Sam Peckinpah's classic road-movie based around the hit song by C.W. McCall. Long-distance trucker Rubber Duck (Kris Kristofferson) is on the run from corrupt sheriff Lyle Wallace (Ernest Borgnine). He makes a call on his CB radio asking for assistance from other truckers, many of whom have also fallen foul of Wallace in the past. What follows is a massive truckers' convoy, plenty of CB banter, and a whole lot of smashed-up police cars.
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
Master thief Doc McCoy knows his wife has been in bed with the local political boss in order to spring him from jail. What he can't know is the sinister succession of double-crosses that will sour the deal once he's on the oustisde - and executing the ultimate robbery. Fasten your seat belts and join Steve McQueen and Ali MacGraw in a supreme action thriller based on Jim Thomson's novel (Scripted by Warriors director Walter Hill). Once the Getaway starts there's no escaping
Sam Peckinpah's classic road movie CONVOY (1978) based on a song by C.W. McCall's hit song of the same name stars Kris Kristofferson and Ali McGraw. A mighty convoy of dust-raising trucks heads for a state line in south-western America. The massive collection of vehicles all shapes and sizes are led by ˜Rubber Duck' (Kris Kristofferson), a legendary trucker who has gathered this vast army together in protest police corruption, federal and states laws and shady politicking. The law is bearing down on truckers and forcing them to obey unrealistic speed limitations which rob them of precious time and money. The national guard, the Army, the Police and the feds are all out to halt the truckers, but the truckers don't want to stop!Extras:NEW Interview with Franklyn AjayeNEW Audio Commentary by filmmaker/Peckinpah scholar Mike SiegelNEW Video Essay: The Lost ConvoyNEW The Duck TrucksNEW Promoting Convoy : animated gallery of international posters and lobby cardsNEW Convoy colour stills: 120 rare colour photosNEW Filming Convoy pt 1: White Sands & the Truck stop: 100 rare bts photosNEW Filming Convoy pt 2: The Trucks are rolling: 100 rare bts photosNEW Filming Convoy pt 3: Showdown in Alvarez: 100 rare bts photosOriginal US trailerAudio commentary by film historians Paul Seydor, Garner Simmons, and Nick RedmanPassion & Poetry Sam's Trucker MovieU.S. TV SpotU.S. Radio Spots x 4Three Lost ScenesInjokes, Friends & CameosTrucker Notes from NorwayTrailer
Sam Peckinpah's classic road-movie based around the hit song by C.W. McCall. Long-distance trucker Rubber Duck (Kris Kristofferson) is on the run from corrupt sheriff Lyle Wallace (Ernest Borgnine). He makes a call on his CB radio asking for assistance from other truckers, many of whom have also fallen foul of Wallace in the past. What follows is a massive truckers' convoy, plenty of CB banter, and a whole lot of smashed-up police cars.
Even in the tiny genre of films based on songs, Convoy is a strange effort--CW McCall's 1977 CB radio-themed novelty hit was just a collection of trucker slang, but here it is gussied up by Sam Peckinpah (no less) as a big rig reprise of The Wild Bunch with Kris Kristofferson as trucker outlaw hero Rubber Duck and a wonderfully oversized Ernest Borgnine as "Dirty Lyle", the "bear" who hates "breakers" and finally decides to call in the National Guard to help him enforce traffic laws with machine guns. The plot is almost invisible, as Rubber Duck and his breaker buddies just up and decide to trundle their lorries across the Western States in a dash for Mexico (no one ever mentions delivering their loads to intended destinations) and becoming such a folk hero that the creepy governor (Seymour Cassell) tries to cash in. Kristofferson and Borgnine were old Peckinpah hands, as is heroine Ali MacGraw (a characterless photographer) and sidekick Burt Young ("Love Machine" aka "Pigpen"), and there's a lot of business about cops and outlaws who mirror each other, but the main attraction is the visuals--huge trucks rolling across desert roads in clouds of dust, police cars crashing through billboards, trucks demolishing a corrupt small town. There are traces of road-movie melancholia in the depressed cafes, jails and laybys where free spirits are broken, but it's still mostly a cash-in on Smokey and the Bandit with a few rags of poetry tossed into the mix. On the DVD: A letterboxed print, enhanced for 16x9, looks pretty good, with enough widescreen to get all the trucks into the image. But otherwise this is the sort of release that passes off "chapter search" and "multilingual menus" as extras, although there are basic filmographies for the principal and a poster/photo album. The mono soundtrack comes in English, French, Spanish and Italian. --Kim Newman
Based on the country song by C.W. McCall Convoy is a feel-good action movie from the legendary Sam Peckinpah. A group of independent-minded truckers take to the roads in a massive stand against the corrupt authorities. Led by 'Rubber Duck' (Kris Kristofferson) the rogue drivers keep in touch by CB radio in their efforts to stay one step ahead of the cops...
