He rules the night as Gotham City's shadowy protector - a crusading Dark Knight defending the innocent and striking fear into the hearts of evildoers. The legend of Batman continues in this thrilling collection of the second volume of the Emmy award-winning 'Batman: The Animated Series'. Episodes comprise: The Underdwellers P.O.V. The Forgotten Be A Clown.
First broadcast in 1983, Auf Wiedersehen Pet was an unlikely comedy hit about a group of British labourers forced to work in Germany during the recession. Scripted by Dick Clement and Ian La Frenais, (previously responsible for Porridge and The Likely Lads) its main players are likeable stereotypes from all over England: theres Wayne (the late Gary Holton), a cockney charmer and womaniser; Barry (Timothy Spall), the bumbling, haplessly pretentious Brummie; gentle West Country giant Bomber (Pat Roach); amiable Scouse Moxey (Christopher Fairbank); and the three Geordies; nervous Neville (Kevin Whately), loudmouth xenophobic lummox Oz (Jimmy Nail) and put-upon Dennis (Tim Healy), the reluctant gaffer of the mob. The show spawned a second series in 1986 then a belated follow-up in 2002. The plotlines were entertaining--capers usually involving misunderstandings or hangovers or both: Oz eating rat poison, Oz attempting to smuggle porn, Neville waking up after a large night out with a German girls name mysteriously tattooed on his arm; Denniss tentative relationship with a German woman named Dagmar while on the rebound from his recent divorce. However, the real meat of Auf Wiedersehen Pet was in the interplay of the characters--who were confined in prison camp-style conditions--and Clement and Le Frenais rueful sense of the comedy of men in crisis. Tim Healys Dennis in particular was a classic example of the indignity of the traditional grafter who suddenly finds himself struggling in mid-life, a condition exacerbated at having to "wet nurse" a bunch of wayward geezers, as he frequently complains. --David Stubbs
In the wildly entertaining spirit of A Fish Called Wanda BLAME IT ON THE BELLBOY delivers the year's craziest laughs! Featuring an all-star cast the hilarity kicks off when a daffy bellboy (Bronson Pinchot) accidentally switches the itinerary envelopes for three guests (Dudley Moore Bryan Brown and Richard Griffiths). His actions cause a hilarious case of mistaken identities sending the trio down a road of comic non-stop adventures! Check in today for a zany time where mix-ups
In the new film from the director of "Get Carter," Clive Owen plays a former London gang leader who is dragged back into the "business" to avenge the death of his brother.
There are Victorian country-house shenanigans aplenty in Impromptu: novelist George Sand (Judy Davis, affected but pretty charming) has eyes for Franz Liszt's young protégé Chopin (Hugh Grant, solid as always, but burdened by a silly Polish accent and a script that never lets him stretch out), but various lovers, jealous rivals, and Chopin's own overdeveloped sense of propriety conspire to confound her. Impromptu is witty but overlong--probably 20 minutes of hijinks and repartee, not to mention several completely gratuitous and redundant characters, could have been sliced from the film. Davis plays Sand as an impetuous, overgrown tomboy, outraging her genteel hosts by wearing pants, chomping cigars, and falling off horses; her coterie of artist-friends assure us, in a series of naked plot devices, that she nonetheless has a heart of gold. It's all good silly fun, and about as feminist as your average Def Leppard video--the other two developed female characters are ugly stereotypes: a featherbrained, feckless social climber (Emma Thompson, who once again proves she's up for anything) and a spiteful, back-stabbing shrew (the ever-capable Bernadette Peters). Director James Lapine clearly belongs to the Dr Quinn: Medicine Woman school of historical accuracy, so don't expect to learn anything about the period or the artists themselves. --Miles Bethany
Inspired by Dwight Eisenhower's legendary farewell speech filmmaker Eugene Jarecki surveys the scorched landscape of a half-century's military adventures asking how - and telling why - a nation of by and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war. Why We Fight won the Grand Jury Prize (Documentary) at the Sundance Film Festival. It is an unflinching look at the anatomy of the AMerican War Machine weaving unforgettable personal stories with commentary by a 'who's who' of military and Washington insiders. Featuring John McCain Gore Vidal William Kristol Chalmers Johnson Richard Perle and others.
