Sharon Stone stars as a convicted killer facing execution. After twelve years inside for a double murder she is now prepared to die. However she is not prepared for the relationship in which she finds herself entangled with the attorney assigned to save her life...
Irresponsible. Unpredictable. Totally irresistible! Gary Starke (Garcia) can get his hands on just about anything: floor level seats at a Knick's basketball game entrance to an exclusive art gallery or first-row concert tickets. But the one thing Gary can't seem to get is the girl of his dreams... Longtime New York con man Gary is a king among scam artists but a loser in life. The only thing he has going for him is Linda (MacDowell) a stunning chef-in-the-making with a soft sp
The seventh and final series of Deep Space Nine came down to loose ends, tying some existing ones together and allowing others to unravel. Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira and Sisko finally proposing to Kassidy. Another contributing cute factor were numerous trips to the Holosuite wherein the all-knowing Vic Fontaine dished out philosophical advice. That was when the crew weren't in there to play baseball against the Vulcans or when Nog wasn't commiserating about the loss of a leg. Oh yes, and don't forget the war! There was an early announcement that the show would attempt a 10-part resolution to the Dominion War, but viewers could be forgiven for forgetting all about it with so much sentimental distraction. When the horrors of war did resurface, they at least injected a few surprises into the mix. Odo and his ambiguously "evil" Founders were hit with a melting disease, prompting a backstabbing race for the power of developing and owning a cure. The original baddie Cardassians finally settled on the Federation's side. Contrary to these interesting twists, however, were the unexpected turns taken by matters relating to Sisko's spiritual destiny. Suddenly the mystery of the wormhole and an entire religious belief system was reduced to the problem of translating correctly the words of a sacred book. The struggle to join with some evil aliens significantly diluted the attempt at resolving what had begun seven years before in the show's pilot episode. Ultimately, Sisko's destiny, as with all those who'd followed him to the open-ended climax, was to be decided elsewhere. In a move that was either bold and daring--or possibly born of desperation for not having thought things through properly--the show's storylines were to be continued in a series of spin-off books. --Paul Tonks
Neil Simon's curious comedy The Out-of-Towners concerns a pair of non-New Yorkers (Jack Lemmon and Sandy Dennis) having a hellish visit to the Big Apple on the eve of a job interview for Lemmon's character. Made in 1970 and directed by Arthur (Love Story) Hiller, this hectic film almost seems ahead of its time when compared to more recent misery-piled-on-misery comedies such as Planes, Trains, and Automobiles. The couple in this film endure everything that can go wrong on a trip, including being forced to spend the night in a mugger-happy Central Park. The strange element in Simon's script, though, is that Lemmon's character is so unpleasant. A middle-class, uptight guy who can't believe that New Yorkers in the service profession don't perform their jobs slavishly, he's kind of a one-note joke that quickly wears thin. It was remade with Steve Martin and Goldie Hawn in 1999. --Tom Keogh
Deep Space Nine's fifth series was a turning point from which there was no going back. Character and information overload took over, and the complicated twists and turns in the build up to war either hooked viewers securely, or sent them away with a headache. The Klingon faction instigated by Worf's arrival was occasionally played for laughs, but mostly their hard-headed personalities made all efforts at diplomacy moot. In the opening episode a chilling possibility is proposed as to why might be: have the Changelings infiltrated already and replaced key personnel? Some fans saw this as a flawed X-Files-style development. Nevertheless it sowed a seed of insidious suspicion from here on, affecting all the principal casts' relationship with one another, even allowing Odo and Quark an opportunity to confess a degree of friendship. Expanding on the new theme of duplication, the crew also made numerous trips to their Mirror Universe counterparts. As well as new uniforms and the milestone 100th episode, Nana Visitor and Alexander Siddig comically