His Private Secretary: Dick Wallace (John Wayne) a millionaire's son tends to chase rather dubious women causing his father to despair of him. When he really falls in love his father assumes the girl is a gold digger... His Girl Friday: A classic unrelenting hilarious war of the sexes comedy in which a reporter and her ex-husband editor helps a condemned man escape the law - while at the same time furthering their own ends as they try to get the big scoop on politica
The story revolves around a writer who becomes the target of a spy who believes he is in possession of a fortune in diamonds stolen by the writer's dead fiancee.
Donnie Brasco (Dir. Mike Newell, 1997): The true story of an FBI undercover agent (Johnny Depp) who becomes Donnie Brasco, 'The Jewel Man', to infiltrate one of the mob families. Donnie manoeuvres his way into the confidence of ageing hit man, Lefty Ruggiero (Al Pacino) who trusts Donnie and vouches for him to the mob. But Lefty and Donnie become friends when they should be enemies. As Donnie moves deeper and deeper into the Mafia chain of command, he realises he is not only crossin.
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism, until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate. Personally supervised by director James Cameron, this special edition includes scenes eliminated prior to the film's 1986 release w...
Made in 1931 shortly after the introduction of the talkies, Charlie Chaplin's City Lights is nonetheless near-silent. Chaplin was afraid that, should his universally known and beloved Tramp speak onscreen, he would be severely limited and compromised as a character. And so, City Lights is billed as "pantomime", a piece of cinema harking back to the manners and methods of an already defunct era. Chaplin fell out of fashion towards the end of the 20th century as a new wave of comedians (Rowan Atkinson for one) castigated him for what they saw as his excessive, maudlin sentimentality. Certainly, City Lights--which sees Chaplin's Tramp befriended by a blind flower girl who mistakes him for a rich benefactor--is hokum indeed. Accepting this, however, what makes the film so marvellous is the deceptive skill and artistry of Chaplin the filmmaker, the immaculate timing and acrobatic grace of his seemingly slapstick comedy, in particular a justly famous boxing sequence. Chaplin's sparing use of sound is inventive also: the wordless waffle of public speakers in the opening scene and another in which the tramp swallows a whistle. Moreover, the conclusion, in which the dishevelled Tramp encounters again the flower girl, her eyesight restored is--sentimentality notwithstanding--one of the most moving and superbly executed scenes in cinema history, not least for its economy and restraint. On the DVD: City Lights contains a generous package of extras on this two-disc set, including an introduction by David Robinson, in which he relates how poorly Chaplin and his leading lady Virginia Cherrill got on, an extended documentary/interview with Peter Lord (partner in animation to Nick Parks), who sings the praises of Chaplin's screen art, and a deleted scene, an immaculate piece of business involving a grate and a stick. There's a bonus in the form of an excerpt from 1915's The Champion, in which Chaplin prefigures the boxing scene from City Lights. Meanwhile, the "documents" section includes a wealth of behind-the-scenes footage, including a test screening for alternative actress Georgia Hale, rehearsal shots, chaotic scenes of Chaplin being mobbed in Vienna, a meeting with Winston Churchill and 1918 footage of Chaplin horsing around with famous boxers of the day including Benny Leonard. It also contains trailers, photo gallery and subtitles. On the first disc, the film's transfer to DVD is splendid. --David Stubbs
Oliver Stone's tale of a fading American football coach (played by Al Pacino) and his conflicts with the businesswoman (played by Cameron Diaz) who buys the club.
Al Pacino stars in this fascinating true WWII story; a chilling biopic following the plight of American entertainer-turned-Nazi weapon, Mildred Gillars, and the lawyer who, against all odds, struggles to redeem her reputation and maintain his own after 'Sally's' eventual capture and subsequent trial for treason. From the Producers of The Irishman and the Executive Producers of Midway, A Private War, American Animals, The Last Full Measure, Gotti and Rambo, and co-starring Thomas Kretschmann (King Kong, Resident Evil: Apocalypse), Lala Kent (Trauma Centre, 10 Minutes Gone) and Carsten Norgaard (The Man in the High Castle, The Three Musketeers).
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