Sky One's hit comedy returns. DI John Major and DI Roy Carver were the top crime fighting duo in the Unit but when an undercover sting went horribly wrong, Major was gunned down on the job and killed. As an ˜asset' considered too valuable to lose, his body was fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something was lost in translation - quite a lot actually. Oh, and if that wasn't enough, thinking her husband is dead, Major's wife has fallen in love with Carver. Somehow, Major's error-strewn hunches and Carver's scrambling to make good allows them to just about scrape by but for how long?
Vampire-slayer Buffy Summers moves to Sunnydale, a Californian community located above the "Hellmouth", a phenomenon which explains the local graveyard's overpopulation of vampires and other supernatural beings. Angel, a mysterious loiterer, starts flirting with Buffy and gives her helpful tips on how to cope with the local nasties. However, he turns out to be a vampire, which complicates the future of their relationship. Buffy makes friends with school outcasts Willow, a computer nerd, and geeky Xander. But she excites the enmity of high-school princess Cordelia. The season's prime villain is the Master, a Nosferatu-looking vampire lurking under the town. Giles, Buffy's mentor, looks things up in books and demonstrates the exact same look of puzzlement actor Anthony Head used to demonstrate in those horrifying instant coffee ads. --Kim Newman
WillowTimid yet valiant dwarf and apprentice magician Willow Ufgood (Davis) is entrusted with delivering a tiny royal infant from evil queen Bavmorda to fulfil a prophecy that will restore peace and justice to the land... LegendIn Ridley Scott's 'Legend' young Jack (Cruise) lives in a magic forest populated with friendly and exotic creatures. But the delicate balance between good and evil is upset when the Lord of Darkness seizes Jack's beloved Lili (Sara) and a horn from one of the last unicorns thereby gaining control of the universe. LadyhawkeLadyhawke is an enchanting tale of a beauty a knight - and a pickpocket known as the Mouse. Once the knight and the lady were lovers. Now the curse of an evil Bishop keeps them always together eternally apart. By day she is a hawk by night he is a wolf. To end the evil spell the knight vows to break into the Bishop's stonghold with help from the Mouse...
Danny Trejo returns as ex-Mexican Federal agent Machete in this high-action thriller from visionary director Robert Rodriguez. Machete Cortez is recruited by the President of the United States (introducing Carlos Estevez AKA Charlie Sheen) for a mission which would be impossible for any mortal man - he must fight his way across Mexico to take down a madman revolutionary and eccentric billionaire arms dealer (Mel Gibson) who has hatched a plot to spread war across the planet by launching a weapon into space. The sequel to 2010's Machete features an all-star cast including Amber Heard (Drive Angry) Vanessa Hudgens (Spring Breakers) Michelle Rodriguez (Fast and Furious franchise) Sofía Vergara (Modern Family) Alexa Vega (Spy Kids) Jessica Alba (Sin City) Antonio Banderas (The Mask of Zorro) Cuba Gooding Jr (Jerry Maguire) and Lady Gaga!
One last blowout before reality sets in: it's Labour Day 1988, and although they graduated from high school four years earlier, the kids from the class of '84 get together for a party that will surely (because we're watching a movie about it) settle old scores and kindle new romance. But a little creative improvisation will be necessary for Matt Franklin (Topher Grace, who also co-produced and co-wrote the story), who is wasting his degree from MIT on a summer job at Suncoast Video; he's just told his secret high-school crush (Teresa Palmer) that he works for Goldman Sachs--and she's going to be at the party. Throw in Matt's loud and newly unemployed buddy (Dan Fogler), who has just found a baggie of cocaine in the glove compartment of the car he "borrowed" from his former job, as well as Matt's ambivalent sister (Anna Faris, not quite unleashed enough), and the ingredients are there for an epic night. That's clearly the intention for this movie, and while the ideas are all in place, its grasp of comedy and drama feels generally forced. Forced in its song list, too: all the lumbering behemoths of '80s rock are rolled out, from "Der Kommissar" to Dexy's Midnight Runners. For anybody with a nostalgia jones for the 1980s, there are enough funny bits along the way to justify a look, and the supporting cast has its share of craziness: Chris Pratt as the clueless host of the party, Demetri Martin as a disgruntled classmate, Michael Ian Black as the dream girl's douche-bag boss. And any movie that sets Balls of Fury cutup Fogler on a toot will not lack in energy. But nope, Take Me Home Tonight falls short of the realm of American Graffiti and Dazed and Confused, to which it obviously aspires, and no amount of Wang Chung on the soundtrack is going to hide that. --Robert Horton