Raw (1987): Uncensored. Uncut. Irresistible! 'Raw' the record-setting No 1 stand up concert film of all time is Eddie Murphy doing what he does best: making people laugh! Filmed live at New York's Felt Forum Murphy delights shocks and entertains with dead-on celebrity impersonations observations on '80s love sex and marriage a remembrance of Mum's hamburgers and much more. Take a front-row centre seat for the hottest show in town and the hottest comedian in recent ent
Ruthless lawyer Henry Turner is left an amnesiac after being shot when caught up in a store robbery. Trying to rebuild his life Henry must learn to walk again tie his shoelaces and become a better husband...
The monsters in Monsters, Inc. are just so incredibly cute--and they know it. Whereas Woody, Buzz and pals in the Toy Story saga were filled with self-doubt about just how much the children in their lives would continue to love them, here our heroic monsters and their impossibly lovable human ward Boo have no such worries, at least when it comes to the cinema audience. And that's why Monsters, Inc., for all its wondrous computer-animated artistry, its smart humour and its family-friendly appeal, doesn't quite capture the naïve charm of its predecessors. Nevertheless, John Goodman and Billy Crystal, as scare-champions Sulley and Mike, are a great double-act whose comedy never goes over kids' heads but still reaches up to make their parents laugh. The film's central conceit--that monsters in the bedroom closet are just doing a night's work in order to generate power from screams for the city of Monstropolis--is funny and cleverly worked out; and kids will of course love the fact that the monsters are mortally afraid of the very children they are trying to frighten. The animation is extraordinarily detailed (Sulley's fur is a marvel in itself) and the set-piece action sequences top anything that has gone before for sheer audaciousness. But overall Pixar play things very safe, from the hissable villain to the end credit "outtakes". A bolder film might have taken inspiration from The Nightmare Before Christmas; instead, a little of that Disney disease of knowing cuteness seems to have crept into the formula. --Mark Walker
As midnight falls, all manner of terror invades the Earth. Demons, cannibals, killers, ghosts and monsters swarm the world in these tales of the supernatural, the fantastic, and the just plain horrific. Featuring nine stories of horror.
This is the definitive portrait of John Toshack. Welsh, Liverpool and Swansea legend, and one of football's most inspirational figures. Relive the unbelievable story of a man who, after leaving European champions Liverpool in 1978, took on struggling Swansea City and guided them on a miraculous journey from fourth, to first division, in just four years. Discover how this passionate player and manager galvanised a side, and a city, ultimately leading him to a hugely successful managerial career across Europe and latterly with the Welsh national team.A must-see documentary for any football fan, Tosh features exclusive interviews from Toshack himself, and players including Alan Curtis, Wyndham Evans, Nigel Stevenson, David Giles, Ian Callaghan, Leighton James, Danny Bartley, Neil Robinson, Dzemal Hadziabdic, and close relatives of club heroes Robbie James and John Charles. Providing emotional insights from the perspective of Swansea and Liverpool fans alike are club secretary Carol Fowler, writers Dave Brayley, John Burgum and Darren Chetty, photographer Martin Johnson, rugby legend Sir Gareth Edwards, and comedian John Bishop.Product FeaturesFeature TrailerTosh v Shankly - 5 minsSwansea in the Mid 70s - 6 minsTosh Arrives (with Michael Sheen) - 7 minsThe Yugoslavs - 11 minsDave Brayley's Swansea Tour - 8 minsPreston - 3 minsLiverpool Away... and Home - 8 minsThe Liverpool Job - 8 mins
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
Director Todd Solondz presents this characteristically bleak and darkly comic drama in two distinct parts. The first story ""Fiction"" stars Selma Blair as Vi a confused university student who engages in an impulsive tryst with her Pulitzer Prize-winning professor (Robert Wisdom) after arguing with her cerebral palsy-afflicted boyfriend (Leo Fitzpatrick). The second (and longer) tale ""Non-Fiction "" stars Paul Giamatti as Toby a down-on-his-luck documentary filmmaker who turns his ca
Margaret Lockwood, one of British film's greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of classic legal drama The Main Chance. A compelling, rigorously researched courtroom drama, Justice saw Anthony Valentine co-starring in the final series as charming, ambitious young barrister James Eliot. This set contains all three series alongside the 1969 pilot play, Justice is a Woman, and guests appearances include Roger Livesey, Richard Beckinsale, Paul Eddington, Maria Aitken, Brian Blessed, Michael Elphick, Angela Thorne, Anton Rodgers, Barbara Shelley and Jill Gascoine. Harriet Peterson is intuitive, tenacious and highly principled qualities that have helped her succeed spectacularly in a world still largely dominated by men. But while Harriet's commitment to her profession remains undiminished through a range of typically challenging cases, her turbulent personal life grows ever more complicated.
