For people who like to snigger knowingly about sex and bodily functions, Eurotrash Unzipped is essential. It contains selections from all the seasons of Eurotrash, and a lot of material that was never shown because it was too gross, sexual or simply embarrassing--moments where the remorseless sexy teasing of host Antoine de Caunes just went a little too far. There is an entertaining featurette in which we are taken behind the scenes to the editing suite in which the voice-over staff decide precisely which irritating English accent to dub over the unfortunate French and German interviewees; this is a show that has always combined the view that foreigners are funny with the view that most British accents are funny as well. There is a memorial segment about the massive-breasted Lolo Ferrari, an odd exchange with Eddie Izzard about the danger of British breakfasts, trampolines and helicopters and the usual mixture of the grosser bits of the artistic avant-garde and the more pretentiously up-front sort of sex worker. It is business as usual--De Caunes, and occasionally Jean-Paul Gaultier, laughing at everyone, including themselves and the audience, for even bothering to talk about sex. On the DVD: The DVD, which is presented in Dolby Sound and a standard TV 4:3 ratio, also contains a photo gallery, some special-effects outtakes in which Antoine de Caunes performs more outrageous stunts than usual, Victoria Silvstedt saying sexy things in several languages, and (for computer DVD users) a feature which enables you to design your own garish Eurotrash set.--Roz Kaveney
In 1962, Alfred Hitchcock and François Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema. Based on the original recordings of this meeting - used to produce the mythical book Hitchcock / Truffaut - this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. Hitchcock's incredibly modern art is elucidated and explained by today's leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader. Special Features BFI Q&A with director Kent Jones Interview between Kent Jones and Noah Baumbach Rope: Pro and Con Richard Linklater on François Truffaut An appreciation of Notorious Peter Bogdanovich remembers Hitchcock
A cabaret singer is stranded with an ex-comedian who has been recently dumped by his wife.
For 1992's Twin Dragons Jackie Chan resurrects the old Corsican Brothers chestnut of identical twin brothers separated at birth who meet up as adults and discover that they share more than blood ties. Poor boy Chan is a mechanic and race-car driver whose black-market activities have made him the target of some nasty mobsters, while jet-setting Chan is a world-famous conductor back in Hong Kong for a concert. In the same vicinity for the first time in years, they can suddenly feel each other's pain, and more. As one Chan jumps a jet boat for a wild escape, the other becomes a victim of the furious ride, thrown around a posh restaurant while drenching his date with drinking water. The whole thing is overloaded with silly slapstick, Chan's incessant mugging and cartoonish mistaken-identity gags as the boys swap girlfriends and dance. But wade through the crude comedy and you're rewarded with a gymnastic free-for-all climax in a car-testing workshop, where Chan leaps over, under and through cars while taking on an army of gangsters before split-screen brothers team up for a bit of marionette martial arts. Tsui Hark and Ringo Lam co-direct, Tsui taking the comedy and Lam handling the action, and John Woo makes a cameo as a priest in the wedding finale. --Sean Axmaker, Amazon.com
An adaptation by Harold Pinter of Franz Kafka's classic novel about one man's paranoia and persecution. Josef K. for no reason he can imagine is suddenly arrested. As he wanders through a maze of bureaucracy declaring his innocence he becomes more and more entangled in the system -- and he puts himself in ever greater danger. And no matter what he does he can't make the nightmare end.
Based on the play by Jim Morris. Blood on the Dole follows the lives of four teenagers, two boys and two girls, struggling to cope after being thrust into the real world for the first time after leaving school. Living in deprived Merseyside, the four youths' bright-eyed optimism for their futures and new-found freedom is soon crushed by the realities of unemployment, poverty, and the brutal reality of living and trying to find work in a city in decline. They all soon find themselves in the hopeless situation of facing complete dependence on state handouts, the dole . The four teenagers instead find themselves turning to each other to find the strength to survive. An impressively fresh social commentary and portrayal of teenage love set within a disturbingly authentic account of disenfranchised youth. With austerity still very much a part of our political climate, and recent films such as I, Daniel Blake continuing to challenge such government policy, Blood on the Dole is still a hugely relevant watch today. Produced by BAFTA-winner Alan Bleasdale as a part of the Alan Bleasdale Presents series, a Channel 4 anthology showcasing and given a platform to new, up-and-coming talent young writers. After his successes in landmark dramas including Boys from the Black Stuff, The Monocled Mutineer and GBH, in 1994 Channel 4 gave Alan Bleasdale the opportunity to find and mentor new TV writers. Four big-budget, standalone films were made as a result, with top casts and experimental storylines.
Often described as 'the Spanish Clockwork Orange' this controversial shocker is set in a violent near future world. Honset citizens live in terror as gangs of leather clad whip wielding sadists roam the night time streets. Meanwhile in a top secret laboratory strange mind control experiments are being conducted. Against this background a beautiful nurse tries to ease the pain of those condemed to die. But who really is this angel of mercy and what is the purpose of her mission?
Guy Green's film represented the beginning of a lack of solidarity in unions as Tom Curtis (Richard Attenborough) with wife Anna (Pier Angeli) expecting a child refuses to join an unofficial strike in his machine shop and becomes the victim of assaults both mental and physical. Acclaimed as one of the most moving and powerful films ever made in Britain The Angry Silence won unprecedented acclaim. Within a week of its opening it had become the most talked-about film in the country
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