veral lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives.
This hip violent fast-moving film firmly established Pam Grier as the goddess of Blaxploitation. She plays Foxy a toughened woman living in a drug-plagued L.A. ghetto who goes on a one woman mission of vengeance after her undercover cop boyfriend (Terry Carter) is shot down in the street. The badass lass goes undercover herself as a call girl for the evil mistress of the drug cartel (Kathryn Loder) and with the help of a neigborhood vigilante committee wreaks some hell on the ba
As midnight falls, all manner of terror invades the Earth. Demons, cannibals, killers, ghosts and monsters swarm the world in these tales of the supernatural, the fantastic, and the just plain horrific. Featuring nine stories of horror.
François Truffaut co-writes and directs this classic drama adapted from Ray Bradbury's novel. In the not-too-distant future, forbidden volumes of literature are burned regularly by the 'firemen'. Montag (Oskar Werner) is the man in charge of the burnings, but after meeting a revolutionary book-owner, schoolteacher Clarisse (Julie Christie), he begins to have doubts - both about his vocation and his dead marriage to pleasure-seeking Linda (also Christie). Curious about the draw of literature, Montag keeps forbidden volumes of books for himself, and soon embarks on a secret affair with Linda. The cast also includes Anton Diffring and Cyril Cusack.
In this comedy Louis de Funes is a top restaurant critic the head of an important French culinary guide. At the beginning of the film he and his son (Coluche) are at odds as the son prefers working as a circus clown to studying the fine arts of gastronomy. The two join forces however to thwart the greedy owner of a chain of inferior restaurants who plans to take over the finest restaurants in France and substitute his formulaic fodder for real cooking. Another lure bringing the son into the picture is a lovely secretary working for the guide.
A classic contrast of institutional religion vs. a personal interpretation of faith based on the play by Kaj Munk this is the story of a man who is ridiculed for believing he is Christ until his miracles heal two families of different faiths angry at each other over a love affair between their children.
Last Action Hero (Dir. John McTiernan 1993): Danny Madigan (Austin O'Brien) a young cinema fan is crazy about his all-time great movie hero L.A. cop Jack Slater (Arnold Schwarzenneger). Having received a magic golden cinema ticket Danny is blasted through the big screen and into the action alongside his celluloid hero who is more than a little puzzled by his presence. Fasten your seatbelt as the dare-devil duo dodge bullets bombs and bad guys in a whirlwind world where anything is possible! But. ..disaster strikes when the baddies grab half the magic ticket and make their escape into the real world where they find life a doddle for two rogues intent on madness and mayhem.With Jack and Danny in hot pursuit hold your breath as the action addicts discover that real life can be even more exciting than the movies Twins (Dir. Ivan Reitman 1998): An ambitious genetic experiment takes the wrong turn when two twins (Danny De Vito and Arnold Schwarzenegger) - who look nothing alike - are born and then separated. Years later the unlikely siblings meet: Julius a highly educated but sheltered giant with a big heart and Vincent a pint-sized hustler with an insatiable lust for women and money. With girl friends in tow and a hitman on their tail the new-found brothers set off on a wild cross-country misadventure to find their mother but end up finding out more about themselves and each other... Kindergarten Cop (Dir. Ivan Reitman 1990): Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges as well as the affections of a beautiful teacher (Penelope Ann Miller) he prepares for a final showdown with his intended prey in this 'Totally Enjoyable' (People Magazine) action-comedy from Director Ivan Reitman.