Treachery. Madness. Murder. Mel Gibson plays the leading role in Franco Zeffirelli's version of Shakespeare's Hamlet. Gibson plays the prince of medieval Denmark sensing a dark conspiracy behind his royal father's death. Ensnared in this unraveling treachery is one of the most powerful casts ever in a Bard-based film: Glenn Close as Hamlet's mother Gertrude Alan Bates as the usurper Claudius Paul Scofield as the ghost of Hamlet's father Ian Holm as meddling advisor Poloni
This enchanting children's drama series devised by Anne Carlton and written by Stewart Farrar develops the theme of the single play first shown in 1978 as part of Thames' acclaimed supernatural anthology series Shadows. The play and all six episodes are included in this set complete and uncut. Set in Wales during the Dark Ages the series tell the story of the young apprentice magician Merlin - the grandson of King Conaan fostered by the family of Dafydd Ismena. Merlin s father is unknown; some say he was a demon of the night. His foster-grandmother Myfanwy who also possesses magical powers is the only one to realise that Merlin's destiny lies at the court of King Arthur and it is she who schools him in magic and witchcraft. However because of the circumstances surrounding his birth Merlin is in constant danger from Vortigern the Saxon High King and his beautiful queen Rowena...
Lavish clubhouse manicured greens 18 holes of golfing paradise...not! Tattered and almost without any customers Penneytree has become the target of a takeover by its competitor Bentwood Country Club. Inspired by a freak accident Liberty Penneytree hatches a plan to bring in more golfers. Gorgeous ladies led by 'Barbara The Bod' and the fun filled 'cart wash' are the attractions as busloads of new customers flock to the new Penneytree Golf Club. Bentwood issues the ultimate challenge a winner-take-all-match between Penneytree and Bentwood your pro against my pro. The winner gets the loser's property. Who's gonna win and who's gonna get the shaft?
On July 1 1968 America Britain and Russia signed a treaty to halt the spread of nuclear weapons. The powers then added four extra clauses. The most secret of them was and remains the final. One winter the Chairman of the KGB hatches a plan to breach this Fourth Protocol and destroy NATO. He sends an agent Major Petrofsky (Pierece Brosnan) to assemble the operation. It is now up to MI6 agent John Preston (Michael Caine) who now must race against an unknown deadline to stop him and his devasting mission. Based on the novel by the best-selling author Frederick Forsyth.
Narrated by on-screen observer Maugham (Herbert Marshall) this intriguing tale centers on a soul-searching World War I veteran (Tyrone Power) who finds he can not settle back into the world of the upper class. Shunning his planned marriage and career he travels abroad to seek the meaning of life and career he travels abroad to seek the meaning of life and causes his distraght fiancee (Gene Tierney) to seek solace with another man (John Payne)...
Nanking tells the story of the rape of Nanking one of the most tragic events in history. In 1937 the invading Japanese army murdered over 200 000 and raped tens of thousands of Chinese. In the midst of the horror a small group of Western expatriates banded together to save 250 000 -- an act of extraordinary heroism. Bringing an event little-known outside of Asia to a global audience Nanking shows the tremendous impact individuals can make on the course of history. It is a gripping account of light in the darkest of times.
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