A classic early 1970s weepie, The Way We Were stars Barbra Streisand as a Communist activist in the late 30s and 40s and Robert Redford as the ambitious young writer who marries her, cheats on her and eventually leaves her in the early days of McCarthyism for the sake of his Hollywood screenwriting career. Arthur Laurent's intelligent screenplay, remarkable performances from the two stars and Marvin Hamlisch's Oscar-winning score and theme song combined to produce a film that even as hostile a critic as Pauline Kael had to admit worked. On the DVD: The DVD re-release includes the usual subtitling facilities, the theatre trailer and a documentary on the film's making, which includes one of the more political scenes deleted for commercial release; it is also possible to watch the film with a detailed commentary from Sydney Pollack about the problems of its making, problems which included writing new scenes so that Redford was not entirely upstaged by Streisand in the audience's sympathies. --Roz Kaveney
Winner of seven Academy Awards, including Best Picture, Out of Africa seems to have slipped more readily from public memory than other comparably lauded films. Yet Sidney Pollack's panoramic treatment of Karen Blixen's novel has retained its atmosphere and slow-burning emotion, and deserves reassessment. Meryl Streep is in her possibly most involving starring role as Baroness Karen Blixen, Danish free spirit whose ill-fated venture at the beginning of World War One to run a coffee plantation in Kenya is overlaid by her intimate yet distant relationship with adventurer and idealist Denys Finch Hatton, unselfconsciously portrayed by Robert Redford. Klaus Maria Brandauer puts in a rare and convincing English-language appearance as the amoral but charming womaniser Baron Bror Blixen. The film is tellingly held together by Kurt Luedke's finely honed screenplay, and John Barry's sumptuously expressive score. On the DVD: The anamorphic 1.85:1 widescreen format reproduces superbly, as does the 4.1 discrete audio. 18 access points are provided, with printed and aural subtitles in English only. Pollack's feature commentary is amusing enough on a single run-through, but an on-location documentary would have been preferable. Production notes and biographies are very adequate, though the theatrical trailer reproduction is notably inferior. No matter, this is a major film, well worth the transfer to DVD.--Richard Whitehouse
The award-winning ratings hit that got everyone talking returns for the dramatic next chapter in Gemma's story. Life appears to be going well for the talented doctor and son Tom after the turmoil that followed her discovery of husband Simon's betrayal. After her divorce, Gemma has attempted to leave what happened behind, but can you ever really move on from your ex especially when a child is involved? Gemma's life is further complicated with sexual tensions, destructive obsessions and the need to create stability for her now teenage son. Dark, adult, and psychologically raw, Series 2 is packed with gripping drama, explosive twists and turns, and sees Gemma going further than she ever has before to protect the people she loves.
In his first major film role Dustin Hoffman plays an ultra-nave college graduate who's seduced by a middle-aged woman played by the scintillating Anne Bancroft and then falls in love with her daughter. With the sharpest of scripts and a perfect soundtrack by Simon & Garfunkel this film was deservedly nominated for 6 Oscars and won Nichols an Academy Award for Best Director.
Julie Walters, Joanne Whalley and Victoria Hamilton star as three sisters coming to terms with their mother's death in this adaptation of the stageplay "The Memory of Water."
In a holocaustic future world, perpetually at war, where failure to conform is the ultimate crime, Winston Smith (John Hurt) rewrites history books and finds himself dreaming of escape from the all-seeing eyes of the Authorities. He embarks on a passionate (and illegal) affair with a young woman (Suzanna Hamilton) but they are soon caught and Smith undergoes a nightmarish brainwashing at the hands of the chief inquisitor O'Brien (Richard Burton).