One last blowout before reality sets in: it's Labour Day 1988, and although they graduated from high school four years earlier, the kids from the class of '84 get together for a party that will surely (because we're watching a movie about it) settle old scores and kindle new romance. But a little creative improvisation will be necessary for Matt Franklin (Topher Grace, who also co-produced and co-wrote the story), who is wasting his degree from MIT on a summer job at Suncoast Video; he's just told his secret high-school crush (Teresa Palmer) that he works for Goldman Sachs--and she's going to be at the party. Throw in Matt's loud and newly unemployed buddy (Dan Fogler), who has just found a baggie of cocaine in the glove compartment of the car he "borrowed" from his former job, as well as Matt's ambivalent sister (Anna Faris, not quite unleashed enough), and the ingredients are there for an epic night. That's clearly the intention for this movie, and while the ideas are all in place, its grasp of comedy and drama feels generally forced. Forced in its song list, too: all the lumbering behemoths of '80s rock are rolled out, from "Der Kommissar" to Dexy's Midnight Runners. For anybody with a nostalgia jones for the 1980s, there are enough funny bits along the way to justify a look, and the supporting cast has its share of craziness: Chris Pratt as the clueless host of the party, Demetri Martin as a disgruntled classmate, Michael Ian Black as the dream girl's douche-bag boss. And any movie that sets Balls of Fury cutup Fogler on a toot will not lack in energy. But nope, Take Me Home Tonight falls short of the realm of American Graffiti and Dazed and Confused, to which it obviously aspires, and no amount of Wang Chung on the soundtrack is going to hide that. --Robert Horton
Angels and Insects--an ambitious costume drama--tells the tale of William Adamson (Mark Rylance), a buttoned-down Victorian explorer who returns to England penniless and dependent on the kindness of his sponsor, Sir Harald Alabaster (Jeremy Kemp). Adamson's intelligence and lower social standing endear him to the old man, but Sir Harald's son, Edgar, seems annoyed by his presence. Nevertheless, Adamson falls in love with Sir Harald's daughter, a shy sex kitten (Patsy Kensit), and offers to marry her. As the web of sexual politics, true love, and class struggles develop; the explorer begins an intriguing study of a nearby ant colony. With encouragement from a dirt-poor Alabaster cousin (Kristin Scott Thomas), Adamson begins to write about the insects, never realising the parallels with his own life. The film, too, is a puzzle for the audience to solve while savouring the beauty of flesh and outlandish, vibrant costumes. Rylance is a perfect hero to root for, with his impeccable manners and soothing Scottish tones. All in all it's another curious winner from filmmakers Philip and Belinda Haas (The Music of Chance). --Doug Thomas, Amazon.com
In the middle of the 17th Century Eva Van Damme a Dutch aristocrat left Holland for the reckless spoils of the New World. She and her clan built a great mansion in New England cut themselves off from the rest of society and eventually disappeared from view altogether. It was here she revealed in her dark obsession one that had driven the Van Damme's from their Dutch home her insatiable sexual appetite for her twin brother.. More than three centuries later a ferry carries ailing John Strauss and his wife Kathleen to an eerie New England community. He is dying from a mysterious blood disease and has traced his roots to this enclosed island in the vain hope he may discover some key to his condition. Strauss knows he was born here but as a baby he was sent to Paris and subsequently adopted if he can find his relatives he may be saved. However as he will soon discover death can sometimes be a sweet release.
