Based on a true story, an eccentric, determined team of American engineers and designers, led by automotive visionary Carroll Shelby and his British driver, Ken Miles, are dispatched by Henry Ford II with the mission of building from scratch an entirely new race car with the potential to finally defeat the perennially dominant Ferrari at the 1966 Le Mans World Championship.
During the German occupation of Rome in 1943 an athletic Irish priest Monsignor Hugh O'Flaherty (Gregory Peck) devotes all the time he can spare from his work at the Vatican to hiding Allied POWs from the Nazis. Col. Herbert Kappler (Christopher Plummer) Rome's chief Gestapo Officer suspects O'Flaherty of hiding escapees but can do little about it because of the priest's Vatican diplomatic immunity. But when he unearths proof of O'Flaherty's complicity he orders that the priest be
Emannuelle is confined to a Manhattan psychiatric clinic with an acute case of extreme amnesia and depraved fantasies. Can her doctor unravel a Freudian nightmare of incestuous hungers, lesbian longings, rampant nymphomania and inexpicable body painting to solve the shocking mystery of her bizarre sexual trauma?
A classic auto-racing movie starring Steve McQueen, Le Mans puts the audience in the driver's seat for what is often called the most gruelling race in the world. McQueen plays the American driver, locked in an intense grudge match with his German counterpart during the 24-hour race through the French countryside even as he wrestles with the guilt over causing an accident that cost the life of a close friend. McQueen is his usual stoic magnetic self, and the racing sequences are among the best ever committed to film. A solid character-driven story combines with raw visceral power to make Le Mans a rich tapestry of action and thrills. --Robert Lane
The 1970s were a time of intense uncertainty and instability in Italy. Political corruption and widespread acts of left and right-wing terrorism, alongside a breakdown in social cohesion and a loss of trust in public institutions such as the government and police, created a febrile atmosphere of cynicism, paranoia and unexploded rage. Throughout this period, these sentiments found expression in a series of brutal, often morally ambiguous crime thrillers which tapped into the atmosphere of violence and instability that defined the so-called Years of Lead. This box set gathers five films from the heyday of the poliziotteschiĀ the umbrella term used to describe this diverse body of films. In Vittorio Salerno's Savage Three (1975) and Mario Imperoli's Like Rabid Dogs (1976), random acts of violence committed by vicious young sociopaths threaten the fragile fabric of respectable society. In Massimo Dallamano's Colt 38 Special Squad (1976) and Stelvio Massi's Highway Racer (1977), renegade cops battling against red tape and political corruption turn to new and morally dubious methods to dispense justice. Finally, class dynamics are explored in Salerno's No, the Case is Happily Resolved (1973) as an innocent man finds himself under suspicion for a savage crime committed by a highly respected member of society. Decried by critics for their supposedly fascistic overtones, the poliziotteschi were in fact more ideologically varied and often considerably more nuanced than such superficial readings would suggest, and proved a huge hit with theatregoers, who responded to their articulation of present day social concerns. Featuring an impressive line-up of Euro-cult stars, including Joe Dallesandro (The Climber), Ivan Rassimov (Your Vice Is a Locked Room and Only I Have the Key), Maurizio Merli (Violent City) and Enrico Maria Salerno (The Bird with the Crystal Plumage), this collection of stylish, hard-hitting Euro-crime thrillers showcases the range and breadth of the genre and is a must-have for newcomers and grizzled veterans alike. Special Features High Definition Blu-ray (1080p) presentations of all five films, restored from the original camera negatives Original lossless mono Italian audio on all five films Original lossless mono English audio on Colt 38 Special Squad and Savage Three English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtrack on Colt 38 Special Squad and Savage Three Poliziotteschi: Violence and Justice in the Years of Lead, a visual essay by critic Will Webb exploring the recurring traits and themes of the genre Rat Eat Rat, an interview with writer/director Vittorio Salerno and actress Martine Brochard on Savage Three The Savage One, an interview with actor Joe Dallesandro on Savage Three When a Murderer Dies, an interview with cinematographer Romano Albani and film historian Fabio Melelli on Like Rabid Dogs It's Not a Time for Tears, an interview with assistant director Claudio Bernabei on Like Rabid Dogs Music sampler for Like Rabid Dogs Always the Same Ol' 7 Notes, an interview with composer Stelvio Cipriani on Colt 38 Special Squad A Tough Guy, an interview with editor Antonio Siciliano on Colt 38 Special Squad Archival introduction to Colt 38 Special Squad by Stelvio Cipriani Faster Than a Bullet, an interview with film historian Roberto Curti on Highway Racer Mother Justice, an interview with writer/director Vittorio Salerno on No, the Case is Happily Resolved Alternate ending to No, the Case is Happily Resolved Original trailers for Like Rabid Dogs, Colt 38 Special Squad and No, the Case is Happily Resolved Poster galleries Reversible sleeves featuring original artwork for all five films
A young boy stows away from America to North Africa to rescue his black stallion from the Berber sheikh who stole the horse.
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