Cambridge Spies, the BBC's moody 2003 dramatisation of the most notorious debacle in the history of the British Secret Service, raises the spectre of the treachery of Philby, Burgess, MacLean and Blunt for a generation of viewers who can only imagine the shockwaves generated by their duplicity. Inevitably the story suffers from the basically repellent quality of its raw material. Determinedly non-judgemental, it frequently stumbles along a precarious path between romantic eulogy and fact-based fable of the perils of idealism. For all the handsome casting, the characters have little charm to compensate for their deeds. Their motivations are sketched only vaguely. Even in moments of personal vulnerability, however poignant the performances, sympathy is at a premium. But it has its high points as an atmospheric soap opera: the recreation of a period that stretches from the radical aspects of 1930s university life at Cambridge to Cold War London, dipping into the Spanish Civil War and the Washington diplomatic circle en route, is vivid. The acting, too, is fine. Tom Hollander's rampantly dissolute Burgess verges constantly on parody. But Toby Stephens (Philby), Samuel West (a frosty Blunt) and Rupert Penry-Jones (an emotionally wrung-out MacLean) work wonders with Peter Moffat's insubstantial script. On the DVD: Cambridge Spies is a handsome production with a cinematic quality enhanced by an appropriately edgy soundtrack and widescreen presentation. The main extra is the commentary shared by director Tim Fywell, producer Mark Shivas and writer Peter Moffat. It's a rather self-congratulatory affair, but includes some interesting insights: attempts to film some events in their real location met with refusal, suggesting that in some quarters, the outrage and embarrassment that Burgess, Philby and MacLean left in their wake is still very close to the surface. --Piers Ford
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
The Courier is a true-life spy thriller, the story of an unassuming British businessman Greville Wynne (Benedict Cumberbatch) recruited into one of the greatest international conflicts in history. At the behest of the UK's MI-6 and a CIA operative (Rachel Brosnahan), he forms a covert, dangerous partnership with ‹Soviet officer Oleg Penkovsky (Merab Ninidze) in an effort to provide crucial intelligence needed to prevent a nuclear confrontation and defuse the Cuban Missile Crisis.
An irresistible melange of showbiz and politics, The Rat Pack is a sprawling HBO TV movie about the late-50s axis between Frank Sinatra's cool-talking cronies and the White House-bound Kennedy clan. Ray Liotta, William L Petersen and Joe Mantegna manage to give real performances as opposed to impersonations as Frankie, JFK and Dean Martin, and there's a stand-out turn from Don Cheadle as Sammy Davis Jr, who fantasises a blazing, gunslinging rendition of "I've Got You Under My Skin" as delivered to the cross-burning Nazi pickets outside his hotel campaigning against his marriage to a white Swedish starlet. Naturally the story goes over a lot of familiar ground (Marilyn Monroe, and so on,) but the Hollywood-Vegas angle, with the obvious criminal tie-ins, lends it a freshness. Angus McFadyen remains typecast as real-life actors, following up his Orson Welles (Cradle Will Rock) and Richard Burton (Liz, the Elizabeth Taylor biopic) by doing a squirming, but funny take on Peter Lawford, caught between the White House and Sinatra's vast, demanding ego. Its general style is somewhere between a Scorsese gangland epic and made-for-TV muckraking biopic and a lot of material from Shawn Levy's fine book Rat Pack Confidential is worked into the weave. On the DVD: The Rat Pack is a no-frills disc presented in a good-looking 16:9 anamorphic transfer, though as it's a TV movie this means trimming the top and the bottom of the image. --Kim Newman
Although this mega-budget action epic flopped at the box office with a resounding thud, Cutthroat Island has had a healthy shelf life on home video, where the film can be savoured in private as a spectacular guilty pleasure. Geena Davis plays Morgan, the swashbuckling daughter of an aging buccaneer who inherits one-third of a map to a secret pirate treasure. However, the map is in Latin, and she needs a lowdown thief and scoundrel (and presumably Latin scholar), played by Matthew Modine, to translate the map when they obtain the other two pieces. That's when the mayhem begins and the dashing duo race for the treasure against Morgan's scheming uncle (Frank Langella) and a hoard of greedy pirates. With wall-to-wall action ably handled by Davis' then-husband Renny Harlin, Cutthroat Island is more fun than its box-office performance would indicate. --Jeff Shannon, Amazon.com
THE COURIER is a true-life spy thriller, the story of an unassuming British businessman Greville Wynne (Benedict Cumberbatch) recruited into one of the greatest international conflicts in history. At the behest of the UK's MI-6 and a CIA operative (Rachel Brosnahan), he forms a covert, dangerous partnership with Soviet officer Oleg Penkovsky (Merab Ninidze) in an effort to provide crucial intelligence needed to prevent a nuclear confrontation and defuse the Cuban Missile Crisis.
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