When strange anomalies in time start to appear all over England Professor Cutter and his team have to help track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past.
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. Joe 3-Movie Collection. Join the Joes for the first two missions, G.I. Joe: The Rise Of Cobra and G.I. Joe: Retaliation, as the elite strike force must race against time to stop Cobra, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in Snake Eyes: G.I. Joe Origins, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.Extras:G.I. Joe Origins - Snake Eyes: All-new Snake Eyes Short Film: Discover the secrets of Snake Eyes' legendary sword5 Deleted ScenesEnter Snake Eyes: Meet the man behind the maskA Deadly Ensemble: Meet the Joes and CobrasArashikage: Inside the elite ninja warrior clanG.I. Joe Retaliation: The True Face of EvilThe Sound of SilenceCommentary by Director Jon M. Chu and Lorenzo di BonaventuraG.I. Joe - The Rise Of Cobra:Commentary by Director Stephen Sommers and Producer Bob Ducsay
Padua High in Seattle, Washington, has Smarties, Skids, Preppies, Granolas, Loners, and Lovers. The Beautiful People are the jocks and cheerleaders you don't talk to unless they talk to you first.
Primeval: Series 4
When strange anomalies in time start to appear all over England Professor Cutter and his team have to help track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past.
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. JOE 3-Movie Collection. Join the JOES for the first two missions, G.I. JOE: THE RISE OF COBRA and G.I. JOE: RETALIATION, as the elite strike force must race against time to stop COBRA, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in SNAKE EYES: G.I. JOE ORIGINS, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.
It's one year on and following the death of Johnson the ARC has been shaken by the long-term disappearance of Abby Connor and team leader Danny. The government has appointed entrepreneurial-scientist Philip Burton to take charge of the operation with a brand new building and new team. Ex-soldier and zoologist Matt the highly efficient if unconventional Jess the mysterious Gideon and anomaly-travelling Ethan all join the team but are they ready for the challenges ahead? As Connor and Abby finally escape the terrifying creatures of the Cretaceous to an uncertain welcome back at the ARC Danny continues to fight his way through a Pliocene age Rift Valley desperate to return to the team with a vital secret that will change their whole outlook. With a new team and new creature threats the ARC team are facing their toughest challenges yet...
Cube: Six Strangers awaken from their daily lives to find themselves trapped in a surreal prison - a seemingly endless maze of interlocking cubical chambers armed with lethal booby traps. None of these people knows why or how they were imprisoned. But it soon emerges that each of them has a skill that could contribute to their escape. Who created this diabolical maze and why? There are unanswered questions on every side whilst personality conflicts and struggles for power em
Despite an irritating, tacked-on voice-over narration that somebody must have thought necessary to make sense of the story (it isn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery and loss--not least being David Arnold's fine John Barry-esque score. --Tom Keogh
Let season three of Primeval finally be known as the point when it managed to fully gel together. Unfairly dismissed in recent years as ITVs attempt to rival the BBCs Doctor Who juggernaut, and also as a monster of the week blockbuster, the shows third series adds plenty of meat to the proverbial bones. At heart, Primeval remains vibrant Saturday night entertainment, and very good entertainment at that. Each episode is action-packed, and boasts steadily improving special effects, as different creatures from time continue to appear in the present day. However, for Nick Cutter and his team, theres a deeper problem, with a conspiracy to uncover alongside the various monsters to survive. And its the underlying narrative that really strengthens this series of Primeval. Taken aside, the individual episodes are welcome slices of entertainment in their own right. But as Cutter and his team begin to unravel things around them, the show builds up to a compelling and interesting climax. Its, as a result, an increasingly confident show, and one thats willing and capable when it comes to throwing major twists and turns into the pot. With rumours now of a big screen version in the works, Primeval goes from strength to strength, and season four simply cant come soon enough. --Jon Foster
If Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama and the sets are appropriately striking: one is tempted to believe at first the characters are lost inside a computer chip. --Tom Keogh
When evolutionary zoologist Nick Cutter discovers prehistoric creatures alive and well in the present day the natural world is turned on its head and humanity faces a threat to its very existence. Unexplained anomalies are ripping holes in the fabric of time allowing creatures from the very earliest stages of Earths development to roam the modern world. Cutter and his team struggle to keep the looming disaster secret while dealing with savage dinosaurs and other deadly foes.
