This 1956 pop adaptation of Shakespeare's The Tempest is one of the best, most influential science fiction movies ever made. Its space explorers are the models for the crew of Star Trek's Enterprise, and the film's robot is clearly the prototype for Robby in Lost in Space. Walter Pidgeon is the Prospero figure, presiding over a paradisiacal world with his lovely young daughter and their servile droid. When the crew of a spaceship lands on the planet, they become aware of a sinister invisible force that threatens to destroy them. Great special effects and a bizarre electronic score help make Forbidden Planet as fresh, imaginative and fun as it was when first released.
Jack Black, two-time Academy Award winner Cate Blanchett and Kyle MacLachlan star in The House with a Clock in its Walls. Based on the beloved children's classic written by John Bellairs, this magical adventure tells the story of 10-year-old Lewis, who goes to live with his uncle in a creepy old house. But this town's sleepy façade jolts to life when Lewis discovers that the house has a mysterious tick-tocking sound coming from its walls. Determined to find the ticking, Lewis uncovers a secret world of warlocks and witches and accidentally awakens the dead - forcing Lewis, his Uncle Jonathan and their neighbour, Mrs Zimmerman into a race against time to save the world.
Wag the Dog (1997) is a rarity: an intelligent, sophisticated and very funny film about American politics. Just before an election the President--in an uncanny anticipation of real life--gets sexually involved with a young woman, leaving spin-doctor Robert De Niro to think of something quick. He enlists Hollywood producer Dustin Hoffman to help him concoct a war against Albania to take the public's mind off the President's peccadilloes. Both stars are in top form, with Hoffman particularly funny as the larger than life producer. Scripted by David Mamet (House of Games, Glengarry Glen Ross) and directed by Barry Levinson, (whose previous comedies include Good Morning, Vietnam with Robin Williams and Tin Men with Danny De Vito) Wag the Dog manages to make you laugh even while you're thinking about how true the insights are, and how politics is getting more like the media every day. On the DVD: The so-called platinum DVD is packed with features. There is a series of production shots, assembled in no particular order, some showing the director watching filming on his monitor. There are interview clips with Hoffman, De Niro, Anne Heche, William H Macy and Barry Levinson talking about the film, plus scrolled filmographies. There's an audio commentary on the whole film by Levinson and Hoffman, occasionally rambling but with some interesting insights. In another feature, Macy talks at some length about David Mamet. There are extensive scroll-down production notes giving useful information (such as the film's budget), and finally a 50-minute documentary in which producer Jane Rosenthal talks about the relationship between the film and real-life politics. Her comments are supplemented by such luminaries as writer Budd Schulberg, director John Frankenheimer, newscaster Tom Brokaw and Dee Dee Myers, former White House press secretary. The Dolby Digital soundtrack is good quality, as is the image in 16:9 ratio. --Ed Buscombe
A key film of the British New Wave Saturday Night And Sunday Morning was a great box-office success - audiences were thrilled by its anti-establishment energy the gritty realism of its setting and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Sillitoe's largely autobiographical novel the film is set in the grim industrial streets and factories of Nottingham where Arthur Seaton spends his days at a factory bench his Saturday evenings in the local pubs and his Saturday nights with Brenda (Rachel Roberts) wife of a fellow factory worker. Played by Albert Finney with an irresistable animal vitality Arthur is anti-authority (Don't let the bastards grind you down) and unashamedly amoral (What I'm out for is a good time. All the rest is propoganda). With powerful central performances cracking dialogue by Sillitoe and a superb jazz score by Johnny Dankworth Saturday Night And Sunday Morning still stands as a vibrant modern classic.
It's a brand new year for Frank and he starts it with a bang. But with a new year comes a whole host of new problems, including Lithuanian gangs, Brazilian drug cartels and the unexpected return of the self-exiled Jan.
Created by written by and starring the one and only Victoria Wood 'Dinnerladies' chronicles the antics of a group of workers in a manky old canteen up in the north of England... Episodes comprise: 1. Catering 2. Trouble 3. Holidays 4. Fog 5. Gamble 6. Christmas 7. Minnellium 8. Christine 9. Gravy 10. Toast
Originally created from the novels by award-winning writer Ann Cleeves (Vera) and set against a hauntingly beautiful landscape, Shetland follows DI Jimmy Perez (Douglas Henshall) and his team as they investigate complex crimes within a close-knit island community. In this isolated and sometimes inhospitable environment, the team must rely on a uniquely resourceful style of policing to unpick the truth. Series one and two are based on bestselling books Red Bones, Raven Black, Dead Water and Blue Lightning. Each subsequent instalment focuses on an original single mystery written for television, each told over six gripping episodes. Series three sees Perez tackling a conspiracy that takes him back to the Scottish mainland in a case that will exact a terrible personal toll on both him and his team. Perez faces murders from the past and present with unsettling similarities in series four, when an investigation leads him closer to home than he could have ever imagined. In the latest series, a gruesome discovery on a beach unleashes a disturbing case that reaches far beyond the island's shores.
