The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and leads them to a radio contract.
This highly appealing comedy drama stars James Stewart and Carole Lombard as a young couple battling illness lack of money inept servants and interfering in-laws...
This Hitchcock thriller is mainly famous for its climax, which finds the villain (Norman Lloyd) hanging by his sleeve from the torch on the Statue of Liberty as the seam begins to unravel. Otherwise, it's not one of the director's great pictures, though it's still worth a look. Set during the initial stages of World War II, the story concerns a ring of Nazi fifth columnists who plot to weaken American military defences by blowing up a munitions factory, a dam and a battleship. In an early example of Hitchcock's celebrated "wrong man" theme, the hero Barry Kane (Robert Cummings) gets falsely accused of sabotage and becomes a fugitive, hunted from coast to coast. Eventually, he hooks up with the heroine Pat Martin (Priscilla Lane), a super-patriot who takes some convincing of his innocence and plans to turn him in--until the inevitable chemical reaction occurs. It's a highly episodic tale that may put you in mind of Hitchcock's previous The 39 Steps (1935) and his later North by Northwest (1959).The miscellaneous incidents (a shoot-out at a cinema, a bizarre encounter with the freaks in a circus troupe) are often exciting in themselves. The trouble is they just sort of lie there like so-many scattered marbles, never building into a coherent and satisfying whole. The bland dialogue supplied by novice screenwriter Peter Viertel doesn't help matters much. Neither does the casting of the two stars, square, wholesome types, entirely lacking in the perversity and eccentricity one associates with the Hitchcock universe. (It's tedious to hear Lane endlessly mouthing off about the American way, while Cummings must be counted one of the dullest leading men in Hollywood history.) Still, this half-hearted effort by the pot-bellied master of suspense would probably make the reputation of a dozen lesser directors. --Peter Matthews
This highly appealing comedy drama stars James Stewart and Carole Lombard as a young couple battling illness lack of money inept servants and interfering in-laws...
Produced in a time when films were both literally and figuratively black and white, Made for Each Other was unique in its effective blending of the comedic, the dramatic and, as perhaps some would insensitively say, the melodramatic. Beautiful Carole Lombard and likeable James Stewart are Jane and John Mason, a couple who meet, fall madly in love, marry and quickly have a baby. But while they--and the audience--are confident that they are meant for each other, life intercedes and the couple must meet with disapproving in-laws, job stress, financial challenges and, finally, a devastating illness.Lombard and Stewart--and the genuinely good people they portray--are utterly compelling and charming. Say yawningly what you will about tradition but the Masons' path is one that many, if not most, go down. And unlike the wonderful but wholly fantasy world of peer Preston Sturges, director John Cromwell's universe is, like real life, full of ups and downs. It's an accessible, sensitive portrayal. He gives the audience characters they want to see succeed, and to see stay together in the process. It may be a tale of triumph of the human spirit but its ultimate sentiment--one that celebrates the kindness of strangers--is thoroughly sweet, though in no way saccharine. Look for a great supporting cast, including a blustery Charles Coburn as John Mason's boss and Lucile Watson as Mason's interfering mother. --N F Mendoza
Please wait. Loading...
This site uses cookies.
More details in our privacy policy