A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
Soon after qualifying as doctors from St. Swithins young Burke and Hare set up in practice and get involved in a number of amorous exploits...
After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
This brilliant British drama with potent social commentary and a superb cast portrays the story of a young man from a small mill town who claws his way to the top - any way he can! Laurence Harvey is the 'angry young man' who sacrifices his true love for the steamy Simone Signoret and marries the daughter of the factory boss just so he can get ahead. Signoret was imported from France to add the sex appeal and won herself an Academy Award for Best Actress for her efforts. Harvey was also nominated for his performance as the ruthlessly ambitious Joe Lampton his most famous role but lost out to Charlton Heston's Ben Hur. Neil Paterson also received an Oscar for Best Screenplay. A powerful adaption of the novel by John Braine with skillful direction from newcomer Jack Clayton.
Meet the most eligible TV bachelor of his time: James Hadleigh. He's charming handsome smart and wealthy - and an irresistible magnet to women. He's also just inherited a considerable fortune and a Yorkshire mansion. But just playing the country squire isn't Hadleigh's style. He's far too restless. In the worlds of high finance and power politics there are risks to be taken and adventures to be had. And of course there's Hadleigh's love for his beautiful native county - and his
In 1956 the title of his latest film, Up in the World accurately described Norman Wisdom's career. This was the great British comedian's fourth hit in as many years, this time finding himself employed as window cleaner to Lady Banderville (Ambrosine Phillpotts). Apart from having hundreds of windows to polish, things would be going fine for Norman if it weren't for the endless practical jokes played by Lady Banderville's son, Sir Reginald (Michael Caridia). However, when the irritating Regie is kidnapped, Norman has the chance to prove himself a hero, and it just might impress Jeannie Andrews too, his beautiful co-star Maureen Swanson, then making a name for herself in A Town Like Alice and The Spanish Gardener (both 1956). By now Norman Wisdom was set on a winning formula, working with much the same team as on his three previous smashes, including Jerry Desmonde as Major Willoughby, who had starred in both Trouble in Store (1953) and Man of the Moment (1955). Later, in Carry On Regardless (1961) Desmonde would make a single appearance with another British comedy institution, and interestingly Ambrosine Phillpotts would be there in the same film. Norman meanwhile, would go on to his good fortune in Just My Luck (1957). --Gary S. Dalkin
Joan Crawford (What Ever Happened to Baby Jane?) stars as Monica Rivers, the owner of a traveling circus plagued by a series of mysterious deaths. When a high-wire performer becomes the first victim, he is replaced by Frank Hawkins (Ty Hardin, Battle of the Bulge), an even more daring aerialist. But Frank's attentions to Monica make her business manager, Dorando (Michael Gough, Batman), jealous.After Dorando becomes the brutal killer's next victim, Police Superintendent Brooks (Robert Hardy) arrives at the scene, but the mystery is not so easy to unravel with a cast of suspects with motives including jealousy and revenge. This campy horror flick with a surprising climax also features Judy Geeson (To Sir, With Love) and Diana Dors (There's a Girl In My Soup).
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