A concert film with theatrical staging featuring live performances by Prince and his band. Written and directed by Prince himself this is an idiosyncratic high-energy fusion of live music and vignettes of street life specially filmed at Prince's Paisley Park Studios in Minneapolis. Filmed on location at The Ahoy in Rotterdam during his 1987 Summer Tour Prince and his band perform a blistering set of 13 numbers including 'Sign O The Times' 'Little Red Corvette' and 'Housequake'.
This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
Neil Simon's THE SUNSHINE BOYS is recognised as one of the great comedy plays of modern times. Now Simon himself has updated the script with new lines and jokes and has rewritten the characters of Lewis and Clark to suit the superb comic styles of Peter Falk and Woody Allen. Vaudeville comedy duo Lewis and Clark were the comic heroes of the 1950's. Now long forgotten, Warner Brothers attempts to bring them back together for cameos in a movie that's funnier than Home Alone. Offered $75,000 a-piece and a chance to resurrect their careers, it's an offer they can't refuse...If only they could stand the sight of each other.
Nixon takes a riveting look at a complex man whose chance at greatness was ultimately destroyed by his passion for power - when his involvement in conspiracy jeopardized the nation's security and the presidency of the United States! With a phenomenal all-star cast.
Those nasty little puppets are back to wreack more havoc and take care of some unfinished business. Joined by 'Torch' the newest member of the sinister troop the puppets exhume their beloved creator 'Toulon' and gather the brain matter that keeps them alive. Yet the puppetmaster has a deadly plan of his own.
A prepubescent chess prodigy under pressure from his sports reporter father (Mantegna) and also his mentor (Kingsley) refuses to harden himself in order to become a champion like the famous but unfathomable Bobby Fischer...
Two talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business.
The ultimate action trilogy. Your move. The future of law enforcement does more than fight crime...RoboCop delivers nonstop action and pulse-pounding excitement at every turn! Here's your chance to experience the original part-man part-machine in 3 tough-as-steel RoboCop thrillers in one must-own trilogy.
Allen Carr is widely recognised as the world's leading expert on stopping smoking. The Easyway To Stop Smoking DVD has helped over 6 million people from all over the world to become happy non-smokers. It is a complete and effective programme in itself and it will enable any smoker to quit immediately painlessly and permanently whilst actually enjoying the process. The new Easyway DVD works because Carr understands the psychology of smokers the mental barriers and fears which make it difficult to stop and shows how to remove them.
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
Chuck Norris plays Det. Eddie Cusack a tough Chicago cop who battles two opposing mob gangs in this fast-paced police actioner. Norris is asked to rectify the situation when the daughter of an underworld Don is used as a pawn in an escalating drug war. Complete with dazzling martial arts action and incredible stunts!
Laura has her degree her job in Silicon Valley and it's time to leave home. Everything is fine until she meets Richard Farley who will not leave her alone...
This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
A silent film production company and cast make a difficult transition to sound.
The Army Game was a sitcom giant of its time and one of ITV's most popular shows. Created by Sid Colin it pre-dated the more famous Dad's Army by a number of years. A group of men serving out time as conscripts in the army are determined to dodge duty and derive maximum fun out of a situation they'd rather not be in. Because WWII was only 12 years passed and national service was very much a reality many viewers found they could identify with the characters and the situation they found themselves in.
After the drudgery of Sudden Impact, the third and worst sequel to Dirty Harry, no one could have expected the fourth to have any signs of life. But The Dead Pool is fairly inspired, even playful--check out a "chase" scene between Clint Eastwood's Harry Callahan character and a remote-controlled toy car wielding a bomb--and it ended the long-running series on an unexpectedly positive note. This time, Callahan investigates a series of murders that appears to be on a "death list," while becoming romantically involved with a television reporter (Patricia Clarkson). Jim Carrey has a small but memorable part as a doped-up rock star, and Liam Neeson is on board, too. IT is directed by Eastwood-surrogate Buddy Van Horn (Any Which Way You Can). --Tom Keogh
Annie Hall: Winner of four Academy Awards including Best Picture and Best Director ""Annie Hall"" is Woody Allen's supreme masterpiece. Coming between such early slapstick farces as ""Sleeper"" and ""Love and Death"" and darker more reflective comedies like ""Manhattan"" and ""Hannah and Her Sisters "" this endearing semi-autobiographical film put Woody in the league with the best directors we have. Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan: Nominated for two Academy Awards in 1979 and considered one of Allen's most enduring accomplishments Manhattan is a wry touching and finely-rendered portrait of modern relationships against the backdrop of urban alienation. Sumptuously photographed in black and white (Allen's first film in that format) and accompanied by a magnificent Gershwin score Woody Allen's aesthetic triumph is a ""prismatic portrait of a time and place that may be studied decades hence"" (Time Magazine). 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Hannah And Her Sisters: Brimming with laughter tears and subtle beauty Hannah And Her Sisters is a magnificent ""summation of (Woody Allen's) career to date"" (The New York Times). Winner of three Oscars and featuring a brilliant all-star cast Hannah And Her Sisters spins a tale of three unforgettable women and showcases Allen ""at his most emotionally expansive working on his broadest canvas with masterly ease"" (Newsweek)! The eldest daughter of show-biz parents Hannah (Mia Farrow) is a devoted wife loving mother and successful actress. A loyal supporter of her two aimless sisters (Barbara Hershey) and Holly (Dianne Wiest) she's also the emotional backbone of a family that seems to resent her stability almost as much as they depend on it. But when Hannah's perfect world is quietly sabotaged by sibling rivalry she finally begins to see that she's as lost as everyone else and in order to find herself she'll have to choose - between the independence her family can't live with... and the family she can't live without.
Iconic writer, director, actor, comedian, and musician Woody Allen allows his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy-winning, Oscar-nominated filmmaker Robert Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography.Beginning with Allen's childhood, Woody Allen: A Documentary chronicles the trajectory and longevity of Allen's career - from teen writer to TV scribe, from standup comedian to award-winning writer-director averaging one film-per-year for more than 40 years. Exploring Allen's writing habits, directing, and relationship with his actors first-hand, new interviews with A-listers, writing partners, family and friends provide insight and backstory to the usually inscrutable filmmaker.
Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh
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