A senator arranges for his son a rich white kid who fancies himself black to be kidnapped by a couple of black actors pretending to be murderers to try and shock him out of his plans to become a rapper...
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
Anna Faris and Regina Hall return to save the world from a ruthless alien invasion in this new spoof!
They only met once but it changed their lives forever. Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'brat pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but by 4pm they had bared their souls to each other and become good friends. To the outside world they were simply the Jock the Brain the Criminal the Princess and the Kook but to each other they would always be the Breakfast Club. The film's title comes from the nickname invented by students and staff for detention at the school attended by the son of one of John Hughes' friends. Thus those who were sent to detention were designated members of The Breakfast Club.
Featuring 3 of the best movies from the master of the 80s teen movie John Hughes. Fans of the 'Brat Pack' need look no further! The Breakfast Club (1985): They only met once but it changed their lives forever. Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School librar
No one is a better soldier than Pvt. Raymond Endore (John Saxon) at least in his own mind. Stationed in Korea as the conflict between the United States and the divided peninsula is coming to an end Endore sleeps while his platoon works to gear up for his nightly patrols of the area. These patrols used to bring vital information but now they have become a nightly ritual for Endore to slash the throats of suspected enemies tolerated by a Captain (Charles Aidman) who fears Endore's unstable nature. A Korean war orphan (Tommy Matsuda) befriends Endore as well as an idealistic soldier (Robert Redford) and these two soldiers must decide the fate of the child as the ceasefire is announced.... Madness in men during their tour of duty a subject also at the heart of Hell Is For Heroes and Attack! is the focus of this brutal 1961 war drama. Redford in his film debut offers a strong counterpart to the criminally underrated John Saxon (who would go on to a career of character work) who gives a stunning performance as a killer who only seems at peace after taking the life of another victim.
The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but
The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Vacation paved the way for the John Hughes movie dynasty of the 1980s. Written by Hughes (who would go on to write, direct, and/or produce The Breakfast Club, Ferris Bueller's Day Off, Uncle Buck, Home Alone, and so on) and directed by Harold Ramis (Caddyshack, Groundhog Day, Stuart Saves His Family), the first Vacation movie introduces us to the all-American Griswold family: father Clark (Chevy Chase), mother Ellen (Beverly D'Angelo), son Rusty (future Hughes staple Anthony Michael Hall), and daughter Audrey (Dana Barron). They all pile into the car for a cross-country road trip to Walley World, stopping along the way to view the world's biggest ball of twine. John Candy, Imogene Coca, and Randy Quaid (as yokel Cousin Eddie) pop up along the way. The movie was a big hit, and was followed by several sequels--National Lampoon's European Vacation, National Lampoon's Christmas Vacation, and National Lampoon's Vegas Vacation--but this one is still probably the freshest and funniest of the bunch. --Jim Emerson
Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race tradition sexism and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies.
It's all in the name of science. Weird Science. The Frankenstein legend takes an uproarious twist in this outrageous special effects - laden comedy from the writer/director of Sixteen Candles and the Breakfast Club. Critically acclaimed filmmaker John Hughes is at it again giving nerdy computer whiz Ilan Mitchell - Smith and best friend Anthony Michael Hall power to create the ""perfect woman"" (the tantalizing Kelly Le Brock). Like a computer gene
Paul a streetwise young black man talks his way into the home of Ouisa and Flan Kettredge claiming to be a friend of their children and the illegitimate son of Sidney Poitier. They soon learn that this is not the case but find getting rid of him a little difficult...