Okay, sure, if you're a ten-year-old girl, this sequel to Disney's 2001 hit will completely transfix you. How could it not? Bubbly Mia (Anne Hathaway), the American teenager who in the first film learned she was actually European royalty, finishes college and--whoosh!--heads off to Genovia, where shes given a closet full of fabulous clothes and jewelry in preparation to rule the kingdom under the tutelage of grandmother Julie Andrews. Throw in a horse and a volatile but innocent romantic attraction to the dreamy young stud (Chris Pine) who's also vying for the throne, and you have the kind of stuff that prepubescent girls rhapsodize about at slumber parties. Oh--and there's a slumber party here, too, featuring a bevy of cute, international young princesses mattress-surfing down a giant slide. Resistance is futile. For the rest of us, though, director Garry Marshall has managed to make his Laverne & Shirley days seem positively Shakespearean in comparison. The movie is precious, padded (two hours!), and pandering twaddle; Andrews, in her role as Queen Mother, is even shoehorned into a faux-hip-hop duet with Disney Channel favorite Raven (one of many, many grueling moments intended to sell the soundtrack). Then the film takes a maddening left turn three-quarters of the way into the plot and decides that, despite all the preceding consumption and connubial fantasies to the contrary, it's really about feminine emancipation. But dont worry--what causes you to smack your forehead in frustration will go right over the heads of its hypnotized target market. --Steve Wiecking
The story of Brannigan a tough unconventional Chicago cop who trails an international racketeer to London where he finds his methods contrast sharply with those of the stiff-upper-lipped British...
In this final explosive third installment of the Matrix trilogy the city of Zion last bastion of the human race defends itself against the massive invasion of the machines as Neo attempts to fulfill his prophecy as 'The One'. As the Machine Army wages devastation on Zion its citizens mount an aggressive defense - but can they stave off the relentless swarm of Sentinels long enough for Neo adrift in a no man's land between the Matrix and the Machine world to harness the full exte
Two orphaned sisters living quietly in a convent - free-spirited Kathleen (Anne Libert) and God fearing Margaret (Britt Nichols) are persecuted by the wicked Lady De Winter (Karin Field) who tells them they are daughters of a condemned witch burned at the stake. Believing the girls will seek vengeance, De Winter sends Kathleen to witch-hunter Judge Jeffries to be tortured and burned. Pious Margaret is spared, but when she learns of her sister's agony she rejects God and enters a carnal relationship with the Devil himself. As Kathleen falls in love with one of her captors, Margaret stalks the house of De Winter, her Satanic kisses bringing terror and death...
This is a surprising disappointment, considering it is the third film from director Danny Boyle, writer John Hodge and actor Ewan McGregor. This disjointed and strained romantic comedy is not even near the same league as Trainspotting and Shallow Grave. Cameron Diaz is a spoiled heiress and McGregor an aimless janitor brought together by two angels (Holly Hunter and Delroy Lindo) hoping to hang onto their wings. McGregor kidnaps Diaz, the boss's daughter, after being fired from his crummy job. She is not all that averse to being snatched. Most of the laughs are lost to a scattershot story that feels preposterous instead of magical. --Rochelle O'Gorman
Twenty years. Two people...Directed by Lone Scherfig (director of An Education, Academy Award-nominated for Best Picture), the motion picture One Day is adapted for the screen by David Nicholls from his beloved bestselling novel One Day.After one day together - July 15th, 1988, their university graduation - Emma Morley (Academy Award nominee Anne Hathaway) and Dexter Mayhew (Jim Sturgess, The Way Back, 21) begin a friendship that will last a lifetime. She is a working-class girl of principle and ambition who dreams of making the world a better place. He is a wealthy charmer who dreams that the world will be his playground.For the next two decades, key moments of their relationship are experienced over several July 15ths in their lives. Together and apart, we see Dex and Em through their friendship and fights, hopes and missed opportunities, laughter and tears. Somewhere along their journey, these two people realize that what they are searching and hoping for has been there for them all along. As the true meaning of that one day back in 1988 is revealed, they come to terms with the nature of love and life itself.
Molly Moon is no ordinary orphan. When she finds a mysterious old book on hypnotism, she discovers she can make people do whatever she wants. Perhaps hypnotism can do more for Molly than she ever thought possible! But, a sinister stranger is watching her every move and he'll do anything to steal her hypnotic secret
Alfie is not really a bad sort. It's just that he has this overwhelming desire for the opposite sex. You might say that birds' are irresistible to him, sort of second nature. With Michael Caine in the title role, Alfie is a ribald and wild comedy, filled with sex and sin. For those who want to be entertained, Alfie is charming, delightful and quick moving. For those who want more, there is, beneath the surface, a lingering tragedy, simply and poignantly told about the taker and the taken. Extras:Theatrical Trailer
An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale
OUSMANE SEMBÃNE (Xala, Faat Kiné) was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most internationally renowned African director of the twentieth century but his name deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plotabout a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a prison, both figuratively and literallyinto a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M'BISSINE THÃRÃSE DIOP, Black Girl is a harrowing human drama as well as a radical political statementand one of the essential films of the 1960s. Special Features New 4K digital restoration, undertaken by The Film Foundation's World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtrack on the Blu-ray 4K restoration of the short film Borom sarret, director Ousmane Sembène's acclaimed 1963 debut New interviews with scholars Manthia Diawara and Samba Gadjigo Excerpt from a 1966 broadcast of JT 20h, featuring Sembène accepting the Prix Jean Vigo for Black Girl New interview with actor M'Bissine Thérèse Diop Trailer New English subtitle translation PLUS: An essay by critic Ashley Clark More!
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
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