Julia Roberts and Richard Gere get it on in one of Hollywood's biggest, and most beloved, blockbusters.
Sandra Bullock's high-powered executive finds herself in one outrageous situation after another when involved with Ryan Reynolds' kowtowed secretary
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
The Carnival has come to town and it's a chance to see all sorts of exciting things! There is Mr. Bull's Jazz Band, Miss Rabbit as the Carnival Queen and even a very special appearance from Mr. Potato, showing off his very large balloon! Peppa and her family are also going on some exciting days out! They visit Tiny Land, where they see their favourite tiny landmarks, and go on a trip to the caves where Daddy pig braves the scary Ride of Doom'! Plus more fun stories
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
Everyone knows who won. But not everyone knows how. The result of the Brexit referendum in the summer of 2016 caused a political earthquake that laid waste to the normally stable British establishment and sent political tremors across the world. This punchy and provocative feature length drama goes exclusively behind the scenes of the Vote Leave campaign, unpacking the personalities, strategies, and feuds of the winning side, and exploring the new world of data driven campaign tactics. Starring Benedict Cumberbatch as Dominic Cummings and Rory Kinnear as Craig Oliver, BREXIT: THE UNCIVIL WAR is written by playwright James Graham, taking inspiration from All Out War by Tim Shipman (the Sunday Times political editor), Unleashing Demons: The Inside Story of Brexit by Craig Oliver (former Number 10 Communications Director), and is directed by Emmy award-winning Toby Haynes. BREXIT: THE UNCIVIL WAR is not an analysis of who was right and who was wrong. It is the story of how it happened, and why - on the high street, in the campaign offices, and the darker corners of the internet. A drama of political ambition and personal betrayals with nation-changing results.
Life On Mars is the smash-hit cop show starring John Simm as a detective who is involved in a car accident and wakes to find himself transported back to 1973, a world dominated by Ford Cortinas, sheep-skin jackets and very hard coppers.
In 1977 Voyager II was launched into space, inviting all lifeforms in the universe to visit our planet. Get ready. Company's coming. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
1966s Cast a Giant Shadow is based on Ted Berkmans biography of Colonel "Mickey" Marcus, the American soldier who served as an adviser in the fight to establish the state of Israel in 1948. It stars Kirk Douglas as the likeable "stiffneck" and WWII veteran persuaded to take up the cause. Israel back then was depicted as a negligible military force under threat of extinction at the hands of its Arab neighbours, hamstrung by a UN embargo on arms supplies. It takes Douglas at his most square-jawed to see off the Egyptian military and defy a blockade to beat a path through to Jerusalem. This is not cinema verité but Hollywood. Marcus dilemma--to settle into peacetime in America or follow his more natural, combative instincts abroad--is symbolised by a love triangle, involving wife Angie Dickinson and Santa Berger as Magda, the soldier whom he falls for in Palestine. Although lavish and spectacular, especially in the war scenes--filmed in the actual Middle Eastern locations in which they occurred--Cast a Giant Shadow is not entirely authentic (for a start, theyre driving 1950s vehicles in the 40s). Moreover, in the light of later troubles in the region, not everyone will be heart warmed by this depiction of plucky little Israel coping against Arab foes who are barely depicted as human throughout the film, merely as tanks and gunfire. Still, its an impressive enough relic of epic 1960s cinema, with cameos from Yul Brynner, John Wayne as Marcus wartime general, and Frank Sinatra as a pilot scattering the enemy by dropping soda dispensers on them. On the DVD: Cast a Giant Shadows restoration here is visually immaculate. The mono sound, however, is often indistinct, with a good deal of sibilant hiss. Disappointingly, the only extra is the original trailer.--David Stubbs
Captain Scott (More) is sent by the British Governor in India to rescue a five year old Hindu prince and his American governess (Bacall) when a rebellion breaks out among the tribesmen. Pursued by the abductors the trio commandeer a derelict steam train to take them 300 miles through the mountains to safety...
