Welcome to the kingdom of Terry Gilliam: his solo-directing debut, a gonzo medieval comedy Amid the filth and muck of England in the Dark Ages, a fearsome dragon stalks the land, casting a shadow of terror upon the kingdom of Bruno the Questionable. Who should emerge as the town's only possible saviour but Dennis Cooper (Life of Brian's MICHAEL PALIN), an endearingly witless bumpkin who stumbles onto the scene and is flung into the role of brave knight? The first outing as a solo director by TERRY GILLIAM (Brazil)inspired by Lewis Carroll's poem Jabberwocky and made on the heels of Gilliam's success as a member of the iconic comedy troupe Monty Pytho - showcases his delight in comic nonsense, with a cast chock-full of beloved British character actors. A giddy romp through blood and excrement, this fantasy remains one of the filmmaker's most uproarious visions of society run amok. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES New 4K digital transfer from a restoration by the BFI National Archive and The Film Foundation, approved by director Terry Gilliam 5.1 surround mix, supervised by Gilliam and presented in DTS-HD Master Audio Audio commentary from 2001 featuring Gilliam and actor Michael Palin New documentary on the making of the film, featuring Gilliam, producer Sandy Lieberson, Palin and actor Annette Badland New interview with Valerie Charlton, designer of the Jabberwock, featuring her collection of rare behind-the-scenes photographs Selection of Gilliam's storyboards and sketches PLUS: An essay by critic Scott Tobias
In this final explosive third installment of the Matrix trilogy the city of Zion last bastion of the human race defends itself against the massive invasion of the machines as Neo attempts to fulfill his prophecy as 'The One'. As the Machine Army wages devastation on Zion its citizens mount an aggressive defense - but can they stave off the relentless swarm of Sentinels long enough for Neo adrift in a no man's land between the Matrix and the Machine world to harness the full exte
Two orphaned sisters living quietly in a convent - free-spirited Kathleen (Anne Libert) and God fearing Margaret (Britt Nichols) are persecuted by the wicked Lady De Winter (Karin Field) who tells them they are daughters of a condemned witch burned at the stake. Believing the girls will seek vengeance, De Winter sends Kathleen to witch-hunter Judge Jeffries to be tortured and burned. Pious Margaret is spared, but when she learns of her sister's agony she rejects God and enters a carnal relationship with the Devil himself. As Kathleen falls in love with one of her captors, Margaret stalks the house of De Winter, her Satanic kisses bringing terror and death...
This is a surprising disappointment, considering it is the third film from director Danny Boyle, writer John Hodge and actor Ewan McGregor. This disjointed and strained romantic comedy is not even near the same league as Trainspotting and Shallow Grave. Cameron Diaz is a spoiled heiress and McGregor an aimless janitor brought together by two angels (Holly Hunter and Delroy Lindo) hoping to hang onto their wings. McGregor kidnaps Diaz, the boss's daughter, after being fired from his crummy job. She is not all that averse to being snatched. Most of the laughs are lost to a scattershot story that feels preposterous instead of magical. --Rochelle O'Gorman
Twenty years. Two people...Directed by Lone Scherfig (director of An Education, Academy Award-nominated for Best Picture), the motion picture One Day is adapted for the screen by David Nicholls from his beloved bestselling novel One Day.After one day together - July 15th, 1988, their university graduation - Emma Morley (Academy Award nominee Anne Hathaway) and Dexter Mayhew (Jim Sturgess, The Way Back, 21) begin a friendship that will last a lifetime. She is a working-class girl of principle and ambition who dreams of making the world a better place. He is a wealthy charmer who dreams that the world will be his playground.For the next two decades, key moments of their relationship are experienced over several July 15ths in their lives. Together and apart, we see Dex and Em through their friendship and fights, hopes and missed opportunities, laughter and tears. Somewhere along their journey, these two people realize that what they are searching and hoping for has been there for them all along. As the true meaning of that one day back in 1988 is revealed, they come to terms with the nature of love and life itself.
Alfie is not really a bad sort. It's just that he has this overwhelming desire for the opposite sex. You might say that birds' are irresistible to him, sort of second nature. With Michael Caine in the title role, Alfie is a ribald and wild comedy, filled with sex and sin. For those who want to be entertained, Alfie is charming, delightful and quick moving. For those who want more, there is, beneath the surface, a lingering tragedy, simply and poignantly told about the taker and the taken. Extras:Theatrical Trailer
An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale
OUSMANE SEMBÃNE (Xala, Faat Kiné) was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most internationally renowned African director of the twentieth century but his name deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plotabout a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a prison, both figuratively and literallyinto a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M'BISSINE THÃRÃSE DIOP, Black Girl is a harrowing human drama as well as a radical political statementand one of the essential films of the 1960s. Special Features New 4K digital restoration, undertaken by The Film Foundation's World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtrack on the Blu-ray 4K restoration of the short film Borom sarret, director Ousmane Sembène's acclaimed 1963 debut New interviews with scholars Manthia Diawara and Samba Gadjigo Excerpt from a 1966 broadcast of JT 20h, featuring Sembène accepting the Prix Jean Vigo for Black Girl New interview with actor M'Bissine Thérèse Diop Trailer New English subtitle translation PLUS: An essay by critic Ashley Clark More!
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
From controversial director Lars von Trier comes a strikingly original and thought provoking film about a group of people who confront and subvert the norms and conventions of middle-class society by exploring and releasing their 'inner idiot'. Following a chance encounter with the group the lonely drifter Karen becomes unintentionally involved with them. Gradually Karen begins to understand what they are up to and overcoming initial anger and reluctance eventually participate
Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (The Bodyguard) wastes no time getting to the good stuff--it's happening in Volcano even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh
Bill Bailey takes to the stage to give an expert lecture on the ins and outs of an orchestra in his inimitable style.
