Jason Alexander's vocal performance as the hambone father of Louie, a mute trumpet swan, is quite simply the most entertaining element of Trumpet of the Swan, an animated version of EB White's children's novel. Given to long-winded speeches and flamboyant displays (Alexander's extended "death scene" after his character is nicked on the wing is a hoot), the former George Costanza's hot-air waterfowl partially salvages this oddly unmoving family feature. The story concerns the silent Louie (his thoughts are spoken by actor Jeffrey Schoeny), who suffers the ridicule of other swans but communicates a depth of feeling by playing a brass horn. The restless script has difficulty developing a coherent emotional rise; director Richard Rich (The Swan Princess) would have done well to cut back on the number of discrete episodes that rush by with dizzying, graceless speed. Joe Mantegna signs on as the voice of a big-city scoundrel who signs Louie to an exploitative music contract, while Mary Steenburgen plays Louie's mother, and Reese Witherspoon speaks for the hero's true love. --Tom Keogh, Amazon.com
A box set containing the following titles: A Woman Of Substance (2 discs) Hold The Dream To Be The Best Act Of Will Voice Of The Heart Her Own Rules A Secret Affair.
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Alicia a plain unpopular college student is paired with Hadley a beautiful privileged coed to work on a sociology project titled ""Lead Follow or Get Out of the Way."" At first rejected Alicia is finally accepted into Hadley's clique where she is introduced to a world of privilege recreational drugs and dangerous thrills. But Alicia's attempts to fit in ultimately land her in the hospital. As the local sheriff (Diggs) tries to determine the chain of events that led to Alicia's
Sucker Free City is an original film directed by Spike Lee that takes a riveting look at the seductive dangerous world and life choices of a diverse group of young people inextricably caught up in the unique gang culture of San Francisco. When racial tension erupts and emotions collide three young men from different ethnic backgrounds perpetrate low-level crimes that eventually infringe upon each other's neighbourhoods. As their lives intersect on the streets will they com
Titles comprise: Santa Paws: Upon his 1600th birthday Santa Claus is given a very special gift: a white fluffy stuffed toy puppy which is brought to life by the Great Christmas Icicle (turning him into Santa Paws). When Santa loses his memory and becomes lost in New York Paws and his new friends must find him and his magic crystal in order to restore Christmas. Along the way they try to brighten the lives of Quinn and Will a couple orphans whose only wish is to have a family. Santa Buddies: Join the Buddies and their new friends as they take you on a fun-filled and heart-warming Christmas adventure around the world and all the way up to the North Pole. When the magical Christmas Icicle starts to melt and the world begins to forget the true meaning of Christmas it's up to Puppy Paws (son of Santa Paws and all of our favourite Buddies to save Christmas.
Beth Early is trying to get over her broken marriage. She attends the local college where she meets Martin Knapek a successful lawyer. One night after accepting his lift home she is subjected to a brutal assault. At his trial he is freed and Beth is then faced with a libel suit for wrongly accusing him of rape... Based on a true story...
With Willard White in the title role, this very well-sung production of Falstaff from the Aix-en-Provence festival, set in the 1950s, makes for a radical yet plausibly alternative view to the traditional setting in "Merrie England". By casting Jamaican-born baritone White in the title role, director Herbert Wernicke has emphasised Falstaff's role as an outsider, spurned by the community on account of his success as a local businessman and here with the added burden of being black. White engages our sympathy for Falstaff's plight, notably in the last act where he finally turns the table on his adversary, Ford. Yet in his world-weary sophisticated persona this Falstaff seems at odds with the farce unfolding about him; he's been there, done that. There are, nevertheless, key moments to relish: his flicker of the eye as he dismisses Pistol and Bardolph with his letters to the Misses Ford and Page; the duet he shares with Ford on the trials and tribulations of love; and the return of his self-esteem as he pulls himself up to full height following his ducking in the Thames. His face in the final act, shot in close-up, white beard illuminated by moonlight, framed by Herne's horns, is unforgettable. The supporting cast are uniformly excellent as singers and actors, a joy to watch and hear. The main set consists of a polished wooden floor with walls of wooden slatted flaps that open and shut as characters drop in and out of the action. White linen on washing lines, sheets tumbling out of drawers, or, somewhat incongruously, neatly folded on the bed that Falstaff rolls out of after his dip in the Thames, make welcome visual diversions. The Orchestre de Paris play brilliantly under maestro Enrique Mazzola who captures the ebb and flow of Verdi's fast moving score to perfection. On the DVD: Falstaff on disc has subtitles in Italian, English, German, French and Spanish. The picture quality has a real three-dimensional feel to it and the soundtrack likewise. --Adrian Edwards
