Catch up on all 6 Mission: Impossible films with the 6-movie collection. Also includes a bonus disc packed with unseen special features.
Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War as Second-in-Command he was made acting Commanding Officer. Now the regiment has returned to Scotland and a new commanding officer is to be appointed. Jock's own cleverness is pitted against his new CO his daughter his girlfriend and the other officers in the Mess.
The best intentions often come back to haunt you. MISSION: IMPOSSIBLE - FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.
Episodes 37-42 of the long running Scottish soap opera. Take the High Road was one of the longest running shows on UK television. For over 22 years and more than 1 500 episodes the series set amongst Scottish lochs rolling hills and purple heather delighted viewers all over Britain as this landmark Scottish Television drama followed the lives of the inhabitants of Glendorrach a beautiful village in the scenic Scottish countryside. Following the trials and tribulations of the people who live and work on the estate Take the High Road was shot on location in the village of Luss on the banks of the picturesque Loch Lomond northwest of Glasgow. Now you can relive the highs and lows the friendships the romances and all the dramas as they unfold in this timeless classic.
This stunning new 4K restoration of 1955 Ealing comedy THE LADYKILLERS and the first from the original 3 strip technicolour negative, showcases Alexander Mackendrick's vision is its full glory. Considered by many as the finest British comedy ever made, THE LADYKILLERS follows the hilarious capers of a group of small-time crooks, taking on more than they can handle in the form of their sweet elderly landlord, Mrs. Wilberforce (BAFTA Award winning actress Katie Johnson; How To Murder A Rich Uncle). The criminal gang, posing as a string quartet, are unprepared for their landlord's meddling when one of the musicians' cases gets caught in a door, revealing the group's true identity. Featuring an impressive all-star lineup, with the finest comedy actors of the day; Alec Guinness (Kind Hearts and Coronets, Lavender Hill Mob) plays the gang's mastermind Professor Marcus', Cecil Parker (A French Mistress) is Claude otherwise known as Major Courtney', Peter Sellers (I'm Alright Jack) is Harry aka Mr. Robinson', Herbert Lom (The Pink Panther) is Louis aka Mr. Harvey' and Danny Green (A Kid For Two Farthings) plays One Round also known as Mr. Lawson'. Special Features Blu-ray Disc 1 and Ultra HD NEW Investigating the Ladykillers featurette NEW Colour in The Ladykillers: an interview with Professor Keith Johnston Audio commentary with author and film scholar Philip Kemp Lobby Cards gallery Behind the scenes stills gallery Blu-ray Disc 2 Peter Sellers spoof trailer from the set of The Ladykillers King's Cross Locations featurette with Alan Dein Audio Interview with Assistant Director Tom Pevsner Audio Interview with Unit Production Manager David Peers Forever Ealing Documentary Excerpt from BBC Omnibus Made in Ealing' (1986) Trailer Includes the feature in both 1.37 and 1.66 aspect ratios - first time both have been available together
Episodes 25-30 of the hit long-running Scottish drama series. Take the High Road was one of the longest running shows on UK television. For over 22 years and more than 1,500 episodes the series set amongst Scottish lochs, rolling hills and purple heather delighted viewers all over Britain as this landmark Scottish Television drama followed the lives of the inhabitants of Glendorrach, a beautiful village in the scenic Scottish countryside. Following the trials and tribulations of the people who live and work on the estate, Take the High Road was shot on location in the village of Luss, on the banks of the picturesque Loch Lomond, northwest of Glasgow. Now you can relive the highs and lows, the friendships, the romances and all the dramas as they unfold in this timeless classic.
