Andrew Marr's History Of Modern Britain is an epic account of the events that have shaped our lives since the end of the Second World War. His journey through recent British history combines archive anecdote and analysis to tell our national story. Drawing on his detailed knowledge of contemporary politics and first-hand experience of the people who rule Britain today Andrew Marr helps viewers see themselves in the context of modern history. In each episode Marr explores the drama of the landmark events that have shaped our world today. He also teases out the telling little details that reveal the impact of national and international events on the people of Britain. The series tells the story of the extraordinary decades that took us from victory to despair; from international power and glory to humiliation and decline; and from economic ruin to stubborn new hopes and promises of another new dawn.
So you're interested in the beginnings of Sherlock Holmes? Well then its elementary my dear Watson that you start here with 'The Dark Beginnings'... This BBC drama provides a fascinating insight into the fictional beginnings of Sherlock Holmes and Dr Watson the tale based on the real-life relationship between Arthur Conan Doyle and Doctor Joseph Bell his tutor at Edinburgh University.
Linda Shirley and Bella are relaxing in the South African sunshine after fleeing to Rio De Janeiro using part of the proceeds from the robbery. Dolly their leader has already returned to London. The dark days of planning rehearsing and executing a dangerous raid seem far behind. Their criminal coup has made them rich beyond their wildest dreams. All the ties with the past have been severed. Life's a dream... until one man turns it into a nightmare!
Revealing a truly adult edge never previously seen Harry Enfield brings us the best bits of his 'Brand Spanking New Show' with a whole new gang of chums and catchphrases. New characters include: Cornish Ladies Man the last of the great West Country lovers; Chris Great the 'fictional' red-headed DJ who owns the radio station; Shagging Couple still at it after all these years; Paxman the journalist with a very direct interviewing style; The Pharmacist thorough but rather indiscreet; Mother & Daughter people think we're sisters; and loads more.
A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
Special Features: New UK exclusive interviews with Julian Glover, Mark Gatiss, Judith Kerr, Kim Newman and Marcus Hearne Audio commentary with Nigel Kneale and Roy Ward Baker World of Hammer – Sci-Fi Episode UK and US trailers Interview with Joe Dante
Set in an alternate history where masked vigilantes are treated as outlaws, this epic series from executive producer Damon Lindelof (Lost; HBO's The Leftovers) embraces the nostalgia of the original groundbreaking graphic novel of the same name, while attempting to break new ground of its own. Regina King (HBO's The Leftovers) leads the cast as Angela Abar, who wears two masks; one as a lead detective in The Tulsa Police Force and another as wife and mother of three. The cast also includes Jeremy Irons, Don Johnson, Jean Smart, Tim Blake Nelson, Louis Gossett Jr., Yahya Abdul-Mateen II, Tom Mison, Frances Fisher and Sara Vickers.
A medical student and a former outcast work together to build a creature made from various body parts harvested from corpses.
Daleks Invasion Earth 2150 directed by Gordon Flemyng now fully restored and starring Peter Cushing in his return to the big screen as British TV's most iconic sci-fi hero Doctor Who. The earth of 2150 AD is a desolate and hostile ruin of a planet crumbling at the edge of civilisation slowly disappearing into the darkness of space. For the future of planet earth now belongs The Daleks a destructive army of alien invaders who have turned the human race into cowering slaves. Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there's only one man who could possibly help them succeed in destroying their extra terrestrial enemies and take back control of planet earth. A man of mystery a man of time and space a man known only as... The Doctor. Special Features: Restoring Daleks Invasion Earth: 2150 AD Interview with Actor Bernard Cribbins Interview with Author Gareth Owen Stills Gallery Trailer
The complete series 1 and 2 of this chilling paranormal drama. Featuring an all star cast this chilling psychological series enters the world of the dead to answer questions about the living. Robert Bridge (Andrew Lincoln) is a psychology lecturer grieving the loss of his young son Josh who was killed in a car accident four years earlier. A specialist in the study of psychic mediums Robert is invited to an evening of clairvoyance where he meets Alison Mundy (Lesley Sharp) - a far cry from the fraudulent psychics he is used to. Ever since she was a child Alison has seen spirits and after a near death experience they have taken over her life. Now driven by a compulsion to help those around her Alison seeks to resolve relationships torn apart by death. Episode Listing - Series 1: 1. More Than Meets The Eye 2. Lower Than Bones 3. Daniel One & Two 4. Misdirection 5. Sleeping With The Dead 6. The 7:59 Club Series 2: 1. Roadside Bouquets 2. Ratman 3. Lullaby 4. Your Hand In Mine 5. Mirrorball 6. Mind The Bugs Don't Bite 7. Things Forgotten 8. A Name Written In Water
British films about sex are fairly rare, and mostly embarrassing: from the painfully anxious (Brief Encounter) to the hopelessly naff (the Carry On films). What a treat then is Rita, Sue and Bob Too, Alan Clarke's filming of a stage play by young Andrea Dunbar. It's an unsentimental, gleefully lewd comedy about shagging. Tagged for its cinema release in 1987 as "Thatcher's Britain with its knickers down", it even provoked a minor moral hullabaloo in the newspapers. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two giggly Bradford lasses stuck on a ramshackle housing estate. They keep themselves in fags by occasional baby-sitting for nouveau riche couple Bob (George Costigan) and Michelle (Lesley Sharp). Bob fancies himself rotten, but Michelle has ruled that sex is off the menu. So one night, driving Rita and Sue home, Bob detours to the Yorkshire moors and offers the girls a little something extra in his front seat. Rita and Sue decide to grab it while they can. Alan Clarke's cult following is founded on his bleak, brilliant films about violent young men (Scum, The Firm, Made in Britain). But Rita, Sue is a tribute to Clarkey's ribald sense of humour. It even sports a cameo from novelty pop-act Black Lace, performing their non-hit "Gang-Bang". Teenage debutantes Holmes and Finneran are terrific--just watch them dancing lustily around Bob's red leather sofa to Bananarama. In support, Clarke wisely cast skilled northern comedians like Patti Nicholls and Willie Ross, as Sue's foul-mouthed mum and dad. Amid the laughs, Clarke as usual doesn't stint from showing us the harsh, unlovely side of life. He shot the film on location at Bradford's Buttershaw estate, where Andrea Dunbar grew up and where, tragically, she died of a brain haemorrhage only a few years after the film's release. --Richard Kelly