Primeval: Series 1 -3 (7 Discs)
The videos of Basildon synth-pop pioneers Depeche Mode are justly celebrated not only for charting the band's musical evolution but also their penchant for stylish visual imagery. This collection features all of the band's videos from 1986 to 1998. Of the 20 videos here, director Anton Corbijn was responsible for 18, including classics such as "Enjoy the Silence", "Strangelove" and "Personal Jesus", which means this is as much a profile of his work as Depeche Mode's. Much of Corbijn's material was shot in black and white, lending it an artful edge which captures some of the majesty of Mode's music. The non-Corbijn videos are Peter Care's for "Stripped", notable for its bleak imagery, and Clive Richardson's assured "A Question of Lust". The videos are presented chronologically and bookended by interviews with the band discussing the videos and the singles, making this a fantastic retrospective not only of Depeche Mode's visual side, but of their enduring musical legacy too. On the DVD: Depeche Mode: The Videos has a bonus disc featuring an extra hour-and-a-half of rare and exclusive material, including three insightful documentaries that centre around the albums Violator, Songs of Faith and Devotion and Ultra, and the US videos for "One Caress", "Strangelove 88", "Condemnation" and "But Not Tonight". All of this is good stuff and a valuable addition to the package. Both discs are pleasantly presented in a sturdy fold-out cardboard case, and recorded in Dolby stereo with a screen ratio of 4:3. The menus and screens are slickly presented and easy to use. --Paul Sullivan
YOU ARE NOT ALONE. An ingeniously unique and unpredictable combo of horror, humour and heart, A Ghost Waits is a DIY labour of love years in the making from first-time writer/director Adam Stovall and producer/star MacLeod Andrews. Tasked with renovating a neglected rental home, handyman Jack (MacLeod Andrews, They Look Like People, Doctor Sleep) quickly finds out why the tenants keep leaving in droves - this house is haunted. The ghost in question is Muriel (Natalie Walker), herself employed from beyond the veil to keep the home vacant. Against the odds, Jack and Muriel find they have a lot in common... pulse notwithstanding. Having found a kindred spirit in an otherwise lonely existence, they must fight for their newfound affection as pressure mounts for them each to fulfil their cross-purposes . From its opening spectral assault to its achingly poignant conclusion - as well as a witty depiction of afterlife bureaucracy in the vein of Beetlejuice and A Matter of Life and Death - A Ghost Waits has shocked and surprised audiences around the world, and now makes its home video debut stacked with insightful bonus features that take you inside the process of creating this phantasmagorical monochrome marvel. Special Features High Definition (1080p) Blu-ray presentation Original uncompressed stereo audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by writer/director Adam Stovall Audio commentary by Adam Stovall and MacLeod Andrews Audio commentary by the cast and crew Humanity and the Afterlife in 'A Ghost Waits', a new video essay by Isabel Custodio exploring the film's themes and cinematic forebears Eight interviews with cast and crew moderated by critic and programmer tt stern-enzi Interview and post-film Q&A with Adam Stovall moderated by Alan Jones at Frightfest Glasgow 2020 Outtakes Easter eggs Theatrical trailer Image gallery Reversible sleeve featuring newly commissioned artwork by Sister Hyde and original artwork by Julie Hill FIRST PRESSING ONLY: Illustrated collectors' booklet featuring new writing by Craig Ian Mann
When strange anomalies in time start to appear all over England Professor Cutter and his team have to help track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past.
Kerry Ellison becomes the object of desire for Sterling Gray who deals with his attraction by stalking and terrorising Kerry's life. When her official complaint of sexual harassment is dismissed by the courts she realises she is the only one with the power to get her life back.
A humorous look at the 1950's muscle men's magazines which were primarily being purchased by the underground homosexual community. Wise-eyes Neil O'Hara the epitome of all American wholesomeness leaves his rural home in search of adventure in L.A. He is spotted by obsessive photographer Bob Mizer and introduced to the world of physique photography. Along with his fellow he enjoys the giddy lifestyle of Mizer's estate - until he becomes aware of a seedier undercurrent.
Video 86 - 98 (2 Discs)
Filmed in Chicago & finished in 1959 The Cry Of Jazz is film maker composer and arranger Edward O Blands polemical essay on the politics of music and race - a forecast of what he called 'the death of jazz'. A landmark moment in film forseeing the civil unrest of subsequent decades it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in windy city night clubs all shot in glorious black and white.
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