The suspense of Miss Marple: The Body in the Library isn't the edge-of-your-seat variety; it's simply a perplexing puzzle that keeps niggling at the back of your mind. Just as one piece of the puzzle falls into place, another gap opens up, thanks to one of Agatha Christie's most intricate plots. Considering what a long film this is (150 minutes, lengthier than most Christie adaptations), it's impressive how tightly the mystery grips the viewer's attention. And not a second of Joan Hickson's marvellous performance as Miss Marple should be missed (the other performances, alas, fall short, except for Gwen Watford as Dolly Bantry, in whose library the body is found). To people meeting her for the first time, Jane Marple appears to be a sweet old dear, whose comments on the murder investigation are more likely to involve an obscure recollection of a frog jumping out of someone's coat than to have any direct bearing on the case. But as Christie fans know, beneath that dithery exterior lies one of the shrewdest minds in England. Hickson's understated portrayal reveals the humour in her character without ever making a mockery of Miss Marple and the results are delightful to watch. --Larisa Lomacky Moore, Amazon.com
Originally sold with the provocative tagline 'Is 15 too young for a girl? Is one wife enough for one man?', this time-capsule of a film concerns itself with the story of a young married man who has an affair with a teenage girl, and forms part of a peculiarly 1960s British wave of films exploring such sensitive subject matter (others included Term of Trial, Age of Consent, and Three into Two Won't Go).Starring Olivia Hussey, in her first post-Romeo and Juliet role, and the inimitable Tom Bell (The L-Shaped Room, Prime Suspect), this wonderful slice of British cultural history is one of only a handful of feature films directed by Gerry O'Hara, better know for his assistant-director work with such cinema giants as Tony Richardson, Carol Reed and Otto Preminger.
This Broadway hit gets a solid film treatment by director Norman Jewison but that can't make up for the weaknesses of the script (which were as true onstage as they are here). Jane Fonda plays a chain-smoking shrink sent to a convent to do a psychological evaluation of a novice (Meg Tilly) who gave birth to a baby and then killed it in her little room. Was it a virgin birth? A miracle? And what of the bloody stigmata that seem to spontaneously appear on her hands? Fonda also finds herself clashing with the Mother Superior (Anne Bancroft) over the line between faith and science. But writer John Pielmeier can't flesh this out beyond an idea; in the end, the solution is a disappointingly earthbound one that even the strong acting in this film can't elevate. --Marshall Fine
The complete fourth series of the outstanding Emmy Award-winning Upstairs Downstairs. Episodes Comprise: 1. A Patriotic Offering 2. News from the Front 3. The Beastly Hun 4. Women shall not Weep 5. Tug of War 6. Home Fires 7. If You Were the Only Girl in the World 8. The Glorious Dead 9. Another Year 10. The Hero's Farewell 11. Missing Believed Killed 12. Facing Fearful Odds 13. Peace out of Pain
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal) whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise as they find themselves under the influence of the ultimate drug: love. Based on Jamie Reidy's memoir Hard Sell: The Evolution of a Viagra Salesman.
Alfred Hitchcock famously observed that movies should be more than just picture postcards of people talking. Sometimes, though, dialogue is all that's needed. Joseph L. Mankiewicz's immaculately scripted All About Eve is a case in point. There are no special effects (unless one considers Marilyn Monroe's wiggle or a scene in which a car breaks down). What the movie offers instead is some of the most coruscating one-liners ever committed to celluloid. The top-name cast certainly know how to put Mankiewicz's words across. Anne Baxter is all doe-eyed charm as Eve, the ruthless aspiring actress who passes herself off as a little girl lost. George Sanders (eminent character actor and the voice of Shere Khan the tiger in The Jungle Book) shows his customary mellowness of sneer as Addison De Witt, theatre critic and professional cynic ("a venomous foot louse" as he's characterised) who helps push Eve up the greasy pole toward success, if not happiness. Best of all is Bette Davis, a soured but still resplendent stage diva, who takes Eve under her wing. ("I'll admit I've seen better days but I'm still not to be had for the price of a cocktail--like a salted peanut", she tells her lover.) The plotting and double-dealing on the screen, described in Sam Staggs' All About All About Eve: The Complete Behind-the-Scenes Story of the Bitchiest Film Ever Made, were matched by what went on behind the scenes. Davis heartily loathed fellow actress Celeste Holm who--ironically enough--plays her best friend. She fell in love with another co-star, the handsome, good-looking Gary Merrill, whom she later married. Backstage dramas are often self-indulgent and stagy affairs, but this one dazzles. --Geoffrey Macnab
Jackson Slate, famous treasure hunter, is out to find the legendary Lost Gold Of Cortez in the open waters off a secluded island in the Caribbean Sea. Using dynamite to blast his way through centuries of silt, new chasms are created reaching miles below the ancient ocean floor. From here, an ancient evil is released, that quickly, savagely, and without warning, destroys Jackson s boat and kills his crew. The sole survivor of the carnage, Jackson teams up with marine biologist, Sarah, to ventu...
