From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria, The Bird with the Crystal Plumage), comes Deep Red the ultimate giallo movie. One night, musician Marcus Daly (David Hemmings, Blow Up), looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka Profondo Rosso and The Hatchet Murders) is a hallucinatory fever dream of a giallo punctuated by some of the most astonishing set-pieces the sub-genre has to offer. Special Edition Contents New 4K restoration of both the original 127-minute Italian version and the 105-minute export version from the original negative by Arrow Films 4K (2160p) UHD Blu-ray presentations of both versions in Dolby Vision (HDR10 compatible) Limited edition packaging with reversible sleeve featuring originally and newly commissioned artwork by Obviously Creative Illustrated collector's booklet featuring writing on the film by Alan Jones and Mikel J. Koven, and a new essay by Rachael Nisbet Fold-out double-sided poster featuring original and newly commissioned artwork by Obviously Creative Six double-sided, postcard-sized lobby card reproduction artcards Disc 1 (4k Ultra-HD Blu-ray) Deep Red: Original Version Restored original lossless mono Italian and English soundtracks* Optional lossless 5.1 Italian soundtrack English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by critics Troy Howarth and Nathaniel Thompson Archival audio commentary by Argento expert Thomas Rostock Almost three hours of new interviews with members of the cast and crew, including co-writer/director Dario Argento, actors Macha Méril, Gabriele Lavia, Jacopo Mariani and Lino Capolicchio (Argento's original choice for the role of Marcus Daly), production manager Angelo Iacono, composer Claudio Simonetti, and archival footage of actress Daria Nicolodi Italian trailer Arrow Video 2018 trailer Image galleries Disc 2 (4k Ultra-hd Blu-ray) Deep Red: Export Version: Restored original lossless mono English soundtrack Optional English subtitles for the deaf and hard of hearing Archival introduction to the film by Claudio Simonetti of Goblin Profondo Giallo an archival visual essay by Michael Mackenzie featuring an in-depth appreciation of Deep Red, its themes and its legacy Archival interviews with Dario Argento, Daria Nicolodi, Claudio Simonetti and long-time Argento collaborator Luigi Cozzi US theatrical trailer *The English audio track on this original cut has some portions of English audio missing. English audio for these sections was never recorded for these scenes. As such, they are presented with Italian audio, subtitled in English.
Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
Fearless, Savage, Brutal. He's the only survivor of a blood-drenched massacre and he's on a relentless vendetta to avenge the death of his wife and his people. Consumed by hatred, driven by violence, his name is Navajo Joe and he wants a dollar for every head he rolls and every skull he splits. Directed by the creator of the legendary spaghetti western Django (Segio Corbucci) and written by the man responsible for Milano Calibre 9, (Fernando di Leo), Navajo Joe is a dark, violent and unforgettable cult western like you've never seen before. It features Burt Reynolds in only his second leading role. Fast paced, action packed and highly original, Navajo Joe is presented here from a new HD master for the very first time.