got to disguise the arrival of their child during filming. More laughs came from the fan favourite "Trials and Tribble-ations" with CG allowing Sisko and crew to interact with Kirk and a cameo from Leonard Nimoy. Avery Brooks began taking a backseat as of this year, partly a result of the now-overcrowded cast. Although Sisko's destiny would be foreshadowed by his first vision and the introduction of the Pah-wraiths, the Captain was in an increasingly sulky mood. Brooks only directed one episode, allowing room for regulars LeVar Burton and Rene Auberjonois to do more behind the camera. Joining them were Alexander Siddig, Michael Dorn and even Andrew Robinson. Available space started to seem hardly deep enough. --Paul Tonks
Add The Man from Elysian Fields to the list of essential movies about the pains of writing. This wry comedy-drama charts the frustrations of a financially strapped novelist (Andy Garcia) as he desperately and secretly agrees to be an "escort" for ladies who need, err, escorting. This leads him into a Faustian bargain to help a beautiful client (Olivia Williams) whose husband, a once-great, now-dying writer (a mighty James Coburn), is struggling with a final work. Of course the fact that the men are sharing a project and a woman complicates matters--and Garcia's loyal wife (Julianna Margulies) is curious about all these nights spent away. The movie explores different levels of compromise and betrayal, yet it remains tartly amusing throughout. And it has a glorious casting inspiration: the director of the mysterious escort service is played by Mick Jagger, looking decadently elegant and purring like a vaguely satanic Siamese cat. --Robert Horton
James Stewart was one of the great western icons and this collection houses several of his finest efforts. The Man From Laramie (Dir. Anthony Mann 1955): Will Lockhart comes to a small town to find the man who sold rifles to the Apaches and caused the death of his brother a cavalry officer. Beaten and nearly killed by cohorts of the arms dealer he also becomes embroiled with a ranch baron and his overwrought son. Father and son are plotted against by their treacherous for
Of all the spin-off TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere and the neighbouring natives were hardly ever friendly. Yet for all that the show went against the grain of The Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own. In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one let down at the time was that Michelle Forbes did not carry Ensign Ro across from TNG, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny and feisty, it remains the most attention-grabbing series opener (apart from the Classic original) the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. On the DVD: Star Trek Deep Space Nine, Series 1's hour of special features is split between seven featurettes that really would have worked better edited together. Covering the show's origins and most aspects of Year One's production design, they all crib from interviews with actors and crew from the 1992 shoot (exclusively so in the 10 "Hidden Files"). Other interviews conducted in 1999 and 2002 tend to be more revealing, although the solo section on Major Kira is curiously lacking in recent input. While the designers describe their work with passion, creators Michael Piller and Rick Berman come off as stiff and lacking in knowledge. Hopefully this is something that will improve through the next six box sets. The interactive CD-ROM to build a DS9 database on your PC is something that will become more involving, too. Obviously the most important thing is the episodes themselves, and despite the lack of a commentary to enhance the best of them, sound in 5.1 and the crisp full-frame picture do them ample justice. --Paul Tonks END
Andy Garcia stars and directs his latest film The Lost City. The film is Mr. Garcia's dramatic and historical romantic tribute to his native Cuba. Written by the Cuban master novelist Guillermo Cabrera Infante the film follows the tale of one family three brothers and a beautiful woman whose fates are dramatically tied to that of a nation caught up in revolutionary turmoil.
A special team is assigned to investigate a mysterious Hong Kong forging operation. Undercover cop Warren Lee infiltrates the villainous gang but gets corrupted by sex and greed. This means the only hope of bringing the forgers to justice lies in the hands of ninja master Jason Hart (Richard Harrison) and his super racing motorbike...