Multi-award-winning writer Jimmy McGovern's brand new film based on the UK's controversial joint enterprise law. 17-year-old Johnjo (Nico Mirallegro) gives his cousin Tony and his mates Colin and Kieran a last minute lift in his brother Patrick's car. They tell him they're going for pizza; Johnjo doesn't know that they're going to 'have a word' with a local loudmouth who needs putting in his place. As Johnjo waits in the car Kieran takes offence with an innocent bystander Thomas Ward who is fatally stabbed. The murder victim is the eldest child of Margaret (Susan Lynch) and Tommy Ward (Daniel Mays) who has become estranged from his family after a bitter divorce. Struggling to make ends meet on her own Margaret is nevertheless determined to fight through bureaucracy and the cool indifference of the banks to give Thomas the send-off he deserves. Johnjo makes his own way to the police station and asks for DI Hastings (Robert Pugh). A career copper used to doing battle with 'no comment' Hastings can't believe his luck as Johnjo lays the blame squarely with Kieran. But Hastings wants everyone possible to be tried for murder and with the joint enterprise doctrine at his disposal that includes Johnjo. Also starring Jodhi May Michelle Fairley and Sir Michael Gambon.
There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
This ferocious movie tells the story of the Battle of Thermopylae in which 300 Spartans fought to the death against the massive Persian army.
Andrew Garfield and Michael Shannon star in this drama directed and co-written by Ramin Bahrani. Single father Dennis Nash (Garfield) is struggling to make ends meet and take care of his mother Lynn (Laura Dern) and son Connor (Noah Lomax). When they are kicked out of their home by crooked real estate broker Rick Carver (Shannon) their life is thrown into disarray. In an effort to reclaim his house Dennis accepts a job offer from Carver to evict others from their homes. But Dennis ends up going on a downward spiral, living a double life and caught between earning big money and having a guilty conscience.
Dominic 'Nicky' Cole has a reputation as an ambitious and diligent detective constable. But when he reports on a fellow officer he's promptly transferred to a new station - effectively in disgrace. Nicky takes his uncle and his abandoned nephew with him but finds himself working on the difficult night duty stretch. Often he finds himself looking after cases that his day colleagues have left unsolved - and that in itself brings risk dilemma and danger. The complete Series 1 and
TV star Mary Page Keller (Pretty Little Liars) appears alongside Andrew Stevens (10 to Midnight, The Fury) as a couple terrorised by an age-old curse in this much-underrated late-80s offering from director Richard Friedman. Keller plays Kate Christopher, a singer who moves into an old colonial mansion with her son and psychologist boyfriend David (Stevens). But when they make a strange and gruesome discovery in the boarded-up attic, it soon becomes clear that the mansion carries with it a dark and blood-stained past and one that is about to terrorise them in the present. The second feature helmed by Richard Friedman, who went on to direct such genre favourites as Doom Asylum and Phantom of the Mall: Eric's Revenge, Scared Stiff (AKA The Masterson Curse) builds to an astonishing practical FX-laden climax sure to please fans of 80s horror. Special Edition Contents: Brand new 2K restoration from original film elements Original uncompressed Stereo audio English subtitles for the deaf and hard of hearing Brand new audio commentary with director Richard Friedman, producer Dan Bacaner and film historian Robert Ehlinger Mansion of the Doomed: The Making of Scared Stiff brand new documentary featuring interviews with Richard Friedman, Dan Bacaner, Robert Ehlinger, actors Andrew Stevens and Joshua Segal, special effects supervisor Tyler Smith and special effects assistants Jerry Macaluso and Barry Anderson Brand new interview with composer Billy Barber Image Gallery Original Theatrical Trailer Reversible sleeve featuring two original artwork options FIRST PRESSING ONLY: Fully illustrated collector's booklet with new writing on the film by James Oliver
The Survivalist' is the near future story of a man (Martin McCann) eking out a meagre existence on a secluded smallholding deep in the forest. When a starving woman (Olwen Fouere) and her teenage daughter (Mia Goth) discover his farm his loneliness drives him to strike a bargain with them in return for bed and board. But as desire becomes stronger than necessity the exchange becomes an uneasy ongoing arrangement, which threatens not only his carefully constructed world but also his life.
When a new menace in Gotham begins stealing all the experimental technology, Batman is put on high alert. But, a team of warriors lurking beneath the streets are also on the case; the Teenage Mutant Ninja Turtles! Led by Leonardo and along with his brothers, the brainy Donatello, fearless Raphael and wisecracking Michelangelo; these mysterious martial artists are on a collision course with the Dark Knight. Based on the hit DC Comics crossover, it's time for a high flying, pulse pounding adventure the likes of which Gotham City has never seen!
With no hope of safety in Alexandria, Rick and his band of survivors soon discover a larger world beyond what they understood it to be. In this new reality, there are new dangers, new opportunities and new complexities and face. To claim their place in this newfound landscape, the group must become the threat themselves, as terrifying as any of the adversaries they've encountered.
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