This Broadway hit gets a solid film treatment by director Norman Jewison but that can't make up for the weaknesses of the script (which were as true onstage as they are here). Jane Fonda plays a chain-smoking shrink sent to a convent to do a psychological evaluation of a novice (Meg Tilly) who gave birth to a baby and then killed it in her little room. Was it a virgin birth? A miracle? And what of the bloody stigmata that seem to spontaneously appear on her hands? Fonda also finds herself clashing with the Mother Superior (Anne Bancroft) over the line between faith and science. But writer John Pielmeier can't flesh this out beyond an idea; in the end, the solution is a disappointingly earthbound one that even the strong acting in this film can't elevate. --Marshall Fine
I Know What You Did Last Summer (Dir. Jim Gillespie 1997): On the magic Summer's night of high school's end Julie Helen Ray and Barry get into Barry's new Beamer and drive out to celebrate their lives and hopes before them. But on the road they have a terrible accident; hit and kill a man. In the shock and panic that follow they dump the body in the sea rather than reporting the accident. As the body sinks the hand of the dead man breaks the surface in a last grasp at life then disappears into the murky depths. The four friends realise they are now guilty of murder and swear to take their secret to their graves. But now someone is stalking them someone who knows who they are knows what they did last Summer and seeks revenge... I Still Know What You Did Last Summer (Dir. Danny Cannon 1998): Remember Ben Willis? He's the fisherman who killed the boy who was driving the car when it went off the road in the fatal accident that killed his daughter Sara. He's the man in the slicker with a hook in his hand ready to exact bloody justice. Well he's back.... I'll Always Know What You Did Last Summer (Dir. Sylvain White 2006): When a seemingly harmless Fourth of July prank goes horribly wrong resulting in the death of a friend four teenagers from a small Colorado town agree to take their secret to the grave... Come the next Fourth of July the group of friends are going to find themselves fighting for there very lives as a terrifying killer stalks each and every one of them. It's a race against time to uncover the malevolent murderer before they all end up six feet under.
Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.
Charlton Heston plays Colt Saunders a Civil War vet returning home after years spent on the battlefield but once he reaches his ranches faces many challenges. Whilst his new bride is desperately attempting to hide her wild past they are also being pursued by a ruthless and corrupt government intent on keeping Colt's land for themselves.
The lunatics have truly taken over the asylum in this notorious slice of 1970's exploitation horror. In the isolated Stephens Sanatorium for the criminally insane the patients are allowed to move freely - until one of them takes an axe to Dr. Stephens. When a young nurse arrives to take up her new job she finds the strange assortment of psychotic patients - among them a child like lobotomised bulk a nymphomaniac a schizophrenic judge with an axe fetish and a cackling old woman - are allowed to live out their violent delusions under Dr. Stephens replacement. Soon nurse Charlotte is discovering the real madness within the asylums walls as the patients are hacked chopped slashed and stabbed by a violent killer who hides in the shadows.
With testimonies news items and extensive film archives this documentary recollects the story of Harvey Milk the gay politician who became a member of the San Francisco Board of Supervisors and along with Mayor George Moscone was assassinated by Supervisor Dan White in 1978.