John Schlesinger's trailblazing Oscar winner, a touchstone of the New American Cinema explosion, in a new 4K restoration. One of the British New Wave's most versatile directors, JOHN SCHLESINGER (Billy Liar) came to New York in the late1960s to make Midnight Cowboy, a picaresque story of friendship that captured a city in crisis and sparked a new era of Hollywood movies. JON VOIGHT (Coming Home) delivers a careermaking performance as Joe Buck, a wideeyed hustler from Texas hoping to score big with wealthy city women; he finds a companion in Enrico Ratso Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida, played by DUSTIN HOFFMAN in a radical departure from his breakthrough in The Graduate. A critical and commercial success despite controversy over what the MPAA termed its homosexual frame of reference, Midnight Cowboy became the first Xrated film to receive the best picture Oscar, and decades on, its influence still reverberates through cinema. Features: New 4K digital restoration, with an uncompressed monaural soundtrack Alternate 5.1 surround soundtrack, presented in DTSHD Master Audio Audio commentary from 1991 featuring director John Schlesinger and producer Jerome Hellman New selectedscene commentary by cinematographer Adam Holender The Crowd Around the Cowboy, a 1969 short film made on location for Midnight Cowboy ï· Waldo Salt: A Screenwriter's Journey, an Academy Award-nominated documentary from 1990 by Eugene Corr and Robert Hillmann Two short 2004 documentaries on the making and release of Midnight Cowboy Interview with actor Jon Voight on The David Frost Show from 1970 Interview from 2000 with Schlesinger for BAFTA Los Angeles Excerpts from the 2002 BAFTA LA Tribute to Schlesinger, featuring Voight and actor Dustin Hoffman Trailer PLUS: An essay by critic Mark Harris
This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. This film is exceptionally well directed by John McTiernan. --Tom Keogh
Welcome back to Hope Springs! As an exciting new year begins we meet dedicated history teacher, Grace Wesley, and her grieving student, Brooke, who has just lost her brother. Upon learning of Brooke's recent tragedy, Grace offers her condolences and in the hope of relieving her pain, shares her faith in Christianity. However, when Brooke later asks a question of religion in her history class, another student reports the incident to the school board. Interpreted as a breach of school and state policy, Grace suddenly faces an epic court case that may cost her not only her career, but may expel God from the classroom once and for all. Featuring Melissa Joan Hart (TV's Sabrina the Teenage Witch), Ray Wise (X-Men: First Class, RoboCop) and Jesse Metcalfe (John Tucker Must Die, Desperate Housewives), God's Not Dead 2 is the highly anticipated sequel that brings love, loyalty and important questions of religion prominently to the fore.
A traveller making a journey to the exotic Moroccan capital finds himself enmeshed in a web of suspicion and counter-espionage in this star-studded spy thriller with a difference!Odd Couple star Tony Randall is the American tourist whose eagerly awaited vacation turns into a potentially deadly adventure; Herbert Lom, Terry-Thomas and Austrian-born star Senta Berger are among the assorted spies and villains with whom he unwittingly tangles, with Klaus Kinski in suitably menacing form as the sinister stranger who tracks his every move.Directed by Hammer Films veteran Don Sharp and scripted from a story by British B-movie mogul Harry Alan Towers (under his regular pen-name 'Peter Welbeck'), Our Man in Marrakesh is a colourful blend of humour, glamour and intrigue, presented here in a brand-new transfer from the original film elements.SPECIAL FEATURES:Original Theatrical Trailer Image GalleryPromotional Material PDF>
American horror comedy based on the 1968 Hanna-Barbera TV series. On his birthday, young Harley (Finlay Wojtak-Hissong) and his family attend a live recording of 'The Banana Splits' TV show. However, when it is announced that the show is going to be cancelled, the fun-filled afternoon turns to one of horror as the show's fuzzy robotic characters take over the studio and embark on a gruesome killing spree.
Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. Ingredients from Beauty and the Beast, The Little Mermaid and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary Oldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to brave the Enchanted Forest and retrieve the magic sword, and their adventure is (of course) fraught with danger. Adding extra punch to the movie's commercial appeal, the soundtrack songs are performed by big names like LeeAnn Rimes and Celine Dion. And if that's not enough to hold a kid's attention, there's a two-headed dragon ("we're the reason cousins shouldn't marry") voiced by Eric Idle and Don Rickles. With so much talent involved, it's entertaining but uninspired, although cleverly harmless riffs from Dirty Harry, Taxi Driver and other movies spice up the adventure with enjoyable pop-culture references. --Jeff Shannon
Over one day across the streets of L.A., three lives will change forever. In this breakneck thriller from director-producer Michael Bay, Will Sharp (Yahya Abdul-Mateen II), in desperate need of money asks for help from his career-criminal brother Danny (Jake Gyllenhaal), who instead offers him a score: the biggest bank heist in Los Angeles history: $32 million. But when their getaway goes spectacularly wrong, the desperate brothers hijack an ambulance with a wounded cop and ace EMT Cam Thompson (Eiza González) onboard. In a high-speed pursuit, Will and Danny must evade a massive law enforcement response and keep their hostages alive, while executing the most insane escape L.A. has ever seen.
In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart.
An all-access look into the life of a sporting icon featuring all new, neve before seen footage. Filmed over the course of several years, this feature documentary chronicles the astonishing rise of one of the most prolific, controversial, talented, outspoken and entertaining characters currently traversing the sporting and cultural landscape. From claiming benefits, a plumbing apprenticeship and small-scale fights in Dublin to Rolls Royces, casinos in Las Vegas and multi-million-dollar fight purses, this is the ultimate account of the incredible ascent of the Notorious Conor McGregor.
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