Great Guns (Dir. Monty Banks 1941): Stan Laurel and Oliver Hardy join the army to protect their country...but who will protect the army from them? In Great Guns the comic team play a chauffeur and a gardener whose hypochondriac employer (Dick Nelson) a wealthy young man with little experience is drafted. Convinced that he needs them in order to survive in the service they join up as well. Of course the Texas cavalry post to which they're all assigned is made far worse for the wear by the presence of these well-meaning troublemakers and there is never a dull moment in this classic featuring two of the cinema's most revered comic actors! Jitterbugs (Dir. Malcolm St. Clair 1943): Considered the best of the Laurel and Hardy projects filmed at Twentieth Century Fox this energetic musical comedy also introduces singer Vivian Blaine. Stan and Oliver star as a traveling two-man jitterbug band who operate out of a dilapidated jalopy and form an unlikely partnership with a likable con man (Bob Bailey). When the trio joins a carnival they meet Susan a naive young singer (Vivian Blaine) whose mother has been swindled by grifters. Suddenly chivalrous the three orchestrate a sting operation using disguises - with Laurel dressed as Susan's disheveled aunt and Hardy as a rich Texan - to get the woman's money back. Although things don't go as planned the inimitable comedy duo provide nonstop laughs from start to finish in this delightful caper. The Big Noise (Dir. Malcolm St. Clair 1944): The zany antics of legendary comedians Stan Laurel and Oliver Hardy come to life in this romp about two phony private detectives. The duo play janitors accidentally hired as sleuths to protect a new super-bomb destined for the War Department in Washington D.C. However the bomb's inventor has loaded his house with crazy contraptions that entrap and confuse the protectors. Meanwhile next door is the biggest threat of all - a gang of crooks determined to get their hands on the inventor's deadly creation. Through a series of crazy misadventures our heroes end up in a remote-controlled airplane along with the bomb and head straight for trouble.
Eclectic evocative and breathtakingly dazzling! A celebration of life where an international troupe of more than fifty performers ranging from 8 to 45 years of age defy gravity and dazzle with their artistry. A panoply of acts in which top-notch acrobatics are executed with masterly beauty handbalancing double trapeze double tightrope Chinese poles the Russian swing bungees jugglers and clowns. Created in 1994 as an antidote to the violence and despair typical of the 20th century this phantasmagorical show proposes a new vision of urbanity overflowing with optimism and happiness. Saltimbanco is not linear; rather it is a kaleidoscope an adventure in which anything can happen. Saltimbanco has its own language a soul expressed through the voice the body and music.
Though it's not in the same league as the classic screen musicals, Annie's heartwarming rags-to-riches storyline, social comment (shallow as it may be) and catchy songs make for an entertaining and unpretentious 90 minutes' viewing. Aileen Quinn is the irrepressible titular orphan, by no means as irritating as she looks in the cover picture; Albert Finney is Oliver Warbucks, the tyrannical tycoon (with a hidden heart of gold, of course) who adopts her for a week in the interests of good PR. The real show-stopper, though, is Carol Burnett as the gin-soaked harpy Miss Hannigan, ruling with an iron fist over an orphanage full of unruly girls, flirting with every man in sight and eventually scheming with her unscrupulous brother (Tim Curry) to kidnap Annie and reap a fat Warbucks reward cheque. While the songs--including "Tomorrow", "You're Never Fully Dressed Without a Smile" and "It's a Hard Knock Life"--are excellent, the kids' voices are shrill and the production pretty low-rent: Annie is very obviously a stage show brought to screen on a low budget. But while it lacks the polish that make the Rodgers and Hammerstein and Lerner and Loewe musicals so special, it's funny and sweet and has a rough charm all its own. On the DVD: The film is presented in widescreen, preserving its original 2.35:1 aspect, and is enhanced for 16:9 widescreen TVs; the soundtrack is Dolby surround, though as noted above the music score is relatively rough and ready so top-notch sound isn't actually as important as it would be in other musicals. The extras are pretty disappointing--an uninspired interactive menu features only the obligatory multi-language subtitles, (very) short biographies of the key cast members, a few publicity cards and posters, the theatrical trailer and--most interestingly--an isolated musical score. No commentary from director John Huston, no documentaries, nothing about the 1930s cartoon strip that was, apparently, one of the most popular of its day. There's actually more information in the accompanying booklet than there is on the disc. --Rikki Price
This fantastic box set brings together six of Doris Day's finest efforts. Billy Rose's Jumbo (Dir. Charles Walters 1962): Pop and Kitty Wonder are the owners of the Wonder Circus and because of Pop's addiction to gambling they are constantly in debt and the creditors are very close to foreclosing on them. Their main attraction is Jumbo the elephant and it seems that their competitor John Noble wants Jumbo and is luring away all of their acts leaving them with virtually nothing. Then all of a sudden a mysterious man named Sam Rawlins joins them as a wire walker and Kitty is taken with him what they don't know is that he's Noble's son. The Glass Bottom Boat (Dir. Frank Tashlin 1966): Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters of Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer only to try and win her affections. There's a problem Bruce's friend General Wallace Bleeker believes she's a Russian spy and has her surveillanced. But when Jennifer catches on...Watch out! Love Me Or Leave Me (Dir. Charles Vidor 1955): Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics. Please Don't Eat The Daisies (Dir. Charles Walters 1960): Drama critic Larry McKay his wife Kay and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Young Man With A Horn (Dir. Michael Curtiz 1950): Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life Rick becomes a star trumpeter but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble. Calamity Jane (Dir. David Butler 1953): Deadwood Dakota Territory is largely the abode of men where Indian scout Calamity Jane is as hard-riding boastful and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.