One of Francois Ozon's most intimate and lyrical work 'Time to Leave' features a moving performance from Melvil Poupaud as a 30 year-old man facing up to the reality of his own mortality. With his perfect life thrown into chaos by the shock diagnosis of a serious illness fashion photographer Romain finds himself unable to share the news with his boyfriend or family confiding instead only in his grandmother (affectingly played by screen legend Jeanne Moreau). But anger and denial give way to an acceptance of sorts when a chance encounter with a waitress (Valeria Bruni-Tedeschi) offers Romain a glimmer of hope and the unexpected chance to leave something of himself behind.
"JCVD" shows the world's favourite action hero as you have never seen him before...living the life of an ordinary guy.
Isabelle Huppert and Kévin Azaïs star in this romantic drama co-written and directed by Bavo Defurne. The film follows Liliane Cheverny (Huppert), a former singer now working on an assembly line at a pâté factory. After coming runner-up in the Eurovision Song Contest in 1974, Liliane's career came to an abrupt end when she split from her manager and husband Tony (Johan Leysen). However, despite her attempts to leave her old showbiz life behind, Liliane soon attracts the attention of 21-year-old co-worker and aspiring boxer Jean (Azaïs), who seems determined to help her relaunch her career.
On Saturday 14th February 1900, a party of schoolgirls from Appleyard College picnicked at Hanging Rock near Mt. Macedon in the state of Victoria. During the afternoon, several members of the party disappeared without trace Product Features A new Second Sight Films 4K scan and restoration from the original camera negative supervised and approved by Director Peter Weir and Director of Photography Russell Boyd Dual format 4 disc set featuring 2 UHDs and 2 Blu-rays UHDs presented in HDR Includes restorations of the Director's Cut and original Theatrical Cut Audio commentary by film academics Alexandra Heller-Nicholas and Josh Nelson A Lovely Day for a Picnic: a new interview with Actor Karen Robson Finding the Light: a new interview with Director of Photography Russell Boyd Crashing Through Boundaries: a new interview with Camera Operator John Seale Something Beyond Explanation: Thomas Caldwell on Picnic at Hanging Rock A Dream within a Dream feature length documentary An interview with Joan Lindsay Recollection: Hanging Rock 1900 Outtakes Original long trailer Limited Edition Contents Rigid slipcase with new artwork by Thinh Dinh Softc over book with new essays by Daniel Bird, Kat Ellinger and Justine Smith, archive essay by Rebecca Harkins-Cross, Costume Gallery, feature on the original marketing of the film and the new restoration. The original novel with exclusive cover by Thinh Dinh 6 collectors art cards
Director Jean-Paul Rappeneau and cowriter Jean-Claude Carriere had the brilliant idea of casting France's most lovably vulnerable hunk, the massive Gerard Depardieu, in one of French literature's meatiest roles: the sword-wielding poet Cyrano. Equipped with a massive nose and a heart to match, Depardieu soars as the heart-broken soldier who must lendhis words of love to another man to woo the woman he yearns for. Rappeneau spared no expense in taking this Edmond Rostand play into realistic locations for the battle scenes in the second act, making the film as exciting as it is romantic and funny. Depardieu attacks the role in great gulps, consuming all the oxygen in any room he enters. Macho but sensitive, he creates a larger-than-life Cyrano, whose wrenching sadness at the lack of interest from his lady love will have you reaching for the tissues. --Marshall Fine
What happens when you open your home to someone who's gutsier than you more devious than you and crafty enough to steal your life right out form under you? Easy-going college dean Andy Safian's (Pullman) quiet New England world has just been terribly disrupted. Two students have been raped a third has been killed and the police are beginning to suspect him! At home bills are piling up his wife (Kidman) is developing severe stomach cramps and the new tenant - a devilishly handso
Children Of The Corn Traveling through Nebraska Burt (Peter Horton) and Vicky (Linda Hamilton) stop in a small town to report the death of a child on the highway. There they discover something strange about the community: all the grownups are gone and the children seem to belong to a strange cult. What's worse it's a cult that sacrifices adults to the dreadful 'he who walks behind the rows'... Children Of The Corn 2 A young couple uncovered the horrors that lay hidd
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