A collection of six classic Doris Day movies in one bumper value box set!; ; Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical, down-on-his-luck musician, who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However, Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee, Laurie (Doris Day) - and promptly falls in love with her! ; ; Lover Come Back (1961) Account exec...
This is a UK Region 2 DVD ( and Region's 4 and 5 ) released by Sony Pictures Home Entertainment in 2009. The film runs to about 76 minutes and is presented Widescreen ( 16:9 ratio ).
A remake of 'Valley Of The Giants' 'The Big Trees' features Kirk Douglas as an ambitious lumberman who wants to make a fortune from the Redwood Forest by pushing a religious sect off their land. His many adventures include organising the religious sect to take action and leading them against their enemies as well as saving a heroine from a runaway train.
1. Scream Bloody Murder (Dir. Robert J. Emery 1972) 2. A Bucket of Blood (Dir. Roger Corman 1959) 3. Hell Penitentiary (Dir. Sergio Garrone 1985) 4. Hellraiser III (Dir. Anthony Hickox 1992) 5. Carnival of Souls (Dir. Herk Harvey 1962) 6. Don't Look in the Basement (Dir. S.F. Brownrigg 1973) 7. House on the Haunted Hill (Dir. William Castle 1959) 8. Ghoulies IV (Dir. Jim Wynorski 1994) 9. Don't Ring the Doorbell (Dir. Karen Arthur 1978) 10. Eat and Run (Dir. Christopher Hart 1986) 11. The Creature from Black Lake (Dir. Joy N. Houck Jr. 1976) 12. Queen of Blood (Dir. Curtis Harrington 1966) 13. Giant Spider Invasion (Dir. Bill Rebane 1975) 14. Demon Under Glass (Dir. Jon Cunningham 2002) 15. Flesh of the Beast (Dir. Terry West 2003) 16. Home Sweet Home (Dir. Netie Pena 1981) 17. Flesh Eater (Dir. Bill Hinzman 1989) 18. Night of the Living Dead (Dir. George A. Romero 1968) 19. Dead One (Dir. Barry Mahon 1961) 20. Silent Night Bloody Night (Dir. Theodore Gershuny 1974)
This is the original screen version of Robin Hood prince of thieves. Recreating the chivalry of England in all it's glory as it unveils the conflicts and betrayals that threaten to destroy the Kingdom of Richard the lion-heart. Fairbanks epitomises the valiant loyal knight immortalised in Arthurian legend gently wooing the virtuous Lady Marian. When King Richard and a band of warriors embark on a crusade to Palestine Richard's conniving brother assumes the throne and turns the onc
The Real Story Really Told for theiFirst Time! What sets a preacher's son on the path to violence? Against the backdrop of post-Civil War brutality Jesse James (Robert Wagner) goes from teenage Missouri farm boy to Confederate vigilante and then to outlaw king - as he ""invents"" the train robbery and his exploits virtually change Missouri's name to ""The Robber State!"" With director Nicholas Ray (Rebel Without A Cause) at the reins this re-telling of the life of Jesse
History and Hollywood have always made strange bedfellows. And there's no better example of that than Santa Fe Trail (1940) from director Michael Curtiz. Historical accuracy is never allowed to interfere with setting up a great action sequence. Errol Flynn is Jeb Stuart. Ronald Reagan is George Armstrong Custer (a part Flynn would play in 'They Died With Their Boots On'). Raymond Massey makes a flamboyant John Brown. And rounding out the cast are Oliveia de Haviland Alan Hale Van
The Outlaw (Dir. Howard Hughes 1943): Jane Russell plays a busty siren who steals the heart of Billy the Kid in this Howard Hughes/Howard Hawks-directed story which centres on the rivalrous tentative friendships between Billy Doc Holiday and Pat Garrett. Vengeance Valley (Dir. Richard Thorpe 1941): An unusually adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd
The love that lifted a man to paradiseā¦and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolute knock-out.
The Good The Bad And The Ugly (Dir. Sergio Leone 1966): Written by Age Scarpelli Luciano Vincenzoni and Sergio Leone The Good The Bad And The Ugly is the third and last western in Clint Eastwood's spaghetti trilogy. Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly ""The Good"" is the irredeemably ""Bad"" Lee and the resolutely ""Ugly"" Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No. 1 in the world's pop charts. Hang 'Em High (Dir. Ted Post 1968): Oklahoma 1873. Jed Cooper mistaken for a rustler and killer is lynched on the spot by crooked lawman Captain Wilson and a rampaging band of vigilantes. But as Wilson and his gang flee the scene there's one very important detail they've overlooked: Cooper is still alive! Saved in the nick of time by a sheriff Cooper takes on the job of deputy marshal in order to bring hard-handed justice to the Oklahoma territory and to the nine men who ""done him wrong""...
