Chase is on the case and Marshall is all fired up for these 8 PAW Patrol adventures! Join the team as their police pup and firedog lead them on some “ruff-ruff” rescues. Bonus Features: Pups Pit Crew/Pups Fight Fire Pups Save A Hoedown/Pups Save Alex Pups Save A Monkey/Pups Save A Hoot Pups And The Lighthouse Boogie/Pups Save Ryder
You've never seen anything like it. An utterly engrossing story of rampaging neo-Nazi skinheads that may well be one of the most disturbing films. It's intoxicating violence and willingness to suspend moral judgement on its hypnotic characters make the film complex. Emotionally powerful and never afraid to portray the ugly destructive face of ignorance and prejudice 'Romper Stomper' excites disturbs and boldly challenges the viewer. Winner of 3 Australian Institute Awa
This collection features the considerable delights of the Griffin clan's series 5 adventures all under one roof! Episodes Comprise: 1. Peter's Got Woods 2. Perfect Castaway 3. Jungle Love 4. PTV 5. Brian Goes Back to College 6. The Courtship of Stewie's Father 7. Fat Guy Strangler 8. The Father The Son and The Holy Fonz 9. Brian Sings & Swings 10. Patriot Games 11. I Take Thee Quagmire 12. Sibling Rivalry 13. Deep Throats 14. Peterotica 15. You May Now Kiss The...Uh...Guy Who Receives 16. Petergeist 17 Untitled Griffin Family History
Larry Clark's controversial Kids is a film about New York City adolescents walking the AIDS tightrope, but it's also an unblinking look at the dehumanising rituals of growing up. It really doesn't add up to more than the sum of its various shocks--virgin-busting, skinny-dipping, male callousness--overlayed with middle-class disapproval. Clark is hectoring us for cutting kids loose at a terrible time in modern American history, but so are a lot of other people who also offer alternatives and ideas. The film does nothing to push us toward new thoughts, new solutions, new dreams. It is more like a window onto our worst fantasies about what our children are doing out there on the streets. --Tom Keogh, Amazon.com
Breaking the mould of previous "Walking with" offerings, the BBC's Walking with Cavemen sees Professor Robert Winston follow in the footsteps of ancient man in a series that traces the history of humanity from bipedal ape-men (Australopithecus Aphaeresis) to the awakening of the human mind's potential with Homo Erectus. Spread over four fascinating half-hour instalments, Wilson presents an accessible and populist, but still suitably anthropological study on how apes became human and the traits that we inherited from our earliest ancestors. Unlike Dinosaurs and Beasts, Cavemen combines CGI with actors to portray the characters in the story of man. Initially this seems to make it far less technically impressive than the earlier programmes--memories of Kubrick's 2001 are inevitable--but fortunately the acting is superb and the viewer soon forgets that these are people in monkey suits. The series also makes use of a special effect called "deep time-lapse", which shows in a matter of dramatic seconds the thousands of years of geological changes that sped up our ancestors' evolution. Wilson himself takes part in the action as if he is a modern-day naturalist following lions across the Serengeti rather than creatures long extinct. This approach makes for a more immediate as well as poignant interpretation of history: the result is an enlightening and moving tribute to the human journey. On the DVD: Walking with Cavemen on disc has production interviews with series producer Peter Georgi, executive producer and director Richard Dale, director of animated extras Ben Palmer and actor David Rubin. There are also location interviews, the best of which is two of the actors in full costume explaining the difficulties involved in eating lunch. There are sequences explaining the creation of the digital effects, and the original score can be accessed as an audio-only option. A fact file for each episode and a picture gallery complete the extras package. --Kristen Bowditch
After sending shockwaves across contemporary culture and setting a new standard for provocative, socially-conscious horror films with his directorial debut, Get Out, Academy Award®-winning visionary Jordan Peele returns with another original nightmare that he has written, directed and produced. After spending a tense beach day with their friends, the Tylers (Emmy winner Elizabeth Moss, Tim Heidecker, Cali Sheldon, Noelle Sheldon), Adelaide and her family return to their vacation home. When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.
In Jumanji: The Next Level, the gang is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world's most dangerous game.
A recreation of the meeting at the White House between Elvis Presley and President Richard Nixon.
Extraordinary lives of ordinary people in search of love and happiness, "C.R.A.Z.Y." is a family drama unlike any other.
Endless Love stars Alex Pettyfer (Magic Mike) and Gabriella Wilde (The Three Musketeers) in the story of a privileged girl and a charismatic boy whose instant desire sparks a love affair made only more reckless by parents trying to keep them apart.
