Made in 1987, Mannequin represents everything that was naff about late-80s Hollywood: from its bland, boxy, electro-rock soundtrack to its sub-Sarah Ferguson fashion sense to its tawdry sets, flimsy characterisation and cheap slapstick humour (including the mandatory amusing dog). It might be centuries before its radioactive awfulness dies down enough to make it watchable, even as kitsch. Mannequin is notionally a romantic comedy in which Andrew McCarthy plays a luckless department store employee and Kim (Sex and the City) Cattrall is an Egyptian Princess reincarnated as a shop window dummy, who comes to life when she encounters McCarthy, only to revert to mannequin status when anyone but McCarthy is watching her. With her encouragement, he becomes emboldened in his career as a window decorator as well as falling in love with the Princess. James Spader's oily, stammery executive is just one of the many examples of a film that tries way too hard to be funny, the sort of characterisation that would be barely adequate for a comic TV ad, let alone a 90-minute movie. Still, for fans of Sex and the City who might want to feast upon the spectacle of a younger Kim Cattrall, Mannequin might offer a measure of relief. On DVD: Mannequin on disc has just the original trailer as an extra, while no amount of DVD enhancement can conceal the tawdry feel of this movie. --David Stubbs
Romance never dies. Sam (Andrew Lincoln) and Baggy (Andrew Rajan) share a house in London play cricket visit the pub and watch porn. It's not much of a life but it's better than coal mining. Sam secretly wants to be a singer and has a deeper interest in his friend Alison than he's willing to admit. Baggy? He's never been able to trust a girl since his fiance jilted him at the altar - besides married women seem safer. Of course commitment is a lot harder than smoking a
Series One A hot morning in July and the Dorset town of Broadchurch, is bracing itself for the tourist season, when Danny Latimer, an 11 year old schoolboy, goes missing. His mother, Beth, frantically starts to search for him while her best friend, Ellie Miller, a local police officer, arrives at work to discover that the promotion she thought was hers has gone to D.I Alec Hardy an outsider with a reputation for failure. When Danny's body is found beneath the picturesque cliffs that dominate the town opposites collide. Both Miller and Hardy are determined to solve the mystery of Danny's murder, Ellie perhaps too sensitive to the people in her community; Alec as efficient as he is blunt. When news of the crime spreads through the town, a chain reaction begins which will put Broadchurch under a national spotlight, pulling the town, its residents and its secrets, apart. Series Two Broadchurch: a town in shock, after the revelation of the identity of Danny Latimer's killer. Alec Hardy and Ellie Miller find themselves drawn back into the case as it goes to court. Ellie, estranged from family and friends, only has Hardy to turn to. But Hardy is a man still haunted by illness and the case he never could solve Sandbrook. As the trial proceeds, battle lines are drawn: between legal teams, between the residents of the town, and even between family members. Lives will be thrown under the spotlight, and the deepest secrets laid bare for all to see. As the trial and the Sandbrook case collide, no-one will emerge unscathed.
In the wildly entertaining spirit of A Fish Called Wanda BLAME IT ON THE BELLBOY delivers the year's craziest laughs! Featuring an all-star cast the hilarity kicks off when a daffy bellboy (Bronson Pinchot) accidentally switches the itinerary envelopes for three guests (Dudley Moore Bryan Brown and Richard Griffiths). His actions cause a hilarious case of mistaken identities sending the trio down a road of comic non-stop adventures! Check in today for a zany time where mix-ups
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
3 classic Laurel & Hardy films from the Fox vaults featuring The Bullfighters The Dancing Masters and A-Haunting We Will Go.
A group of eager young Navy pilots become frustrated when their superiors enact a non-combat strategy against the Japanese. To make matters worse the pilots must answer to a rigid unyielding commander (Ameche). Against all odds the men fly into action in the decisive Battle of Midway. Nominated for a 1944 Best Original Screenplay Oscar'' this stunning war drama uses actual combat footage to tell its engrossing story.
In his time between adventures Black Mask has become very well known but his identity has always remained a secret. He must now work to prevent a group that intends to set off a DNA bomb that would turn the metro area's population into monstrous mutated beasts!
Enter the dark world of sythentic humanoids where ruthless recyclers scavenge cyborg parts and sell them to the highest bidder.
The Phantom Of The Opera
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