Following the success of his debut feature, The Bird with the Crystal Plumage, distributor Titanus tasked writer/director Dario Argento with delivering a follow-up in short order. The resulting film, granted a greatly enhanced budget and heralded in its US marketing campaign as nine times more suspenseful than its predecessor, was The Cat O' Nine Tails. When a break-in occurs at a secretive genetics institute, blind puzzle-maker Franco Arnò (Karl Malden, Patton, One-Eyed Jacks), who overheard an attempt to blackmail one of the institute's scientists shortly before the robbery, teams up with intrepid reporter Carlo Giordani (James Franciscus, Beneath the Planet of the Apes) to crack the case. But before long the bodies begin to pile up and the two amateur sleuths find their own lives imperilled in their search for the truth. And worse still, Lori (Cinzia De Carolis, Cannibal Apocalypse), Franco's young niece, may also be in killer's sights This second entry in the so-called Animal Trilogy found Argento further refining his distinctive style and cementing his reputation as the master of the giallo thriller. Co-starring Catherine Spaak (Il Sorpasso) and Rada Rassimov (Baron Blood), and featuring another nerve-jangling score by the great Ennio Morricone (The Bird with the Crystal Plumage, The Good, The Bad and the Ugly), The Cat O' Nine Tails remains one of Argento's most suspenseful and underrated films. Special Features: New 4K restoration from the original negative by Arrow Films 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Restored original lossless mono Italian and English soundtracks English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Audio commentary by critics Alan Jones and Kim Newman Nine Lives, an interview with co-writer/director Dario Argento The Writer O' Many Tales, an interview with co-writer Dardano Sacchetti Child Star, an interview with actress Cinzia De Carolis Giallo in Turin, an interview with production manager Angelo Iacono Script pages for the lost original ending, translated into English for the first time Original Italian, international and US theatrical trailers Illustrated collector's booklet featuring an original essay on the film by Dario Argento, and writing by Barry Forshaw, Troy Howarth and Howard Hughes Fold-out double-sided poster featuring original and newly commissioned artwork by Obviously Creative Six double-sided, postcard-sized lobby card reproduction artcards Limited edition packaging with reversible sleeve featuring originally and newly commissioned artwork by Obviously Creative
During his long and varied career, Jacques Tourneur (The Comedy of Terrors, Cat People) tackled a breadth of genres on both sides of the Atlantic. With 1956 s Nightfall, he returns to the noir trappings he tackled so successfully with Out of the Past for a tale of deception, intrigue and paranoia. Adapted from the novel by prolific crime fiction author James Goodis (Dark Passage), Nightfall is the story of Jim Vanning (Aldo Ray, The Violent Ones; The Naked and the Dead), an innocent man wrongly accused of murder. On the same night he has a chance encounter in a bar with glamorous model Marie (Anne Bancroft, The Graduate), the hoods he s spent the past year running from catch up with him, determined to recover the money they believe he stole from them. Pursued by both the hoods and law enforcement, Vanning and Marie go on the lam, leading to a desperate chase that takes them from the streets of Los Angeles to the snowy peaks of Wyoming. Eschewing both the big names associated with the genre and its familiar urban locales, and featuring striking monochromatic photography by Oscar-winner Burnett Guffey (From Here to Eternity), Nightfall is a gripping and inventive late-period noir which shows that, even in its twilight years, the genre still had room for innovation. Special Contents: High Definition Blu-ray (1080p) presentation, restored from original film elements Original lossless mono soundtrack Optional English subtitles for the deaf and hard of hearing New audio commentary by author and critic Bryan Reesman White and Black, a new video appreciation of Nightfall by film historian Philip Kemp Do I Look Like a Married Man?, a new video essay on the themes of Nightfall by author and critic Kat Ellinger Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Jennifer Dionisio FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Amy Simmons
All the episodes from the first four series of the Australian drama set in the 1950s, starring Marta Dusseldorp and Arianwen Parkes-Lockwood. When Sarah Adams (Dusseldorp), a mysterious woman who has spent the last 20 years abroad, receives tragic news from her family, she begins her journey back home to her native Australia. As she gets to know the wealthy Bligh family, her life begins to change forever. Series 1 episodes are: 'The Prodigal Daughter', 'The Welcome Mat', 'Truth Will Out', 'The Mona Lisa Smile', 'Day of Atonement', 'That's Amore', 'Boom!', 'Worlds Apart', 'Cane Toad', 'Lest We Forget', 'True to Your Heart', 'New Beginning' and 'Secret Love'. Series 2 episodes are: 'No Secrets, Ever', 'I Believe', 'A Kiss to Build a Dream On', 'What Your Heart Says', 'The Ghosts of Christmas Past', 'Auld Lang Syne', 'No Other Love', 'Answer Me, My Love', 'I Do, I Do' and 'Unforgettable'. Series 3 episodes are: 'The Things We Do for Love', 'L'chaim, to Life', 'Somewhere Beyond the Sea', 'Too Old to Dream', 'Living in the Shadow', 'In the Heat of the Night', 'Sins of the Father', 'Till Death Do Us Part', 'The Mourners' Kadish' and 'The Love Undeniable'. Series 4 episodes are: 'A Nagging Doubt', 'Bad in a Good Way', 'When You're Smiling', 'Home to Roost', 'Happy Days Are Here Again', 'The Trouble With Harry', 'You're Just in Love', 'There'll Be Some Changes Made', 'Where Will the Baby's Dimples Be', 'And the Blind Shall See', 'Catch the Tiger' and 'All Good Things'.