Rip Smith's opinion-poll business is a failure...until he discovers that the small town of Grandview is statistically identical to the entire country. He and his assistants go there to run polls cheaply and easily, in total secrecy. Civic crusader Mary Peterman must be kept from changing things. But romantic involvement with Mary complicates life for Rip; then suddenly everything changes...
Jerry Mulligan (Gene Kelly) is an American G.I. who decides to stay in Paris after the Second World War. Keen to sample some of the city's legendary romantic lifestyle he becomes an art student and joins a colony of painters living in a Montmartre garret. Penniless and starving his pursuit of the experience of the great artists is fast becoming a little too realistic when he is ""discovered"" by wealthy heiress Milo Roberts (Nina Foch). She becomes his patron although Jerry soon real
A tearjerker! A newly married couple face their future together with optimism only for things to go badly wrong. The story of adoption death and disappointment. This film made even the urbane Cary Grant tearful!
Producer George Pal and director Byron Haskins' landmark adaptation of the H.G. Wells classic novel that focuses on the invasion of the earth by Martian war machines. It's a work of frightening imagination with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe the military is helpless to stop this enemy while scientists race to find an effective weapon. It fi
The Tenth Kingdom, an epic 10-hour miniseries from the Emmy-winning screenwriter of Gulliver s Travels, was a ratings failure when broadcast on US television, but on video and DVD, where it can be enjoyed at ones leisure, it has a better chance to cast its magical spell. Kimberly Williams has never been more enchanting than as Virginia, a waitress who still lives with her janitor father (John Larroquette) and yearns for something exciting to happen to her. Her wish comes true when she and her father are transported from New York City into a dimension that, with apologies to Rod Serling, can only be called the "Fairy Tale Zone"; nine kingdoms populated by characters from fairy tales of yore. They team up with a dog whos really a prince--Wendell, grandson of Snow White--changed into canine form by the evil Queen (Dianne Wiest), who plots to usurp Wendells throne. Father, daughter, and his royal dogness are relentlessly pursued through the nine kingdoms by the Troll King (Ed ONeill) and his three bumbling and horrible children, and the conflicted Wolf (Scott Cohen), who is allied with the Queen but, with the aid of some Oprah-esque self-help books, tames his inner beast and falls in love with Virginia. The Tenth Kingdom is also a special effects extravaganza. There is indeed, as one character marvels, "magic to behold". But despite the Hallmark brand name and the presence of a grown-up Snow White (Camryn Manheim) and Cinderella (Ann-Margret), bewitched animals, magic mirrors and trolls, this is not kids stuff. It can get scary, surprisingly violent and quite intense, just like real fairy tales. --Donald Liebenson, Amazon.com
When British jocky Bob Champion is struck down with cancer in the prime of his career his desire to live is determined by a single promise; on successful recovery he will ride jump prospect Aldaniti in the 1981 Grand National... John Hurt gives a truly stunning performance as Bob Champion in this true story of courage dedication and the strength of the human spirit.
The Prophecy: Christopher Walken leads an extraordinary cast including Eric Stoltz Virginia Madsen Elias Koteas Amanda Plummer and Viggo Mortensen in a terrifying supernatural thriller of heavenly war waged on Earth by renegade angels. When Thomas Daggett (Elias Koteas) falls victim to confusing and horrific dreams he abandons the church at his ordination into the priesthood. Years later as a homicide detective assigned to a grisly murder case he discovers a series of clu
Romeo and Juliet is Shakespeare's tragic story of young impetuous love thwarted by a bitter Veronese family feud. Romeo heir of the Montague family attends a masquerade dance at the home of the Capulets where he meets Juliet the Capulets' daughter. It is love at first sight. Their love is torn asunder by the feud between their families. It is only after the double suicide of the young lovers that their long divided kinsmen are reconciled in sorrow.
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