An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale
Written and directed by Peter Hyams 'Hanover Street' stars Harrison Ford as David a WWII American bomber pilot who meets and falls in love with a beautiful nurse during an air raid in London. Unbeknownst to him she is married. David is then shot down behind enemy lines while accompanying a British agent into France. In the midst of danger David comes to realise that the agent is his lover's husband...
It has not taken long for Without a Trace to emerge from the shadows of CSI and become a ratings force in its own right. Jerry Bruckheimer produced both series, and both feature the-face-is-familiar character actors with extensive and diverse resumes who have been catapulted to primetime stardom. Jack Malone, head of a crack FBI missing persons unit, is the Australian-born Anthony LaPaglia's breakout role after years of portraying enough Italian mobsters and criminals to populate a season of The Sopranos. LaPaglia was a surprise Golden Globe Award-winner for this inaugural season. Without a Trace is instantly arresting. "The clock is ticking" in each episode, as Malone and company race against time to find a missing person. "After 48 hours," Malone explains to the rookie member of the team in the series pilot, "they're gone." To solve each baffling case, Malone and fellow agents Samantha Spade (Poppy Montgomery), Vivian Johnson (Marianne Jean-Baptiste of Secrets and Lies), Danny Taylor (Enrique Murciano), and new guy Martin Fitzgerald (Eric Close), must work from the inside out. "Once we find out who she is," Malone says of one victim, "odds are we'll find out where she is." Among the inaugural season's most wrenching episodes are "Between the Cracks" and "Hang On to Me," both featuring Charles Dutton in his Emmy Award-winning performance as a father whose son has been missing for five years. The powerful season finale, "Fallout," presented in this four-disc set in a "creator's cut," concerns a man who lost his wife in the 9/11 attacks. The riveting episodes mostly stand alone, but some cases do return to haunt Malone, as witness "In Extremis," a case that ends tragically and leads to an internal investigation that threatens to subvert the close-knit unit in the episode. "Are You Now or Have You Ever Been?" Sharp writing, authentic procedurals, taut direction, and effective use of music make Without a Tracea series worth finding on DVD. --Donald Liebenson
A man who is possessed by evil and worships the devil breaks into people's houses and butchers the occupants. A cop sets out to find the Nightstalker... Based on the events in Los Angeles during the 1980s when serial killer Richard Ramirez terrorised the city.
Billed as an updating and retelling of an Irish folk legend, Lord of the Dance is less Erin Go Bragh than Hooray for Hollywood. Michael Flatley gives us the old razzle-dazzle, fashioning a Celtic-influenced spectacular that wanders far away from its Riverdance roots. The light-show presentation is closer kin to another contemporary Irish musical group, U2. Flatley himself has gone designer chic, too: with close-cropped haircut, earring, buffed abs and tight black pants he bears more than a passing resemblance to Bono. But you have to hand it to the guy--he works hard for the money, as does his attractive corps. The one maddening aspect of this glitzy, entertaining 90-minute festival is the overzealous editing. No image remains on screen for more than a few seconds. Neither Flatley nor his talented troupe deserves to have such craftsmanship sliced and diced like an MTV music video.--Richard Natale, Amazon.com
""Two Thumbs Up! I Was Mesmerized From Beginning To End!"" -Roger Ebert ""Siskel and Ebert"" Writer/director Woody Allen delivers a powerful ""searing adult drama"" (Leonard Maltin) examining the life of an accomplished philosophy professor teetering on the brink of self-understanding. Boasting a superb cast led by Gena Rowlands Mia Farrow Ian Holm and Gene Hackman Another Woman is Allen's 17th triumphant film. Stylistically rich and technically expert the film layers past and pres
Woody Allen's 17th film. Gena Rowland plays Marion, an academic who rents a flat in which to write a book on philosophy and becomes intrigued by conversations she overhears from a psychologist's office next door. One patient, Hope (Mia Farrow), has a particular effect on Marion forcing her to re-think many of her assumptions about her own life: her unhappy marriage; her feelings for another man (Gene Hackman); and her relationships with her best friend (Sandy Dennis) and brother (Harris Yulin).
More other-worldy adventures featuring Jeff Randall (Mike Pratt) and his deceased private detective partner Marty Hopkirk (Kenneth Cope)... Eps. 23: The Trouble With Women - Jeff gambles with his life while investigating the owner of a casino. Eps. 24: Vendetta To A Dead Man - A vengeance seeking excaped prisoner is looking to settle an old score. Eps. 25: You Can Always Find A Fall Guy - Jeff is double crossed by a nun. Eps. 26: - The Smile Behind The Veil - A simple funeral turns into a strange murder mystery.
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