Starring Academy Award ® winners Jessica Chastain and Anne Hathaway, Mothers' Instinct is an unnerving psychological thriller about two best friends and neighbours, Alice and Céline, whose perfect lives in '60s suburbia are shattered by a tragic accident. As their familial bonds are gradually undermined by guilt and paranoia, a gripping battle of wills develops, revealing the darker side of maternal love.
Anne Bancroft delivers a towering performance as a deeply troubled and tormented wife in this sharply observed portrait of a woman and a marriage in crisis. Directed by Jack Clayton Room at the Top, The Innocents with a screenplay by Harold Pinter The Birthday Party based on the acclaimed novel by Penelope Mortimer, this spellbinding film boasts sublime cinematography by the great Oswald Morris (Look Back in Anger, Fragment of Fear, a wonderful score by Georges Delerue>Le Mépri) and outstanding supporting performances from James Mason (The Deadly Affair), Maggie Smith California Suite and Yootha Joyce Fanatic, Fragment of Fear. Indicator Limited Edition Special Features: High Definition remaster Original mono audio Audio commentary with author and film historian Neil Sinyard (2017) Jeremy Mortimer on Penelope Mortimer (2017): a personal remembrance by the author's son Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by British-film expert Melanie Williams, an overview of contemporary critical responses, and historic articles World premiere on Blu-ray Limited Edition of 3,000 copies
Where love is a dance and beauty is everything... John Travolta is a writer for Rolling Stone; Jamie lee Curtis is a beautiful aerobics instuctor. When he investigates health clubs as the singles bar of the '80's sparks fly and a sizzling romance heats up.
The Adventures Of Huck Finn is an action-packed adaptation of Mark Twain's classic adventure. The unforgettable story of two unlikely friends a mischievous boy and a runaway slave on a wild trip down the mighty Mississippi River. On their treacherous journey to freedom they come across an entertaining assortment of diverse characters and face one incredible adventure after another. You won't want to miss this sensational telling of Twain's classic tale - a fun-filled mix of thrills and adventure!
You could only see his eyes behind the layers of makeup in The Elephant Man but those expressive orbs earned John Hurt a well-deserved Oscar nomination for his moving portrayal of John Merrick, the grotesquely deformed Victorian man. Inarticulate and abused, Merrick is the virtual slave of a carnival barker (Freddie Jones) until dedicated London doctor Frederick Treves (Anthony Hopkins in a powerfully understated performance) rescues him and offers him an existence with dignity. Anne Bancroft co-stars as the actress whose visit to Merrick makes him a social curiosity, with John Gielgud and Wendy Hiller as dubious hospital staffers won over by Merrick. David Lynch earned his only Oscar nominations as director and co-writer of this sombre drama, which he shot in a rich black-and-white palette, a sometimes stark, sometimes dreamy visual style that at times recalls the offbeat expressionism of his first film, Eraserhead. It remains a perfect marriage between traditional Hollywood historical drama and Lynch's unique cinematic eye, a compassionate human tale delivered in a gothic vein. The film earned eight Oscar nominations in all and though it left the Oscar ceremony empty-handed, its dramatic power and handsome yet haunting imagery remain just as strong today. --Sean Axmaker, Amazon.com On the DVD: Being black and white, it's easier to judge the digital transfer in terms of shade and thankfully this print looks just fine. There's a little confusion over the sound, however, which is advertised as Stereo on the box but says Mono on the Audio Menu. It certainly seems to be a basic Dolby stereo but it's a shame Lynch hasn't given it the personal touch since he's obsessed with mixing his films' sound himself. From the nicely thought-out animated menus there's a gallery of 20 photos and a misguiding, dramatic theatrical trailer. The only other extra is a 64-page book of which only 10 pages relate directly to the film (the rest re-tell Lynch's career and the real Elephant Man's life). --Paul Tonks
Jefferson Pierce (Cress Williams) is a man with many faces. A former Olympic athlete, respected educator and a father of two, he's also Black Lightning, superpowered protector of Freeland with the ability to sense and harness electricity. Jefferson is not the only one with powers and multiple faces. His oldest daughter, Anissa Pierce (Nafessa Williams) is a medical student, part-time teacher and dedicated social activist. She is also the super hero known as Thunder who possesses the ability to drastically increase her density, giving her invulnerability and super strength for as long as she can hold her breath. Finally, Jefferson's youngest daughter, Jennifer Pierce (McClain) is a fiery teen who inherited her father's athletic gifts but not his desire to be an athlete. Jennifer also inherited super powers. Her body generates pure electrical energy and she possesses the potential to be more powerful than Anissa or Jefferson. Lynn Stewart (Adams) is Jefferson's ex-wife but they are still very much in love in addition to sharing the load as co-parents. She's also an accomplished medical researcher who is fast becoming an expert in metahuman medicine. Together, the Pierce family faces the challenges of the declined urban community that is the fictional city of Freeland, including corrupt officials and a menacing gang that calls itself The 100. Worse, Tobias Whale (Jones) an infamous gangster plagues this city and increasingly, metahumans with superpowers will prey upon the city, too. Fortunately, the family has allies in their fight, Jefferson's surrogate father and a former covert superspy, Peter Gambi (Remar) as well as Jefferson's friend and neighbor, the committed and scrupulously honest Deputy Police Chief Henderson (Gupton).
Before becoming a famous novelist, a young Jane Austen becomes embroiled in a passionate love affair with an Irish lawyer, Tom Lefroy, that inspires her career.
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