After the death of their father, a traumatised Ursula (Barbara Magnolfi, SUSPIRIA) and her sister Dagmar (Stefania D'Amario, ZOMBIE) check into a plush hotel on the picturesque bay of Naples. Soon, beautiful women start dying in the most bizarre gory manner. All post-coitus.The already disturbed Ursula starts having visions: apparently seeing through the eyes of a black-clad voyeur who observes his prey having sex.. Heightening the giallo genre with the Sleaze-O-meter cranked up to 11 à la Spinal Tap' the story plays out straight-faced however, here, the film's outrageous intensity stems from the stream of beautiful women stripping and pleasuring themselves, or each other, or some happy bloke, in an eye-popping gamut of sex: sapphic, straight, bent, oneiric, usually murderous In a candid interview, writer-director Milioni guarantees that this is his own full uncut edit with all the eroticism he intended! He should know: Defying ALL political correctness, URSULA was made to skirt hardcore and started the ultra-rarified Porno-Giallo genre.
Nico Palmieri (Fabio Testi) is a police inspector who battles against hoodlums who terrorise a sleepy Italian village and extort cash from the locals. With the threat of horrific brutality no one dares to act except a restaurant owner (Renzo Palmer) who approaches Palmieri and sings like a canary. As a result his young daughter is raped. Discovering that the terrorism is related to drug dealers Palmieri is forbidden to continue investigating his case by his superior - so he goes it alone. Palmieri recruits men who have become victims of the crooks and the film ends with a bloody massacre...
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