The World Is Full Of Married Men
Based on a novel by Barbara Cartland, A Ghost in Monte Carlo is an undemanding period romp packed full of twists and turns. The perfect cinematic equivalent of Cartland's literary style, the film is a glossy, star-filled but ultimately shallow exercise. Lysette Anthony is the wide-eyed innocent Mistral, released from her convent upbringing into the care of her Aunt Emilie (Sarah Miles). On arriving in glamorous Monte Carlo, she immediately strikes up a relationship with a dashing young lord and sets out to experience her newfound freedom. Matters take an unexpected, darker turn as Mistral finds herself caught up in the plotting of her aunt and in increasing danger. The performances range from Anthony's passable purity to a ludicrously over-the-top turn from Miles. The much-vaunted all-star casting amounts to a series of brief cameos from the likes of Oliver Reed, Joanna Lumley, Lewis Collins and Gareth Hunt--presumably at the request of executive producer Lord Lew Grade. It's fun for what it is but only as long as you leave any critical sensibilities on hold. On the DVD:A Ghost in Monte Carlo is essentially a video release transferred directly to DVD. The sound is digitally remastered and there is a very poor interactive menu to guide you through the various chapters but no extras. --Phil Udell
Exciting war film based on a novel by Alistair Maclean which tells of the attempts of a British raiding team to sabotage two giant German guns on a Greek island in the Aegean Sea. Carl Foreman brought Allistar MacLean's best-selling novel to the screen winning nominations for seven Academy Awards in 1961.
Lucky Dog: In Stan and Ollie's first appearance together Ollie plays a bumbling robber who Stan literally backs into after being kicked out of his furnished apartment by his landlady. Oranges and Lemons: ""The packing house some lemons on trees others on the payroll"" Stan plays a picker and packer at a Lemon and Orange Orchard where he disrupts the workforce until the whistle blows for the end of the shift. Yes Yes Nanette: A daughter returns to the family home with her new
A group of young tourists take an unexpected side trip to a mysterious Greek Island. When they arrive they find the island's village deserted except for a strange woman who wanders the streets and disappears as quickly as she is seen. Attempting to return to their ship they find it has drifted away from the shore. Waiting for the tide to come in again the group must spend the night on the island. In the house they decide to use they find a young blind girl swinging a knife in panic. She tells them of a madman who stalks the island and smells of death and blood. This former Video Nasty title (previously released as Antropophagous Beast) is directed by Italian exploitation legend Joe D'Amato and is here presented in its American theatrical version.
In a place between pleasure and pain there is sensual experience beyond limits. And in a world between paradise andpurgatory there is a horror that feeds the souls of evil. When Frank Cotton solves the mystery of a Chinese puzzle box he enters the world of the Cenobites a world where the cruel sadists thrive on pain. Restored to life by the blood of his brother Larry Frank rises to feed on the life force of others. When Larry's wife agrees to provide the sacrifices he needs the chills are just beginning...
Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm he wasn't quite perfect. The inventor's sudden death left him unfinished with sharp spears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.From Tim Burton the director of Charlie and the Chocolate Factory and Mars Attacks comes an unforgettable fairy tale about a most unusual character. Starring Johnny Depp Winona Ryder Dianne Wiest and Vincent Price as the Inventor.
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
An impenetrable fortress an invicible army... and an unstoppable commando team. One of the most exciting action films ever made! It's W.W. II and concealed deep within the solid rock of a cliff impregnable to assault by sea or air are the German Army's mighty guns of Navarone. Because they control a strategic channel in the Aegean Sea it's imperative that the guns are destroyed. A specialised commando team is assembled. Included are mountaineer Keith Mallory explosive ex
Ever wanted to wow the crowds on the beach but found yourself unable to pronounce the new manoeuvres, let alone give them a go? Peter Hart, Brian Talma, Karin Jaggi, Dave White, Ant Baker and Peter Volwater provide your glossary, guide and instruction in the ultimate 'how-to freestyle' manuals.
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