Corruption. Money. Power. The not so beautiful game... From locker room to board room All In The Game rips open the underbelly of our national game to reveal the seedy and cut-throat dealings of a Premiership club. Here money and power are the driving forces behind the game. Local hero and football manager Frankie (Winstone) is torn between loyalty to his son (Dyer) and the club he loves. But when his son's underhand negotiations look set to make him a fortune the pre
The history of a country under siege is the backdrop for this story of Liz Grainger an Englishwoman who is being recruited by a British intelligence agency during the height of World War II. Since the Armed Forces have been reduced by German counter-intelligence activities it has become imperative to gather civilian volunteers to work with the Resistance forces in occupied France. The agents are trained and deployed into service by Colonel James Cadogan who will use any means necessary to meet the primary needs of his organization: to transmit vital information on German activities to the intelligence network in London. Liz in her role with the Resistance finds espionage romance intrigue suspense. This superb box set features the entire three season of Wish Me Luck
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
Terror grips a small mountain town as bodies are discovered after each full moon. Losing sleep, raising a teenage daughter and caring for his ailing father, Officer Marshall struggles to remind himself there's no such thing as werewolves. THE STORY AND THE GENRE The filmmakers behind The Wolf of Snow Hollow celebrate the complex themes at the heart of the film as they look to expand the boundaries of the thriller genre.
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. On the DVD: Oh, if only every DVD could be like this. Here is a DVD package worthy of this monumental movie, with so many extra features the viewer will spend hours simply trying to find them all (the animated menus alone are worth watching over and over again.) On the second disc there are three extensive documentaries (all good, all relatively straightforward), but things get more complicated as you burrow down through the menu layers of Cyberdyne Systems into the "Data Hub": the entire screenplay, storyboards, text features, dozens and dozens of video clips, deleted scenes, and thousands of stills. The movie disc itself will cause even hardened surround-sound enthusiasts to gasp with joy as these explosive soundscapes come alive in Dolby 5.1 or DTS (hear that Harley roar!), while the anamorphic widescreen picture of the original theatrical 2.35:1 ratio is jaw-droppingly impressive. The exhaustive commentary is a patchwork of interviews with various key cast and crew members. The only disappointment here is that, unlike the almost identical Region 1 version, this Region 2 package does not include the DVD-ROM features nor the option to play the original theatrical release and the hidden "Ultimate Edition"--the only version here is the Director's Cut Special Edition, although the few extra scenes that make up the "Ultimate" edit can still be found in the "Data Core" section of the second disc. --Mark Walker
The Railway Children (1970) and Swallows and Amazons (1974) are perfect bedfellows: two classic children's novels, simply and faithfully adapted for the big screen. Together they evoke a poignant nostalgia for the periods in which they are set--Edwardian and 1920s England, respectively--and for the childhood of anyone who has grown up watching them. Sentimentality reigns, of course, but it's never cloying. The truthfulness of the juvenile performances, balanced with restrained sympathy from the adults, sees to that. Flourishing under Lionel Jeffries' delicate direction, Jenny Agutter dominates The Railway Children as the oldest daughter of a family thrown on hard times when their father is wrongly sent to prison. They avert a train disaster, save an imperilled steeple chaser and reunite an exiled Russian with his wife, all with equal enterprise. Happy endings prevail after every crisis. And no number of repeat viewings can ever diminish the impact of father's return. One of the most expert tear-duct work-outs in film history, it hits the spot every time. Perhaps the lack of such a pivotal scene has kept Swallows and Amazons in the relative shade. But its gentle appeal survives with equal charm, not least in the resourcefulness of the eponymous children and the period detail. Together this pairing makes a double bill to treasure, and a piquant reminder that Disney doesn't have a complete monopoly on the rich heritage of children's cinema. On the DVD: The Railway Children and Swallows and Amazons is presented in standard 4:3 picture format, from so-so prints, and with acceptable mono soundtracks. Both films envelope the viewer in a comforting Sunday-afternoon haze. There are no extras, apart from scene indexes. --Piers Ford
