"Actor: Alex McAvoy"

• Pink Floyd - The Wall | DVD | (22/04/2005) from £9.99   |  Saving you £-2.00 (N/A%)   |  RRP £7.99

  By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon

• Two Doors Down Series 4 | DVD | (04/03/2019) from £10.16   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Loving thy neighbour continues to be an uphill struggle for the residents of Latimer Crescent. Two Doors Down returns to the street for another dose of neighbourly interference. Beth (Arabella Weir) and Eric (Alex Norton), Cathy (Doon Mackichan) and Colin (Jonathan Watson), Ian (Jamie Quinn) and partner Gordon (Kieran Hodgson), new neighbours Alan (Graeme ˜Grado' Stevely) and Michelle (Joy McAvoy) and the indomitable Christine (Elaine C Smith) look out for each other and drive each other to distraction on a regular basis. They also all do their very best to endure everything friends and family can throw at them - which this year includes a dubious trifle, an unconventional wake, an extended stay in hospital and overbearing pressure to love rhubarb.

• The Vital Spark | DVD | (27/02/2006) from £19.37   |  Saving you £-9.38 (N/A%)   |  RRP £9.99

  JOIN THE original crew of the good ship Vital Spark on their precarious voyage of life through the uncharted seas of change. Or more precisely - up and down the Clyde.In A Drop o' the Real Stuff wily Captain Para Handy gets the crew involved in whisky smuggling and in Bad Luck Cargo never the one to miss an opportunity the Cap'n takes possession of an unwanted headstone with a view to making a killing on the resale.It's near mutiny when the crew of the Vital Spark are invited to the wedding of the year - all except Dan... having been at sea for a considerable time it's inevitable that the odd Quarrel will break out. And the sparks really fly when the Cap'n gives Dan his jotters - is it the end of the line for the Vital Spark and her crew?Finally enjoy a Highland Voyage with the crew old and new aboard the steamer as she takes a musical journey around the Scottish isles.A welcome return for an old comedy classic which truly has stood the test of time and is a must for any connoisseur of classic Scottish comedy.The only remaining episodes of the classic BBC series.

• Pink Floyd - The Wall | DVD | (05/06/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

  By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon

• Pink Floyd - The Wall | DVD | (02/06/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon