Christian Slater and Winona Ryder star in this black comedy set amidst the bitchy politics of high school.
Still Game is a comedy based around the lives of pensioner pals Jack Jarvis and Victor McDade. It's set in and around a fictional part of Glasgow called Craiglang and Jack and Victor's home in Osprey Heights. Focusing on the ironies and comedy of old age with humour tenderness and pathos these OAPS prove they're still game for anything the world can throw at them. Episodes Comprise: 1. Kill Wullie 2. Wireless 3. Dial-a-Bus 4. Ring 5. Hatch 6. Who's The Daddy
Set in 1972 this new comedy tells of the friendship that develops between twelve-year-old Meena and her new neighbour, the fourteen-year-old outrageous Anita.
A television staging of the classic Shakespeare play.
Heather Sears and Patrick Troughton star in this gothic, British chiller! Sir Richard (John Turner) returns to his manor with a new bride - only to discover that a man matching his description has been slaying beautiful young women in the area; and his fi rst wife's ghost appears on the lawn and accuses Sir Richard of her murder.
Separation concerns the inner life of a woman during a period of breakdown - marital and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative in which dreams and desires are as real as the 'swinging' London (complete with Procul Harum music and Mark Boyle light show) of the film's setting.
When enigmatic young American Melina (Louise Sorel) falls in with a group of Chelsea beatniks she catches the attention of the gang's defiant leader Moise (Oliver Reed) but invites scorn and jealousy from the group's other members including Moise's lover Libby (Ann Lynn). At one wild and drunken party the group's games are taken too far and tragedy follows but only when Melina's fianc'' Carson (Clifford David) begins investigating does the terrible truth reveal itself. Originally banned by the censors for its controversial content The Party's Over has long been out of circulation despite the presence of some of Britain's most celebrated acting talent and James Bond director Guy Hamilton (Goldfinger Live and Let Die).
A few years after the events in Scream 2, Gale Weathers has continued the horror franchise called Stab.
Jody is the kind of guy that every 1970s teen looked up to. He's in his early 20s, has a cool car, splendid 1970s hair, a leather jacket, plays guitar and (naturally) snags all the girls. His little brother, Mike, in particular, admires him and emulates him at every turn. Things start to go astray, however, when the two brothers and their friend Reggie attend a funeral for a friend. Mike notices a tall man working at the funeral home; in the course of his snooping, he sees the tall man put a loaded coffin into the back of a hearse as easily as if it was a shoebox. Jody doesn't believe his little brother's stories, though, until he brings home the tall man's severed finger, still wriggling in what appears to be French's mustard. From there, the film picks up a terrific momentum that doesn't let up until the sequel-ripe twist ending. Phantasm was one of the first horror movies to break the unspoken rule that victims were supposed to scream, fall down and cower until they were killed. Instead, Mike and Jody are resourceful and smart, aggressively pursuing the evil inside the funeral home with a shotgun and Colt pistol. Furthermore, the script has a great deal of character development, especially in the relationship between the two brothers. The film even has a surprisingly glossy look, despite its low-budget origins, and little outright gore (except for the infamous steel spheres that drill into victims' heads). This drive-in favourite was a big success at the time of its release, and spawned three sequels. Little wonder; it includes an inventive story, likeable characters, a runaway pace and, of course, evil dwarves cloaked in Army blankets. The end result is one of the better horror films of the late 1970s. Hot-rod fans take note: Jody drives a Plymouth Hemi 'Cuda, the pinnacle of 1960s muscle cars, rounding out his status as a Cool Guy. --Jerry Renshaw
Songs Include : 1. Friends 2. I Look Good 3. Miss Otis Regrets 4. Spring Can Really Hang You Up The Most 5. Bed Of Roses 6. You Don't Own Me 7. Rose Burlesque 8. Burlesque 9. Delores Delaga 10. Boogie Woogie Bugle Boy 11. Bigotry Bridge Over Troubled Water In The Navy Greatest Love 12. New York New York 13. Ukelele Lady 14. From A Distance 15. Do You Wanna Dance 16. To Comfort
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
When Diana, a popular stripper at the famous Flamingo Nightclub, collapses and dies on stage, her death is quickly attributed to natural causesĀ. However, the club's comic (and Diana's beau), is not convinced. The police aren't interested so he sets out alone to find some answers. He soon finds that he's treading a dangerous path. Luckily he doesn't have to do it all alone, encouraged by fiesty stripper Angelin, the club's showgirls are willing to help and together they set a trap to expose the truth...
