From controversial director Lars von Trier comes a strikingly original and thought provoking film about a group of people who confront and subvert the norms and conventions of middle-class society by exploring and releasing their 'inner idiot'. Following a chance encounter with the group the lonely drifter Karen becomes unintentionally involved with them. Gradually Karen begins to understand what they are up to and overcoming initial anger and reluctance eventually participates in their subversive activities. Isolated and concealing a deep sadness Karen finds solace acceptance and understanding with 'the idiots' and she is drawn in by the sense of joy and child-like innocence of their behaviour. However as the idiocy escalates certain members decide to leave strengthening the solidarity of those who remain and futhering their resolve to live out their excessive feelings the aggression the curiosity and the uncontrolled egotistical primitive sexuality. Produced with the revolutionary Dogma 95 Manifesto The Idiots is a powerful controversial and refreshingly unconventional film from one of contemporary cinema's major talents.
Cute Latino Justin is about to loose his innocence. By day he indulges his passion for Mexican telenovelas and works part time for Monica a photographer compiling an erotic portfolio of young Latinos. By night he's steeped in the intoxicating nightlife of his working class Brooklyn neighbourhood. Plus he's nurturing a crush on his savvy cousin Angel and is being pursued by macho demi-god Carlos. Carlos' possessive lover Braulio isn't too happy about his lover's lustful promiscuity and Justin is green with envy that Angel has found himself a chick! Fuelled by jealously and a desire for revenge the Latin boys are driven to a violent and terrible end.
Flash Gordon: Space Soldiers - Vol.2
Regarded as Godard and Gorin's return to so-called mainstream cinema after a period of four years with the Marxist, Dzigha-Vertov Group making short films and videos for political groups and student campuses, during which time Godard had been forced to make TV commercials. Four years after the 1968 student riots, Godard's film directly addresses both the revised expectations of earlier radicals and the difficulty of trying to say anything radical in a conventional film form within a capitalist system. Jane Fonda and Yves Montand star as an American journalist and French ex-New Wave film director who get caught up with a factory strike and a sit-in where the bosses are held captive. With the ironic use of its stars, the film manages to be both politically astute, formally self-reflexive and entertaining.
Before becoming a famous novelist, a young Jane Austen becomes embroiled in a passionate love affair with an Irish lawyer, Tom Lefroy, that inspires her career.
A Jewish journalist infiltrates a neo-Nazi group to shed light on their organised racist atrocities. Based on a true story.
It's all about women... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cynic
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
"High School Musical's" Vanessa Hudgens hangs out with new friends in this summer's musical treat "Bandslam".
Befitting his status as a genre star Boris Karloff earns top billing over leading man Ralph Byrd in RKO's final Dick Tracy caper. The former Frankenstein monster plays an escaped convict masterminding a daring bank robbery. To get in and out of the bank without being noticed the gang uses an asphyxiating gas that leaves anyone inside momentarily frozen in place. Everyone that is except for bank customer Tess Truehart (Anne Gwynne) who is able to contact Dick Tracy (Byrd) from a p
When his wife is believed dead after seven years missing at sea, a dashing attorney marries again only to have his first wife return on his honeymoon night.
You have to credit the folks who put this double bill together. The Brain from Planet Arous, a low-budget alien invasion 1958 film, is one of those programmes that lingers in the memory as much for its title and impressively ludicrous giant-staring-transparent-brain monster as for its poverty row dramatics, in which the usually stiff John Agar grins evilly and flashes contact lenses when possessed by the creature and a good guy brain shows up to take over his dog to thwart the renegade cerebrum's plan for world domination. For this release, Brain is teamed with its original co-feature, a movie so bad you wouldn't buy it on its own but whose presence here is a pleasing extra. Whereas Brain from Planet Arous delivers exactly what its title promises, Teenage Monster is a cheat: rather than feature a mutant 1950s delinquent in a leather jacket, it's a melodramatic Western in which prospector's widow Anne Gwynne keeps her hulking caveman-like son (who seems to be well into middle-age) hidden, only for a scheming waitress to use the goon in her murder schemes. Brain is snappily directed, even when staging disasters well beyond its budget, while Teenage Monster drags and chatters and moans until its flat finale. On the DVD: The Brain from Planet Arous/Teenage Monster double bill disc is a solid showing for such marginal items, featuring not only the trailers for these attractions but a clutch of other 1950s sci-fi pictures (Phantom from Space, Invaders from Mars, etc.) and a bonus episode ("The Runaway Asteroid") from a studio-bound, live-broadcast juvenile space opera of the early 50s (Tom Corbett, Space Cadet) in which hysterical types in a capsule break off from the space programme to deliver ringing endorsements of gruesome-looking breakfast foods. --Kim Newman
A struggling writer is encouraged by his shrink to create his dream girl. His reality is upended when Ruby suddenly manifests in his apartment in love with him and precisely as he's written her.
A struggling writer is encouraged by his shrink to create his dream girl. His reality is upended when Ruby suddenly manifests in his apartment in love with him and precisely as he's written her.
Director Lindsay Anderson pulls no punches in this classic screen adaptation of the hard hitting David Storey novel about violence and its effect on the quality of life.; ; Richard Harris and Rachel Roberts are outstanding as Machin, the professional rugby player who carries the violence of the football field into every area of his life, and Mrs Hammond, the frigid and withdrawn woman with whom he lodges and conducts a joyless affair.; ; As well as examining their relationship in minute and p...
Quakes. Riots. Mudslides. Los Angeles has seen it all... almost. Get set for nonstop action, searing suspense and explosive special effects with Oscar winner Tommy Lee Jones.Something unspeakable chilling is heating up the City of Angels. Beneath the famed La Brea Tar Pits, a raging volcano has formed, raining a storm of deadly fire bombs and an endless tide of white-hot lava upon the stunned city. Experience the pulse-pounding thrills as the dream capital of the world erupts into the stuff nightmares are made of.
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