Although you never really fear for Mrs "lop-sided" Wilberforce or General Gordon (her parrot) in The Ladykillers, the criminal gang who come to stay are clearly dangerous. Alec Guinness is extraordinary as the buck-toothed mastermind, and once the hijacked lolly is stowed in their digs it's a joy to watch him scheme to eliminate the other crooks and abscond with it all. Herbert Lom's thuggishness, Peter Seller's nervy twitching, and Danny Green's lumbering cloddishness are a treat, but are wickedly done away with one by one under cover of locomotive smoke plumes. So many set-pieces make this a classic: sending the landlady to collect the stolen money at the station, Frankie Howerd's boisterous fruit seller cameo, and keeping alive the idea that the gang's a musical troupe with a penchant for Boccherini and Haydn. Some inspired set design and camera work even add an expressionistic quality. --Paul Tonks
The Rebels scatter after the Empire attacks their base on the ice planet Hoth. Han Solo and Princess Leia are pursued by Imperials, while Luke trains with Jedi Master Yoda. Luke battles Darth Vader and learns the shocking truth of his past.
Four of the British film industry's best-loved comedies in one box set makes The Ealing Comedy Collection absolutely essential for anyone who has any passion at all for movies. The set contains Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Ealing's greatest comedies captured the essence of post-war Britain, both in their evocation of a land once blighted by war but now rising doggedly and optimistically again from the ashes, and in their mordant yet graceful humour. They portray a country with an antiquated class system whose crumbling conventions are being undermined by a new spirit of individual opportunism. In the delightfully wicked Kind Hearts and Coronets, a serial killer politely murders his way into the peerage; in The Lavender Hill Mob a put-upon bank clerk schemes to rob his employers; The Man in the White Suit is a harshly satirical depiction of idealism crushed by the status quo; while The Ladykillers mocks both the criminals and the authorities with its unlikely octogenarian heroine Mrs "lop-sided" Wilberforce. Many factors contribute to the success of these films--including fine music scores from composers such as Benjamin Frankel (Man in the White Suit) and Tristram Cary (The Ladykillers); positively symphonic sound effects (White Suit); marvellously evocative locations (the environs of King's Cross in Ladykillers, for example); and writing that always displays Ealing's unique perspective on British social mores ("All the exuberance of Chaucer without, happily, any of the concomitant crudities of his period")--yet arguably their greatest asset is Alec Guinness, whose multifaceted performances are the keystone upon which Ealing built its biting, often macabre, yet always elegant comedy. On the DVD: The Ealing Comedy Collection presents the four discs in a fold-out package with postcards of the original poster artwork for each. Aside from theatrical trailers on each disc there are no extra features, which is a pity given the importance of these films. The Ladykillers is in muted Technicolor and presented in 1.66:1 ratio, the three earlier films are all black and white 1.33:1. Sound is perfectly adequate mono throughout. --Mark Walker
A young boy, Toseland (Alec Christie) is shipped off for a festive stay at the ancient Oldknow family home only to be told that he'll be spending Christmas with his great grandmother, Mrs. Oldknow (Daphne Oxenford). When he arrives at the strangely enchanting Green Knowe manor, Mrs. Oldknow is keen to tell Toseland about his family's rich, eccentric past. Slowly but surely, Tolly' begins to feel the presence of quite a few others in the house - and these aren't any ordinary residents. As his great-grandmother continues to tell her supernatural stories, they become more and more of a reality. Toseland comes face-to-face with the spirits of his ancestors, and is connected with both the ghosts and the magic of Green Knowe. This captivating telefantasy mini-series is produced by BAFTA winner and Primetime Emmy nominee Paul Stone (The Lion, the Witch and the Wardrobe).
Episodes 31-36 of the long running Scottish soap opera. Take the High Road was one of the longest running shows on UK television. For over 22 years and more than 1,500 episodes the series set amongst Scottish lochs, rolling hills and purple heather delighted viewers all over Britain as this landmark Scottish Television drama followed the lives of the inhabitants of Glendorrach, a beautiful village in the scenic Scottish countryside. Following the trials and tribulations of the people who live and work on the estate, Take the High Road was shot on location in the village of Luss, on the banks of the picturesque Loch Lomond, northwest of Glasgow. Now you can relive the highs and lows, the friendships, the romances and all the dramas as they unfold in this timeless classic.