It's better than the 1994 remake starring Kim Basinger and husband Alec Baldwin, but this 1972 thriller relies too heavily on the low-key star power of Steve McQueen and Ali MacGraw, and the stylish violence of director Sam Peckinpah, reduced here to a mechanical echo of his former glory. McQueen plays a bank robber whose wife (MacGraw) makes a deal with a Texas politician to have her husband released from prison in return for a percentage from their next big heist. But when the plan goes sour, the couple must flee to Mexico as fast as they can, with a variety of gun-wielding thugs on their trail. MacGraw was duly skewered at the time for her dubious acting ability, but the film still has a raw, unglamorous quality that lends a timeless spin to the familiar crooks-on-the-lam scenario. As always, Peckinpah rises to the occasion with some audacious scenes of action and suspense, including a memorable chase on a train that still grabs the viewer's attention. Getaway is not a great film, but a must for McQueen and Peckinpah fans. --Jeff Shannon
Harvard Law student Oliver Barrett IV (Ryan O'Neal) and music student Jennifer Cavilleri (Ali MacGraw) share a chemistry they cannot deny and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail. Oliver and Jenny continue to build their life together. Relying only on each other, they believe love can fix anything. But fate has other plans. Soon, what began as a brutally honest friendship becomes the love story of their lives.For the first time on Blu-ray, this beloved film was nominated for seven Academy Awards, including an Oscar-winning musical score that became the poignant theme of the timeless romance.1970 Academy Award nominations: Best Picture; Best Actor (Ryan O'Neal); Best Actress (Ali MacGraw); Best Supporting Actor (John Marley); Best Director (Arthur Hiller); Best Music - Original Score (Francis Lai); and Best Story and Screenplay - Based on Factual Material or Material Not Previously Published or Produced (Erich Segal).
This original version of The Getaway better than the 1994 remake starring Kim Basinger and husband Alec Baldwin, but this 1972 thriller relies too heavily on the low-key star power of Steve McQueen and Ali MacGraw, and the stylish violence of director Sam Peckinpah, reduced here to a mechanical echo of his former glory. McQueen plays a bank robber whose wife (MacGraw) makes a deal with a Texas politician to have her husband released from prison in return for a percentage from their next big heist. But when the plan goes sour, the couple must flee to Mexico as fast as they can, with a variety of gun-wielding thugs on their trail. MacGraw was duly skewered at the time for her dubious acting ability, but the film still has a raw, unglamorous quality that lends a timeless spin to the familiar crooks-on-the-lam scenario. As always, Peckinpah rises to the occasion with some audacious scenes of action and suspense, including a memorable chase on a train that still grabs the viewer's attention. --Jeff Shannon
Titles Comprise: Bonnie And Clyde: Bonnie and Clyde balances itself on a knife-edge of laughter and terror thanks to vivid title role performances by Warren Beatty and Faye Dunaway and superb support from Michael J. Pollard Gene Hackman and Estelle Parsons. Director Arthur Penn keeps the film's sensibilities tough but never cruel. It continually dazzles especially in the work of cinematographer Burnett Guffey and editor Dede Allen. And as film lovers since have discovered it's no ordinary gangster movie. Natural Born Killers: From two of the world's most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soars so too does their notoriety and before long the greedy tabloid press has made them into cult heroes. In the media circus of life Mickey and Mallory have just become the main attraction... The Getaway: Master thief Doc McCoy knows his wife has been in bed with the local political boss in order to spring him from jail. What he can't know is the sinister succession of double-crosses that will sour the deal once he's on the oustisde - and executing the ultimate robbery. Fasten your seat belts and join Steve McQueen and Ali MacGraw in a supreme action thriller based on Jim Thomson's novel (Scripted by Warriors director Walter Hill). Once the Getaway starts there's no escaping its breathless intensity!
One of the most famous tearjerkers ever LOVE STORY tells the tale of Jenny (Ali McGraw) a poor college student from Rhode Island and Oliver (Ryan O''Neal) a rich law student from Boston who fall in love while attending college. Despite opposition to their relationship from Oliver's wealthy father the two get married. After graduation Oliver takes a job at a prestigious legal firm in New York as everything seems to be going well for the couple tragedy strikes Jenny who
One of the most famous tearjerkers ever Love Story tells the tale of Jenny (Ali McGraw) a poor college student from Rhode Island and Oliver (Ryan O'Neal) a rich law student from Boston who fall in love while attending college. Despite opposition to their relationship from Oliver's wealthy father the two get married. After graduation Oliver takes a job at a prestigious legal firm in New York as everything seems to be going well for the couple tragedy strikes Jenny wh
China Rose
This original version of The Getaway better than the 1994 remake starring Kim Basinger and husband Alec Baldwin, but this 1972 thriller relies too heavily on the low-key star power of Steve McQueen and Ali MacGraw, and the stylish violence of director Sam Peckinpah, reduced here to a mechanical echo of his former glory. McQueen plays a bank robber whose wife (MacGraw) makes a deal with a Texas politician to have her husband released from prison in return for a percentage from their next big heist. But when the plan goes sour, the couple must flee to Mexico as fast as they can, with a variety of gun-wielding thugs on their trail. MacGraw was duly skewered at the time for her dubious acting ability, but the film still has a raw, unglamorous quality that lends a timeless spin to the familiar crooks-on-the-lam scenario. As always, Peckinpah rises to the occasion with some audacious scenes of action and suspense, including a memorable chase on a train that still grabs the viewer's attention. --Jeff Shannon
Please wait. Loading...
This site uses cookies.
More details in our privacy policy