Orchestra Rehearsal (1978): In this sly social and political allegory an orchestra assembles for a rehearsal under the inquisitive lenses of a TV crew. With their bullish union officials lingering on the sidelines the musicians introduce themselves one by one expounding with wit passion and rancour about the characteristics of their instruments. The rehearsal begins under the baton of an autocratic conductor and soon the musicians' bawdy humour turns to anarchy as he tries to impose his will on this diverse group of players... Featuring a superlative score from Nina Rota (The Godfather 1 & 2 expert cinematography from Guiseppe Rotunno (The Leopard) and ingenious production design from Dante Ferretti (Gangs of New York). And The Ship Sails On (1983): Italian cinematic maestro Federico Fellini (La Dolce Vita 8 1/2) shows that even in his mid-sixties he had lost none of his power to shock entertain and amaze with And The Ship Sails On his haunting and majestic 'comedy of arias'. Made in 1983 the film is set on the eve of the first world war but this matters little to the peacock parade of opera celebrities who cast off on a luxury liner to scatter the ashes of the world's greatest diva near her native adriatic island. yet their gilded world is about to receive a chill blast of reality. The captain has rescued a group of serbian refugees and an enemy battleship looms on the horizon demanding their surrender. Unbeknown to the passengers their old order is about to be eradicated on a global scale and the ship sails on to a fate as inevitable as that of the Titanic. Ginger And Fred (1986: In this wonderfully affectionate and satirical 1986 film italian cinematic maestro Federico Fellini (La Dolce Vita 8 1/2) celebrates the legacy of Rogers and Astaire - and sends up tacky television - with this touching tale of two elderly dancers who model themselves on cinem's greatest dance duo and who reunite after 30 years for one final TV dance spectacular. starring two of Italy's greatest acting talents: Cannes `best actress' winner Giulietta Masina (Nights Of Cabiria Juliet Of The Spirits La Strada) and oscar nominee Marcello Mastroianni (La Dolce Vita Divorce Italian Style).
Titles Comprise:
Titles Comprise: The Untouchables: Brian De Palma's 'The Untouchables' is a must-see masterpiece: set to a classic Ennio Morricone score this is the glorious and fierce depiction of the larger than life mob warlord who ruled Prohibition-era Chicago - and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery winning an Oscar as Malone the cop who teaches Ness how to beat the mob: shoot fast and shoot first. The Hunt For Red October: Based on Tom Clancy's bestseller directed by John McTiernan (Die Hard) and starring Sean Connery and Alec Baldwin The Hunt For Red October seethes with high-tech excitement and sweats with the tension of men who hold Doomsday in their hands.A new technologically superior Soviet nuclear sub the Red October is heading for the US coast under the command of Captain Marko Ramius (Connery). The American government thinks Ramius is planning to attack. A lone CIA analyst (Baldwin) has a different idea: He thinks Ramius is planning to defect but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find him too. The hunt is on! The Presidio: Lt. Col. Caldwell (Sean Connery) and Police Inspector Jay Austin (Mark Harmon) don't like each other. Not even a little bit. That's because Caldwell helped run Austin out of the military police a few years back. And now these natural enemies are forced to team up to solve a brutal murder at The Presidio military compound. To make matters worse Inspector Austin has taken a sudden and passionate interest in a beautiful feisty young woman (Meg Ryan) who just happens to be Lt. Col. Caldwell's daughter. First sparks fly between the two lovers. Then fists and bullets start flying as this action-packed thriller kicks into high gear and tears up the streets of San Francisco.
Brian De Palma's The Untouchables is a must-see masterpiece: set to a classic Ennio Morricone score this is the glorious and fierce depiction of the larger than life mob warlord who ruled Prohibition-era Chicago - and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery winning an Oscar as Malone the cop who teaches Ness how
Oscar nominees Laurence Fishburne Tim Roth and Andy Garcia set the screen ablaze in this riveting crime thriller exploding with spectacular gun battles and brutal action. In 1930s New York Bumpy Johnson rules the Harlem numbers racket with a rare combination of honour dignity and strength. But when savage gangster Dutch Schultz threatens his reign with a series of bloody attacks Bumpy knows that the only way to win is to play Dutch's deadly game. As a vicious war spins madly out of control so does Bumpy's personal life and soon the mobster realizes that his only way out is to instigate a dangerous plan involving one of the most feared and powerful gangsters in history... Mob chieftain Lucky Luciano.
This Anchor Bay collection brings together four of cult horror director Ted V. Mikel's classic films: 1. Corpse Grinders (1972) 2. Corpse Grinders 2 (2000) 3. Bloody Orgy Of The She Devils (1972) 4. The Cauldron: Baptism Of Blood (2004)
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