"Actor: Alfie Field"

• Chasing Shadows | DVD | (29/09/2014) from £6.95   |  Saving you £8.04 (115.68%)   |  RRP £14.99

  Chasing Shadows is a thrilling new four-part drama which focuses on the work of a missing persons field unit charged with tracking down serial killers who prey on impressionable and vulnerable people. Reece Shearsmith plays DS Sean Stone and his partner Ruth Hattersley is played by Alex Kingston whilst Noel Clarke takes on the role of DI Prior. On the face of it Sean is intense socially awkward and a misfit. Get to know him and you realise he’s a man on a mission even if it leads him to self-destruction and his eccentric manner frequently lands him in hot water. Ruth on the other hand is a stabilising influence she is an analyst from the Missing Persons Bureau tasked to work alongside Sean. In effect his bosses have sidelined him and she is his lifeline. Sean refuses to be tethered to Ruth but eventually learns that he and Ruth make an awesome team. She has the ability to connect with people and has the expertise to trace missing persons. He is socially awkward and struggles to communicate; yet their strengths strike the perfect balance.

• The Lavender Hill Mob | DVD | (21/06/2004) from £7.09   |  Saving you £9.90 (139.63%)   |  RRP £16.99

  Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs

• Ealing Comedy DVD Collection - The Ladykillers/Kind Hearts and Coronets/The Lavender Hill Mob/The Man in the White Suit | DVD | (02/09/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Four of the British film industry's best-loved comedies in one box set makes The Ealing Comedy Collection absolutely essential for anyone who has any passion at all for movies. The set contains Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Ealing's greatest comedies captured the essence of post-war Britain, both in their evocation of a land once blighted by war but now rising doggedly and optimistically again from the ashes, and in their mordant yet graceful humour. They portray a country with an antiquated class system whose crumbling conventions are being undermined by a new spirit of individual opportunism. In the delightfully wicked Kind Hearts and Coronets, a serial killer politely murders his way into the peerage; in The Lavender Hill Mob a put-upon bank clerk schemes to rob his employers; The Man in the White Suit is a harshly satirical depiction of idealism crushed by the status quo; while The Ladykillers mocks both the criminals and the authorities with its unlikely octogenarian heroine Mrs "lop-sided" Wilberforce. Many factors contribute to the success of these films--including fine music scores from composers such as Benjamin Frankel (Man in the White Suit) and Tristram Cary (The Ladykillers); positively symphonic sound effects (White Suit); marvellously evocative locations (the environs of King's Cross in Ladykillers, for example); and writing that always displays Ealing's unique perspective on British social mores ("All the exuberance of Chaucer without, happily, any of the concomitant crudities of his period")--yet arguably their greatest asset is Alec Guinness, whose multifaceted performances are the keystone upon which Ealing built its biting, often macabre, yet always elegant comedy. On the DVD: The Ealing Comedy Collection presents the four discs in a fold-out package with postcards of the original poster artwork for each. Aside from theatrical trailers on each disc there are no extra features, which is a pity given the importance of these films. The Ladykillers is in muted Technicolor and presented in 1.66:1 ratio, the three earlier films are all black and white 1.33:1. Sound is perfectly adequate mono throughout. --Mark Walker

• The Lavender Hill Mob (60th Anniversary Edition) | Blu Ray | (01/08/2011) from £11.99   |  Saving you £10.99 (122.11%)   |  RRP £19.99

  Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs

• The Lavender Hill Mob (60th Anniversary Edition) | DVD | (01/08/2011) from £7.99   |  Saving you £8.00 (100.13%)   |  RRP £15.99

  Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs

• The Lavender Hill Mob | DVD | (13/11/2006) from £7.28   |  Saving you £5.71 (78.43%)   |  RRP £12.99

  Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective but everyone knows he is absolutely trustworthy. And so on the day the bullion truck is robbed he is the last person to be suspected. But there is another side to Mr. Holland; he is also Dutch the leader of the Lavender Hill Mob. Prolific Ealing writer T.E.B. Clarke won an Oscar for his deft script but he was helped greatly by the precise direction and impeccable timing of director Charles Crichton and by the brilliance of Alec Guinness's performance. When he tries to recruit Mr. Pendlebury (Stanley Holloway) as Pendlebury chips away at one of his sculptures Guinness circles Holloway playfully seducing him into the idea of robbery and as Holloway finally understands the proposition Guinness looks back over his shoulder like some elfin Lucifer. When the mob goes over its robbery plans Guinness insists on a detail and Shorty (Alfie Bass) acknowledges that Guinness is the boss. Guinness concentrating agrees. Then as he relaxes and eases back in his chair Guinness sheds his years of servitude to the bank - Dutch Holland is indeed the boss...

• Mike The Knight: A Very Knightly Christmas | DVD | (21/10/2013) from £6.17   |  Saving you £3.82 (61.91%)   |  RRP £9.99

  It's Christmas Eve and one of Santa's reindeer is sick. Mike makes it his mission to save Christmas and does everything he can to nurse the reindeer back to health making sure he is included on Santa's nice list. Meanwhile Mr Cuddles is sent on a wild toboggan ride Squirt gets stuck in a giant snowball and Mike learns that Vikings like to have fun in the snow too! So join Mike on his next mission to make it a very Knightly Christmas. Special Bonus Disc Features: Mike's Hidden Treasure - Includes 6 Bonus Episodes!

• WOMAN IN BLACK (BLU RAY) - PLAY, THE | Blu Ray | (18/06/2012) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Based on the classic ghost story, The Woman In Black tells the tale of Arthur Kipps (Daniel Radcliffe), a lawyer who is forced to leave his young son and travel to a remote village to attend to the affairs of the recently deceased owner of Eel Marsh House. Working alone in the old mansion, Kipps begins to uncover the town's tragic and tortured secrets and his fears escalate when he discovers that local children have been disappearing under mysterious circumstances. When those closest.