Roberto Rossellini and co-writer Federico Fellini lovingly render the very spirit of Franciscan teaching in this extraordinarily fresh and simple film which was unappreciated at the time of its release but now regarded as one of his greatest. Shot in a neorealist manner with non-professional actors (including thirteen real Franciscan monks from the convent of Nocere Inferiore) it avoids the pious clichs of haloed movie saints with an economy of expression and a touching human quali
Welcome to a bittersweet world of episodic adventures and strange encounters. Welcome to a sordid nocturnal world of ruthless callous boyfriends and stray movie stars looking for seedy kicks. Welcome to the harsh unforgiving streets of a crumbling Rome where hope can still prevail and dreams cradle the lost. Welcome to the world of Cabiria a feisty loud outspoken and somewhat na''ve prostitute waiting for a miracle and one of the most unforgettable and endearing characters of European cinema. Eventually remade in Hollywood as Sweet Charity Nights Of Cabiria is a often humorous poignant unflinching and vivid portrait of one woman's picaresque existence and her perseverance through adversity. Starring Fellini's wife Giulietta Masina as the irrepressible protagonist Nights Of Cabiria marked Fellini's last foray into gritty neo-realism before venturing into the surreal satire and dream logic of La Dolce Vita and Eight And A Half.
This two-disc Special Edition presents the restored, extended English-language version of Leone's The Good, the Bad and the Ugly, now clocking in at almost three hours (actually 171 minutes on this Region 2 DVD as a result of the faster frames-per-second ratio of the PAL format). It includes some 14 minutes of previously cut scenes, with both Clint Eastwood and Eli Wallach returning to the editing suite in 2003 to add their voices to scenes that had never before been dubbed into English (Wallach's voice is noticeably that of a much older man in these additional sequences). The extra material contains nothing of vital importance, but it's good to have the movie returned to pretty much the way Leone originally wanted it. The anamorphic widescreen picture is now also accompanied by a handsome Dolby 5.1 soundtrack, making this the most complete and satisfactory version so far released. Film historian Richard Schickel provides an authoritative and engaging commentary on Disc 1. On the second disc there are featurettes on Leone's West (20 mins), The Leone Style (24 mins), Reconstructing The Good, the Bad and the Ugly (11 mins) and a documentary about the historical background of the Sibley campaign, The Man Who Lost the Civil War (15 mins). In addition, there's a two-part appreciation of composer Ennio Morricone, Il Maestro, by film-music expert John Burlinghame. Tuco's extended torture scene can be found here, along with a reconstruction of the fragmentary "Socorro Sequence". In short, exemplary bonus features that will satisfy every Leone aficionado. --Mark Walker
They were crack troops skilled in the techniques of unconditional warfare the soldiers of the Special Forces - and the focus of Hollywood's first feature film about the Vietnam War: The Green Berets. John Wayne stars in and co-directs this red-white-and-blue depiction of America's Vietnam effort. Wayne wrote to President Lyndon Johnson to request military assistance for the film - and got more than enough firepower to create an impressive spectacle. Its soldiers fit the tried and true mould of earlier Wayne war classics like Back To Bataan and Sands of Iwo Jima. Their heroics are timeless.
Three convicts - Joseph (Bogart) Albert (Aldo Ray) and Jules (Peter Ustinov) - are plotting their escape from Devil's Island. Fate intervenes when they hide out with kindly but inept Felix (Leo G. Carrol) and his family. Felix manages a store for his arrogant cousin Andre (Basil Rathbone) who makes the fatal mistake of stealing Albert's pet a poisonous snake. After resolving Felix's problems the convicts return to prison convinced that the world is much too wicked!