If this one doesn't scare you you're already dead! After their friend is murdered two brothers begin a hunt in search of the killer. Their investigation leads them to the discovery of a startling and hideous secret. As the brothers learn more about what is really going on at Morningside mortuary (involving a floating sphere with razor-sharp protruding daggers which seeks out victims and drains the blood from their heads) they get deeper into trouble but it may be already too late!
Heather Sears and Patrick Troughton star in this gothic British chiller! Sir Richard (John Turner) returns to his manor with a new bride - only to discover that a man matching his description has been slaying beautiful young women in the area; and his first wife’s ghost appears on the lawn and accuses Sir Richard of her murder.
Arden's violent and powerful adaptation of her work with The Holocaust women's theatre troupe looks into the mind of a woman labelled schizophrenic - and finds not madness but tortured sexual guilt created by the taboos of society
Lady From Louisiana (Dir. Bernard Vorhaus 1941): Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each other the fact that her father heads the lottery means they end up on opposite sides. When her father is killed Julie becomes more and more involved in the shady activities and in blocking Reynolds' attempts at prosecution. Flame Of Barbary Coast (Dir. Joseph Kane 1945): A cowboy competes with a gambling tycoon on the Barbary Coast for the hand of a beautiful dance-hall queen. However the 1906 San Francisco earthquake provides a climactic twist though...
It's Hep! It's Hot! It's Hilarious! Fabulous swing music and memorable tunes infuse this Oscar nominated film about the lives of the women behind the musicians in a famous big band. While Gene Morrison's band (the Glenn Miller Band) is on tour trumpet player Bill Abbot (George Montgomery) falls for a girl in the audience Connie Ward (Ann Rutherford). When they elope no one's more surprised than Abbot's girlfriend Jaynie Stevens (Lynn Bari). As the musicians blow hot on the bandstand their wives are engulfed in enough flammable jealousy and dirty tricks to break up the band. now Connie must prove her love for Bill as well as try to get the band back together.
The second series of The Forsyte Saga, based on John Galsworthy's To Let, moves the story of the sprawling, fractious and aristocratic Forsyte family into the 1920s. The drama shifts to a new generation shouldering the burdensome legacies of an aging Soames (Damian Lewis) and his failed marriage to free-spirited Irene (Gina McKee). The lovely Fleur (Emma Griffiths Malin), Soames' daughter by second wife Annette (Beatriz Batarda), and strapping Jon (Lee Williams), son of Irene and Soames' bohemian cousin, Jolyon (Rupert Graves), develop a romance much to the dismay of their feuding parents. But the long reach of the elder Forsytes' sins--and the tenderness with which they seek redemption through their children--ultimately undercuts the young lovers' happiness. Meanwhile, sundry characters move in and out of the Forsytes' orbit, including a French businessman (Michael Maloney) stirring more troubles for Soames, and an art dealer (Oliver Milburn) with designs on Fleur. As with Series 1, all this will feel familiar to anyone who has seen the 26-part, 1967 version; yet this updated effort renews and redefines the Forsytes' overlapping tragedies, with a more interior feel and a first-rate contemporary cast. As with its legendary predecessor, this Forsyte Saga depends heavily on the seemingly soulless Soames' slow evolution to humanity; Damian Lewis carries the load brilliantly. --Tom Keogh
Given up for adoption as a baby Barbara Ann (Gloria Reuben) a child of mixed race is facing a life of confusion prejudice and isolation. Raised by a loving foster mother in a black neighbourhood she is suddenly torn from this happy existence and placed in a world with no friends no joy and no sense of family. But she survives and grows up to become the mother of five children. And it is then that Barbara Ann finds the courage to face her past to meet with the woman who gave bir
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
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