Action-packed Season Three develops major characters and plot lines brewing over the last couple of years. The Mayor, this season's major baddie, wants to become an invincible demon by slaughtering everyone at Sunnydale High's graduation ceremony but he's going to torture them all by giving his speech first. Bad-girl vampire-slayer Faith wants to get one over on Buffy and becomes even more rotten. Angel comes back from hell but isn't sure what to do about his girlfriend. Willow meets her evil gay vampire duplicate from another dimension. Xander loses his virginity but still has to contemplate his essential uselessness. Cordelia gets less whiny and has to work in a dress-shop when her father becomes bankrupt. Giles wears tweed and drinks tea, though it is revealed that he used to be a warlock and in a punk band. Besides the soap opera, there are monsters, curses and vampires (inevitably). --Kim Newman On the DVD: The DVDs are presented in a standard television 4:3 picture ratio and in a clear Dolby sound that does full justice both to the sparkling dialogue and to the always impressive indie-rock and orchestral scores. Special features include an overview of Season Three by its creator Joss Whedon, and by writers Marti Noxon, David Fury, Doug Petrie and Jane Espenson and documentaries on the weapons, clothes special effects of the show and the speech/verbal tone which makes it what it is-"Buffyspeak". The episodes "Helpless", "Bad Girls", "Consequences" and "Earshot" have commentaries by, Fury, Petrie, director James Gershman and Espenson, in which we find out some fascinating details about the way the scripts mutate and about the particular illuminations added to scripts by actors' performances. After complaints about the Season 2 DVD packaging, the disc envelopes include a protective coating. --Roz Kaveney
After the first season of Buffy The Vampire Slayer became a ratings success the show was renewed with a bigger budget and twice as many episodes. Seeds are sown through the early episodes for many of the stunning plot developments later in the season: there's a slow burn for the relationships building between Buffy and Angel (no surprise), Giles and Jenny (nice surprise), and Xander and Cordelia (huge surprise). Most importantly, we're introduced to important semi-regulars Spike and Drusilla ("School Hard"), Oz ("Inca Mummy Girl") and fellow Slayer Kendra ("What's My Line Part 1"). Their appearances tackle youth issues such as sibling rivalry, sexual maturity and rejection. But nothing that came before it prepared audiences for the latter half of season 2. In the extraordinary double act of "Surprise" and "Innocence" every aspect of the show grows up in a big hurry: the result of Buffy sleeping with Angel is a series of tragedies everyone is powerless to predict or prevent, a piece of powerful storytelling conveyed with pared-down dialogue and remarkable performances from the young cast. All of these threads are tied together then torn apart by the two-part finale "Becoming". With a cliffhanger ending to rival The Empire Strikes Back, the second chapter of Buffy The Vampire Slayer closes in tantalising style leaving everything at stake. --Paul Tonks On the DVD: The computer-animated menu opens this gorgeous box set in style with a tour through a dark and oppressive cemetery, a lavish display of graphics that's all the more impressive when compared to the uneventful DVD for the first season. Most of the extra features are concentrated on the last disc, which includes the obligatory biographies, trailers and TV spots that add little value to hardcore fans but serve as a good introduction to the world of Buffy for non-adepts. The three featurettes are captivating: "Designing Buffy" offers a wealth of information about the set designs, and even includes a walk through of Buffy's home; "A Buffy Bestiary" features every monster from the second season, and "Beauty and the Beats" explores the make-up artistry and special effects. There are also brief cast interviews, in which James Masters ("Spike") reveals his American accent. All in all the extras make a worthy accompaniment to the spectacular season 2 episodes, though one might regret that Joss Whedon did not offer a commentary on the double bill season finale "Becoming". --Celine Martig
Acclaimed director John Landis presents this madcap send-up of late-night TV low-budget sci-fi films and canned laughter-filled sitcoms packed with off-the-wall sketches that will have you in stitches! Centered around a television station which features a 1950s style sci-fi movie interspersed with a series of wild commercials wacky shorts and weird specials this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of enterta
The fifth season of Buffy the Vampire Slayer is about illusions and the truth that they often reveal; suddenly Buffy has a younger sister, has always had a younger sister. Michelle Trachtenberg as the moody, gawky Dawn achieves the considerable triumph of walking into an established stock company of well-known characters--Xander, Willow, Giles and so on--with the perfect assurance of a long-term member of the cast. Of course, nothing is as it seems; even Glory, the mad brain-sucking beauty in a red dress who is the villain of the year, turns out to be even more than she seems. Sarah Michelle Gellar as Buffy manages to convey heartbreak, self-involvement and real heroism as her relationship with her emotionally dense soldier boyfriend Riley hits the shoals and the blonde vampire Spike starts to show an altogether inappropriate interest. This season is also about the hard truth that there are some enemies it is impossible to fight. Even being around Buffy and Dawn is dangerous for their friends, as Glory and her minions proceed by a process of elimination. The eventual confrontation, when it comes, is genuinely shocking. Meanwhile, the vampire Spike's obsessed desire for Buffy takes them both to some very strange places and Willow and Tara have their love tested in the most gruelling of ways. And in the quietly upsetting episode "The Body", the cast produce their most impressive performances yet as they have to deal with another enemy they cannot fight. --Roz Kaveney
The blockbuster global "Mummy" franchise takes a spellbinding turn as the action shifts to Asia for the next chapter in the adventure series, "The Mummy: Tomb of the Dragon Emperor".