The Railway Children (1970) and Swallows and Amazons (1974) are perfect bedfellows: two classic children's novels, simply and faithfully adapted for the big screen. Together they evoke a poignant nostalgia for the periods in which they are set--Edwardian and 1920s England, respectively--and for the childhood of anyone who has grown up watching them. Sentimentality reigns, of course, but it's never cloying. The truthfulness of the juvenile performances, balanced with restrained sympathy from the adults, sees to that. Flourishing under Lionel Jeffries' delicate direction, Jenny Agutter dominates The Railway Children as the oldest daughter of a family thrown on hard times when their father is wrongly sent to prison. They avert a train disaster, save an imperilled steeple chaser and reunite an exiled Russian with his wife, all with equal enterprise. Happy endings prevail after every crisis. And no number of repeat viewings can ever diminish the impact of father's return. One of the most expert tear-duct work-outs in film history, it hits the spot every time. Perhaps the lack of such a pivotal scene has kept Swallows and Amazons in the relative shade. But its gentle appeal survives with equal charm, not least in the resourcefulness of the eponymous children and the period detail. Together this pairing makes a double bill to treasure, and a piquant reminder that Disney doesn't have a complete monopoly on the rich heritage of children's cinema. On the DVD: The Railway Children and Swallows and Amazons is presented in standard 4:3 picture format, from so-so prints, and with acceptable mono soundtracks. Both films envelope the viewer in a comforting Sunday-afternoon haze. There are no extras, apart from scene indexes. --Piers Ford
An out of work actor (Richard Lewis) and a just-jilted woman (Sean Young) find they are competing to return a lost dachshund to it's owner and collect the $5,000 reward. They go from Rome to Monte Carlo together but when they find the owner, he has been murdered and they are the prime suspects, along with a compulsive gambler (John Candy) and a hideous American (James Belushi).
In this second installment of the trilogy Emma Harte passes on the Harte business empire to her favourite grand-daughter Paula McGill Fairley who must strive to unite a warring family. This is the story of one woman's determination to find the passion and happiness that should be her rightful legacy.
Longing for a romantic Hollywood film that will make your heart leap but not have you reaching for the sick bucket? Try Benny & Joon. Few mainstream US films manage to walk the thin line between emotion and schmaltz, but here is one film that pulls it off admirably. In the wrong hands the concept of marrying love and mental illness could have been a disaster but, as with the low-budget British film Some Voices, Benny & Joon manages to extract genuine humour and warmth from the subject. As the brother and sister of the title, the relationship between Aidan Quinn and Mary Stuart Masterson is central to the story, Benny desperately trying to keep home and job together while looking after the sick Joon. Their lives take an unexpected turn with the arrival of Sam, a brilliantly comic turn by Johnny Depp, as gradually the characters learn that the happiness that all thought beyond them is within their grasp. Depp adds yet another character to his liturgy of slightly odd outsiders but plays it with such panache, this time drawing heavily on Buster Keaton, that you cannot help but fall for him. Indeed, there is not a single character here that you would not wish well. On the DVD: The usual scene selection and a very clear audio track, given the film's musical moments a huge boost. Few will probably be able to resist The Proclaimers' "(I'm Gonna Be) 500 Miles" which opens the film. Excellent picture quality too. --Phil Udell
The old lady of UK crime-drama finally makes its way to DVD with this box set of series. Bringing hard-hitting storylines and gritty acting The Bill was something of a revolution when it first hit our screen courtesy of ITV. Now in it's 21 year the Bill continues to march on to TV legend status. Episodes comprise: 1. Funny Ol' Business - Cops & Robbers 2. A Friend In Need 3. Clutching At Straws 4. Long Odds 5. It's Not Such A Bad Job After All 6. The Drugs Raid 7. A Dange
Two small time crooks Mario and Roberto along with their female companion kidnap a young girl and decide to hide out at a friend's jungle house where he makes his living trading with the local natives. However the local natives have a particular speciality on their menu - human flesh When Mario rapes his friend's wife she takes revenge by tying him to a tree to be eaten by the natives. Having informed the kidnapped girls parents of her whereabouts the remaining gangsters f
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