Donna Deitch's tender, ground-breaking debut, a landmark in queer cinema and a triumph of independent filmmaking The swooning and sensual first narrative feature by DONNA DEITCH, Desert Hearts was ground breaking upon its 1985 release: a love story about two women, made entirely independently, on a self-financed shoestring budget, by a woman. In the 1959-set film, an adaptation of a beloved novel by Jane Rule, straitlaced East Coast professor Vivian Bell (The Colour of Money's HELEN SHAVER) arrives in Reno to file for divorce but winds up catching the eye of someone new, the younger free spirit Cay (Manhunter's PATRICIA CHARBONNEAU), touching off a slow seduction that unfolds against a breath-taking desert landscape. With undeniable chemistry between its two leads, an evocative jukebox soundtrack, and vivid cinematography by ROBERT ELSWIT (Punch-Drunk Love), Desert Hearts beautifully exudes a sense of tender yearning and emotional candour. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES New, restored 4K digital transfer, supervised by cinematographer Robert Elswit, with uncompressed monaural soundtrack Audio commentary from 2007 featuring director Donna Deitch New conversation between Deitch and actor Jane Lynch New conversation between Deitch, Elswit, and production designer Jeannine Oppewall about the film's visual style New interviews with actors Helen Shaver and Patricia Charbonneau Excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1995 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based PLUS: An essay by critic B. Ruby Rich
If you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realises he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton
The crew of the Raza, a derelict spaceship, is awakened from stasis with no memories of who they are or how they got on board. Facing threats at every turn and the realisation that they were wanted criminals pre-amnesia they have to work together to survive a voyage charged with vengeance, betrayal and hidden secrets, while also facing questions of Nature vs Nurture, identity and rehabilitation. In Season Two, the crew of the Raza find themselves prisoners on the Hyperion-8 Maximum Security Galactic Detention Facility. They are soon embroiled in an intergalactic conspiracy, seeking a mysterious device that may hold the key to victory in a looming all-out corporate war. DARK MATTER was made by Joseph Mallozzi and Paul Mullie, the creators of the graphic novel of the same name and the executive producers and writers of STARGATE. Special Features: 13 Featurettes with Cast and Crew Picture Gallery Subtitles
A story of love class sex and money seen through the eyes and experiences of a young gay man living in London in the 1980's where hedonism and capitalism collide. The Line Of Beauty is a reference to cocaine the bodily curves of a lover and the main character's dangerous susceptibility to all things beautiful. Adapted by Andrew Davies (Bleak House Pride & Prejudice) from the award winning novel by Alan Hollinghurst.
Airwolf: The Movie is a futuristic high action adventure about an awesome billion dollar helicopter equipped with a twin-turbine drum rotor system capable of propelling it to 300 knots plus 14 firepower options. When the helicopter is purloined by Libyan mercenaries Michael Archangel (Alex Cord) project director of the CIA enlists the help of Vietnam veteran Stringfellow Hawke (Jan-Michael Vincent) and his father's best friend Dominic Santini (Ernest Borgnine) in an attempt to recover the Airwolf. A deadly mission which takes them to the Middle East where they come face to face with the enemy in a dirty battle to repossess the deadliest aerial weapon ever made.
In the summer of 1996 Bobby Robson was diagnosed with cancer and given just months to live. Miraculously, less than a year Robson was managing the legendary FC Barcelona - motto 'More Than A Club'. But Bobby Robson was more than a manager. The miner's son from Newcastle played for his country. When he transformed Ipswich into European winners it was clear his real talent lay in coaching. Fearless, his gift was to be at his best when the worst threatened. Via the Hand of God, Gazza's tears, England's greatest world cup abroad to titles in Europe's top leagues and a Barcelona treble, Robson overcame the most extreme challenges before a career like no other came full circle when he returned to save his beloved Newcastle. Many of today's great managers owe their rise to Robson. A daring coach he could spot genius and help it grow. Starring an A list cast (Mourinho, Guardiola, Ronaldo, Gascoigne, Shearer, Lineker, Sir Alex Ferguson) never before seen archive and emotional testimony from Lady Elsie Robson, this is the definitive portrait of one sport's most inspirational, influential figures whose legacy lives on far beyond the football field. Pioneer, Mentor, Game-changer. Messiah.
The third and final season of Seth MacFarlane's late, lamented Family Guy finds television's most dysfunctional cartoon family even more animated than usual. As MacFarlane himself noted, he was inspired to go for broke, thinking that the series--already juggled like a hot potato in the US TV schedules (at one point, it aired opposite the mighty Friends)--had been cancelled. Just as This Is Spinal Tap walked the fine line between "clever and stupid", so Family Guy gleefully mocks the line between "edgy and offensive". Like The Simpsons, Family Guy lends itself to multiple viewings to catch each densely packed episode's way-inside "one-percenter" gags (so-called by the creators because that is the percent of the audience who will get them), scattershot pop-culture references, surreal leaps and gratuitous pot shots at everyone from, predictably, Oprah, Kevin Costner and Bill Cosby to, unpredictably, Rita Rudner. Also like its Springfield counterpart, this series benefits from a great ensemble voice cast, with surprising contributions from a no-less-stellar roster of guest stars. --Donald Liebenson
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