Take the High Road was one of the longest running shows on UK television. For over 22 years and more than 1,500 episodes the series set amongst Scottish lochs, rolling hills and purple heather delighted viewers all over Britain as this landmark Scottish Television drama followed the lives of the inhabitants of Glendorrach, a beautiful village in the scenic Scottish countryside. Following the trials and tribulations of the people who live and work on the estate, Take the High Road was shot on location in the village of Luss, on the banks of the picturesque Loch Lomond, northwest of Glasgow. Now you can relive the highs and lows, the friendships, the romances and all the dramas as they unfold in this timeless classic.
Episodes 43-48 of the long running Scottish soap opera. Take the High Road was one of the longest running shows on UK television. For over 22 years and more than 1 500 episodes the series set amongst Scottish lochs rolling hills and purple heather delighted viewers all over Britain as this landmark Scottish Television drama followed the lives of the inhabitants of Glendorrach a beautiful village in the scenic Scottish countryside. Following the trials and tribulations of the people who live and work on the estate Take the High Road was shot on location in the village of Luss on the banks of the picturesque Loch Lomond northwest of Glasgow. Now you can relive the highs and lows the friendships the romances and all the dramas as they unfold in this timeless classic. Volume 8 includes episodes 43-48 of Take the High Road.
There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
A mixed bag as variations on A Christmas Carol go, this 1970 British musical tells the usual story of Scrooge (Albert Finney) and his spirits on Christmas Eve, although the whole thing is set to music by Leslie Bricusse. Except for Finney's feisty and involved performance, however, there isn't much to recommend this. The songs, which absorb so much of the evolving story line and emotions, are not all that good. Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie). --Tom Keogh
Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
Go to there all over again with the complete seventh and final season of the primetime Emmy Sag Peabody and golden globe award-winning comedy 30 Rock hailed by the Washington post as 'the equivalent of a whole platter of night cheese' and praised by bloggers and snail writers with all different parts of speech like 'lines' 'emotional' 'laughing' 'jokesper- minute' 'lutz' and 'self-cancelled.' Primetime Emmy Sag and Golden Globe award winners Tina Fey and Alec Baldwin are back one more time as weird buddies/work spouses Liz Lemon and Jack Donaghy. As Jack schemes to take control of Kabletown or sink the whole company trying Liz strives to balance her uncharacteristically blissful personal life with the constant chaos of her career. Even with Kenneth Parcell (Jack Mcbrayer) lifelong NBC devotee temporary janitor and immortal creature not of this earth around to tend to tgs' lovable misfit stars Tracy Jordan (Tracy Morgan) and Jenna Maroney (Jane Krakowski) 30 Rock mayhem ensues with a season full of network tanking election meddling upward spiralling funeral weddings Florida Reverse health scares sacrificial bunions symphonic 'Sanford and Son' arrangements last lunches and boat modelling. Special Features: Audio Commentaries Deleted Scenes Webisode - 'The Donaghy Files' Featurette - Tina Fey Studio Tour
Hit American sitcom Will and Grace is as perky as Friends and as wittily urbane as Frasier. The premise concerns Will (Eric McCormack), a mildly uptight lawyer who agrees to have as a flatmate his best friend, interior designer Grace (Debra Messing). Their relationship has all the hallmarks of one between lovers--emotional dependency, little things that get on each other's nerves, strong mutual interests and volcanic arguments. The only snag is that while Grace is straight, Will is gay. Though not shy of poking sharp fun at that situation, Will and Grace is among sitcom's most potent and sophisticated antidotes to homophobia. Though initially a little too pleased with its own camp pertness, the show grows and grows on you with successive episodes, finally becoming indispensable. It also benefits from secondary characters Jack (Sean P Hayes) and Karen (Megan Mullally), also gay and straight respectively, both outrageously and hilariously irresponsible characters: he's a free spirit and freeloader, she's "working" as Grace's assistant even though she doesn't need the money, having married some. Despite its diamond and rapid-fire punch lines, Will and Grace conveys enough sense of the lovelorn predicament of the main characters to prevent it becoming too cute. --David Stubbs
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