Brutalized by poverty, gentle blacksmith Marcus (Preston Foster) turns to the arena in Pompeii and becomes a gladiator. The more men he kills, the more bitter and cynical he becomes. After his gladiatorial career ends he takes up slaving, and fighting as a mercenary in the far off land of Judea.It is in Judea that he is fated to meet a great man - a man later crucified by his friend Pontius Pilate (Basil Rathbone) on a lonely hill outside Jerusalem.Before his life is through, Marcus will see his adored son (John Wood) turn to the forbidden teachings of that man,realise the true horror and cruelty of the Roman arena - and witness the terrible destruction of the city of Pompeii as Vesuvius erupts in its full, unrestrained fury...
Errol Flynn is Jeb Stuart. Ronald Reagan is George Armstrong Custer (a part Flynn would play in 'They Died With Their Boots On'). Raymond Massey makes a flamboyant John Brown. And rounding out the cast are Oliveia de Haviland Alan Hale Van Heflin and Ward Bond. With a talent roster that includes cinematographer Sol Polito ('Sergeant York') and composer Max Steiner ('Gone With The Wind') 'Sante Fe Trail' is lousy history but great Hollywood!
Hometown Story: Released in May 1951 featuring a stunning young Marilyn Monroe on the brink of stardom. It is a rare glimpse of Monroe before her breakthrough roles in 'Niagara' and 'Gentlemen Prefer Blondes' which catapulted her to fame... and into history. Monroe plays Iris Martin a secretary whose boss is an editor of a newspaper who suspects that big business is reponsible for his recent defeat in a state legislature election. He begins a campaign against his opponent...
Creeping!...Crawling!...Crushing! As the title suggests Giant Spiders have come to invade the earth and only two NASA employees Dr Jenny Langer and Dr. Vace can save the day!
Kirk Douglas plays Jim Fallon a hard-nosed lumberjack intent on making his fortune from California's famous giant redwood trees. The territory he has designs on though is inhabited by a religious colony that begs him not to strip their land of the mighty sequoias...
A "two-plus-one" package from Siren, Comedy Greats features classics from the two greatest silent-screen comics, Charlie Chaplin and Buster Keaton, plus a rather dreary effort from Danny Kaye. Never the most scintillating of comedians, Kaye's personable talents are thinly spread in 1949's The Inspector General. Distantly(!) based on a short story by Russian satirist Nikolay Gogol, this tale of mistaken identity enables Kaye to indulge in obvious wisecracks and not-so-smart dialogue. Sylvia Fine's songs are mildly amusing, and Henry Koster draws capable support from Walter Slezak and Elsa Lanchester, but it's a long haul. When he made Tilli's Punctured Romance in 1914, Charles Chaplin had yet to perfect the "little man" routine which made him the most popular 1920s screen star. His loveable rogue is well displayed opposite Marie Dressler's formidable country maid, whose unexpected windfall becomes the real object of his desire. Mabel Normand contributes an attractively period chic, and if, in the hands of Mack Sennett, the humour tends to fall back on music-hall slapstick, the historical significance of the film is undoubted. Yet it's Buster Keaton's 1928 classic Steamboat Bill Jr which comes out on top here. Keaton is perfectly cast as the put upon student, whose bravery saves both his father and his steamboat-owning rival, and wins the hand of the latter's daughter. Solid support comes from Ernest Torrence and the winsome Marion Byron, with Charles Riesner getting maximum drama from the cyclone sequence, but it's Keaton's soulful expression and breathtaking stuntwork which are the most potent reminders of a talent only later to receive its due. On the DVD: Comedy Greats is acceptably remastered, with 1.33:1 aspect ratio and 12 chapter headings per film, and decently packaged, this is worth acquiring--even though Keaton's film is the only one you're likely return to often. --Richard Whitehouse
In this delightful period farce set in Russia in the 1800's Danny Kaye plays and illiterate buffoon who is mistaken by the villagers for their feared Inspector General. Hilarious situations ensue as Danny is caught up in court intrigue without having a clue of what is going on.
The Marilyn Monroe Story a documentary about the life and career of this much loved star narrated by director John Huston (who worked with her on ""The Misfits"") includes interviews with friends cast and crew who worked with Monroe and others who knew her clips from her films and some scenes that were cut from her earliest movies and not seen for many years.
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