Based on the Marquis De Sade's notorious novel Justine, this outrageous and controversial British sexploitation/nunsploitation drama is now available uncut in the UK for the first time in all its lascivious and lustful glory!Justine (Koo Stark, the star of Emily and a former girlfriend of HRH Prince Andrew, Duke of York) wishes to remain innocent and virginal, but instead slips into a life of debauchery, torture, whipping, slavery and salaciousness. Meanwhile, her brazen, flirtatious and liberated sister Juliette ironically receives nothing but happiness and reward for her wanton behaviour. Justine's only possible hope of true love and salvation is one of her sister's former lovers, the suave and elegant Lord Carlisle (Martin Potter from Fellini Satyricon and cult classics Goodbye Gemini, Craze, and Satan's Slave). But is he as virtuous as he seems? Will redemption finally smile upon our heroine? Or will the fates conspire to turn her romantic dream into a blood-soaked nightmare?Featuring sex-crazed priests, lesbian abbesses, flaming crosses, trippy dream sequences, bondage, brandings galore, classic period settings and costumes, and locations reminiscent of Hammer Films in their prime, Cruel Passion is a tormented and tortuous treat for Britsploitation buffs, as well as those who love lusting after frilly-bodiced, tight-bustled, nubile toothsome strumpets.So, whip yourself into shape, sit back and marvel here at a bevy of corseted coquettes, including Ann Michelle (Psychomania, Virgin Witch, Haunted) and Glory Annen (Felicity, Outer Touch, Prey), and let Nucleus Films guide you through another naughty slice of saucy 70s sado-sexual shenanigans!
While celebrating with her friends in her new apartment on the thirteenth floor, a young girl unexpectedly jumps off the balcony committing suicide. Her mother goes insane and her older sister, decides to investigate her mysterious death. She finds that there have been many suicides of young women living in Apartment 1303...
Gotham City faces two monstrous criminal menaces: the bizarre sinister Penguin (Danny De Vito) and the slinky mysterious Catwoman (Michelle Pfeiffer). Can Batman (Michael Keaton) battle two formidable foes at once? Especially when one wants to be mayor and the other is romantically attracted to Gotham's hero? Like the Academy Award winning 1989 original Batman Returns is directed by movie-making wizard Tim Burton. And like the first blockbuster it's a dazzling adventure that leaves you breathless.
Liam Neeson stars in a ferocious action thriller set at 40,000 feet high and 550 miles per hour. Co-starring Julianne Moore (Carrie) and Michelle Dockery (Downton Abbey), NON-STOP is an action-packed thrill ride.
John Hannah stars as Ian Rankin's celebrated Scottish detective Rebus. Episodes Comprise: 1. Black And Blue 2. Hanging Garden 3. Dead Souls
Los Angeles 2008.Southland Tales is a darkly comic, futuristic epic set over the course of three days as the city stands on the brink of social, economic and environmental disaster, in an America under the thumb of the sinister all-seeing agency US-Ident. A large ensemble cast of characters includes Boxer Santaros (Dwayne The Rock Johnson), an action star stricken with amnesia, Krysta Now (Sarah Michelle Geller), a porn star with her own reality TV project, and Roland Taverner (Seann William Scott), a cop who holds the key to a vast conspiracy. Time travel, terrorism, and the end of the world collide with apocalyptic results in this dazzling film from the writer / director of Donnie Darko.
The Book Group, the creation of writer-director Annie Griffin, is a superb, Glasgow-based comedy-drama. Annie Dudek stars as Claire, the prissy and neurotic American expatriate who initiates the titular group with a view to meeting high-minded types like herself. Instead, she gets Dirka, Fist and Janice, three Scottish footballers' wives, the wheelchair-bound Kenny, a leisure-centre worker with ambitions to be a writer despite his apparent inarticulacy, the stubbly-faced football-mad Rab and the insufferable Barney, a post-grad student and heroin addict at whom Claire makes one of the most embarrassingly disastrous passes in TV history in the opening episode. The Book Group is a magnificent device for bringing an unlikely cast of characters together, supposedly out of a love of literature but in fact because each of them in their own way has pretensions or ambitions to make something different out of their lives. Waves of sexual longing between the group members are among the many things that interfere with the discussions of the texts, with Kenny in particular an object of fascination for both Dirka and Fist. With each episode cleverly themed around the chosen book of the week, The Book Group is hilarious yet wise, understated and often painfully melancholic, based on detailed character study rather than contrived situations or eye-catching melodrama. It is indispensable viewing. On the DVD: The Book Group's main extra is a poorly edited but absorbing sequence of interviews with all of the cast members except James Lance, who plays Barney. Rory McGann (Kenny), who comes from a non-acting background, is particularly interesting. --David Stubbs
Please wait. Loading...
This site uses cookies.
More details in our privacy policy