Set in the Korean war in 1950 and based on a 1949 World War II novel of the Normandy campaign 'Day without End' by Van Praag. On September 6 1950 at the beginning of the Korean War Lt. Benson and his platoon are stranded on a hillside unable to contact division headquarters on their radio and unable to advance because their truck is beyond repair. Lieutenant Benson (Robert Ryan) is leading his platoon in enemy held territory after a retreat. They are joined by Sgt Montana (Aldo Ray) who's only concern is looking after his catatonic colonel (Robert Keith). Benson and Montana loath each other but must work together to get the men to hill 465 where they hope a division is waiting - but the harrowing march is filled with danger. Directed by Anthony Mann (El Cid and Fall of the Roman Empire).
François Girard's The Red Violin (1998) is a good-looking but ultimately insubstantial piece from a director who seems more concerned with tone, colour and style than narrative coherence. The film traces the story of a violin originally made in 17th-century Italy, which is taken to an 18th-century monastery to be played by a child prodigy. The violin later comes into the hand of a virtuoso in 19th-century Oxford, from there to China in the Cultural Revolution and on to Montreal, where--before it can be auctioned--it is "acquired"' by Samuel L Jackson. Unfortunately, none of these stories make much of an impression: the episode in Oxford is particularly weak, with Greta Scacchi wasted, and the film is even less than the sum of its parts. Jackson is completely miscast as an expert on musical instruments, even if a criminal one. To be frank, this is a poor effort, though well photographed and with a pleasing score by composer John Corigliano performed by violinist Joshua Bell. On the DVD:The disc contains a theatrical trailer but no other features. The soundtrack is excellent, in Dolby Surround. The image is equally good, in a 1.78:1 anamorphic print. --Ed Buscombe
This rollicking look inside the rural Deep South brings to life the primitive, ribald rustics of Erskine Caldwell's steamy bestselling novel. Both humorous and heartrending, this critically acclaimed film reveals the hidden passions and violent impulses heating up beneath the hot Southern sun, as well as the warmth and humour of every day life. A poor sharecropper's family struggling to survive is nearly torn apart as the patriarch stubbornly pursues his belief that gold is buried somewhere on his land. Nothing will stop him as he goes to outrageous lengths in his efforts to find the treasure.
Beat the Devil is a wacky comedy that's played as straight as any film noir and is even funnier as a result. Five men (Bogart, Lorre, Morley, Barnard, and Tulli) are out to garner control over East African land which they believe contains a rich uranium ore lode. Billy Dannreuther (Bogart) is married to Maria (Gina Lollobrigida), the other four are their 'business associates', and Jones and Underdown are added to the mix for some interesting diversification. As the boat leaves from Italy to...
Sergio Leone's The Good the Bad and the Ugly is even gutsier on Blu-ray! With a saddlebag full of special features including commentaries featurettes deleted scenes and more it's the most exciting version of this groundbreaking western available! The inimitable Man With No Name (Clint Eastwood) teams with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn't come naturally to the outlaws and they soon discover that their greatest challenge is to stay alive in a country ravaged by war. Forging a vibrant and yet detached style of action never before seen and not matched since The Good the Bad and the Ugly shatters the western mold in true Eastwood style!
The winner of the first ever Academy Award for Best Foreign Language Film available on DVD for the first time! Giulietta Masina (the late Federico Fellini's wife) stars as Gelsomina who is sold by her mother into the employ of Zampano (Anthony Quinn) a vicious strongman. They join up with a travelling circus where Zampano encounters his old rival tightrope artist The Fool (Richard Basehart). The Fool befriends Gelsomina and presents her with an uplifting view of the world as oppo
Miss Sadie Thompson (Hayworth) is a bawdy night club entertainer stranded on a tropical island during World War II...
An English jazz pianist living in Rome witnesses the brutal hatchet murder of a renowned psychic and is quickly drawn into the savage crime. With the help of a tenacious female reporter the pair track a twisted trail of deranged clues and relentless violence towards a shocking climax that has ripped screams from the throats of audiences for more than 25 years! Widely considered by both fans and critics alike to be Dario Argento's true masterpiece.
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