jeff Shannon
Sidney Lumet's 1973 crime drama Serpico remains one of the most influential cop movies - alongside Al Pacino's nuanced performance in a disturbing portrait of corruption and morality in the city that never sleeps. A plainclothes street patrolman Frank Serpico (Pacino) might be the best cop in New York but his unwillingness to play dirty and give into police corruption of drugs violence and kickbacks his colleagues indulge in every day. When he decides to expose those around him Frank finds himself a target not just to the city's criminals but his own peers. Shot on location and based on real events Serpico captures the grit of New York in a way no film has rivalled not just for it's toned down realism but also the bleakness Lumet portrays within his hometown city with brutal cynicism with frank immediacy. The Masters of Cinema Series is proud to present Serpico for the first time on Blu-Ray in the UK. Special Features: Gorgeous Restored 1080p Transfer on the Film Original Theatrical Trailer Video Documentary Serpico: Reel to Real Video Documentary Inside Serpico Video Piece Serpico: Favourite Moments More to be Revealed Closer to Release! 36-Page Full-Colour Booklet Featuring: New and Exclusive Essay by Critic and Author of Al Pacino: Anatomy of an Actor - Karina Longworth Rare Archival Imagery
Inspired by a true story, Al Pacino stars as ageing 1970s rocker Danny Collins, who can't give up his hard-living ways. But when his manager uncovers a 40 year-old undelivered letter written to him by John Lennon, Collins decides to change course.
A former college sports star aligns himself with one of the most renowned bookies in new York in this drama.
Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognisable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not as commercially successful as those two movies, it is a genuinely compelling work graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh
Please wait. Loading...
This site uses cookies.
More details in our privacy policy