It's The Time Of Your Life That May Last A Lifetime. In his debut film as writer-director, John Hughes immediately cemented himself as the king of teen cinema with Sixteen Candles, and in the process also introduced one of the most iconic faces of 80s Americana: Molly Ringwald. For high schooler Samantha Baker (Molly Ringwald), her 16th birthday might be the worst day of her life. Her entire family has forgotten about it due to her older sister's impending wedding; her biggest crush, high school hunk Jake Ryan (Michael Schoeffling) has discovered an embarrassing sex quiz filled out by Sam in which she details how she is saving herself for him; and to make matters worse, she is hounded by a relentless nerd (Anthony Michael Hall) who won't take no for an answer. But Sam's sweet sixteen isn't over yet, and before the end of the night, all her birthday wishes could still come true Taking the rude and crude humour of the teen sex comedies that came before it and placing it within the intimately portrayed perspective of a girl's mid-teenage-life crisis, Sixteen Candles is a bombshell of 80s pop culture that continues to be debated and beloved over three decades after its release. Special Edition Contents: New restoration by Arrow Films from a 4K scan of the original negative High Definition (1080p) Blu-ray presentation of the Theatrical Version of the film (92 mins), plus Blu-Ray world premiere Extended Version (94 mins), featuring the additional cafeteria scene newly remastered in high-definition Original lossless mono audio, plus 5.1 DTS-HD MA surround option Original English subtitles for the deaf and hard of hearing Alternate home video soundtrack prepared for VHS and laserdisc releases Option to watch additional scene from the Extended Version separately Newly-filmed conversation between actors Gedde Watanabe and Deborah Pollack All-new audio interview with casting director Jackie Burch Newly-filmed interview with composer Ira Newborn Newly-filmed interview with supporting actor John Kapelos Newly-filmed interview with camera operator Gary Kibbe Newly-filmed interview with filmmaker Adam Rifkin, who shadowed John Hughes while working as an extra on set All-new video essay written and narrated by writer Soraya Roberts, looking at the film from a contemporary feminist perspective Celebrating Sixteen Candles, an archive documentary featuring interviews with cast, crew and admirers, including stars Anthony Michael Hall, Paul Dooley, Haviland Morris and Gedde Watanabe, among others Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Sara Deck First Pressing Only : Illustrated collectors' booklet featuring new writing on the film by Nikki Baughan and Bryan Reesman
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
HALLOWEEN Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow up to Carpenter's 1978 classic. HALLOWEEN KILLS The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
HALLOWEEN Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow up to Carpenter's 1978 classic. HALLOWEEN KILLS The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Every college in the country wants Johnny. 'Cause when he's good he's very very good. And when he's bad he's better. It's an avalanche of wine women and cash kickbacks when two of the biggest college football factories in the country scramble to get Johnny Walker on their rosters. They'd give anything for an arm like Johnny's. And they're willing to offer anybody to see that they get him. Moving from lusty limousine rides to all-night strip joints Johnny (Anthony Michael Hall The
They Went From Zeroes To Heroes In One Fantastic Weekend. If you can't get a date make one! After proving himself the king of heartfelt teen flicks with Sixteen Candles and The Breakfast Club, writer-director John Hughes infused the genre with a hefty dose of wacked-out sci-fi comedy in Weird Science, a film where every teenage boy's wildest fantasies come to life. Perennially picked-on high school nerds Gary (Anthony Michael Hall, Sixteen Candles) and Wyatt (Ilan Mitchell-Smith) are sick of their status at the bottom of the social food chain. Using Wyatt's computer, the two hatch a plan to create their dream woman - and following a massive power surge, that woman unexpectedly appears in the form of Lisa (Kelly LeBrock). Gorgeous, intelligent, and blessed with limitless magic powers, Lisa makes the boys' dreams come true but what about Wyatt's gun-toting psycho older brother Chet (Bill Paxton), and the two bullies (Robert Downey Jr and Vamp's Robert Rusler) determined to put them back in their place? Inspired by Ec Comics and boosted by a killer soundtrack (including the classic title theme by Oingo Boingo), Weird Science has never looked better than in this 4K Ultra-HD Blu-ray edition, including an extended version of the film and hours of bonus content. ¢ Restoration by Arrow Films from a 4K scan of the original negative ¢ 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDr10 compatible) of the original Theatrical Version of the film (94 mins), plus seamlessly-branched Extended Version (97 mins), featuring two additional scenes ¢ Original lossless stereo audio, plus 5.1 Dts-HD Ma surround option (theatrical version only) ¢ Optional English subtitles for the deaf and hard of hearing ¢ Edited-for-TV version of the film (sd only, 94 mins), plus comparison featurette highlighting the alternate dubs and edits ¢ Casting Weird Science', an interview with casting director Jackie Burch ¢ Dino The Greek, an interview with supporting actor John Kapelos ¢ Chet Happens, an interview with special makeup creator Craig Reardon ¢ Fantasy and Microchips, an interview with editor Chris Lebenzon ¢ Ira Newborn Makes The Score, an interview with the composer ¢ It's Alive! Resurrecting Weird Science, an archive documentary featuring interviews with cast, crew and admirers, including star Anthony Michael Hall ¢ Theatrical trailers, Tv spots and radio spots ¢ Image galleries ¢ Reversible sleeve featuring original and newly commissioned artwork by Tracie Ching
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