Brilliant inventor Robert Sommerby is head of a research establishment engaged in a very special secret project: the development of robots. Far from the crude, lumbering, steel-clawed automatons of sci-fi films, Robert's robots are humanoid in appearance and ultra-sophisticated in design, with highly developed electronic brains, fast reflexes and smooth, natural movement. Naturally, there are personality clashes; Eric is Robert's most advanced robot, who thinks humans are quite disgusting with their revolting habits like eating, while K.T. (aka Katie) is big, strong, and very stupid - he has a tendency to walk right through doors and is generally kept away from guests. The eccentric Robert encounters all sorts of problems - not least, the devious activities of Marken, head of an acquisitive electronics company, and his seedy private eye, Gimble, who will try anything to discover Robert's secret project. But he has his doting Aunt Millie and lovely fiancée Angela to help out, and he's just about tolerated by at least some of his robots - who are fair-minded enough to concede that he is, after all, only human.
Morecambe and Wise are special agents 00 oh oh! in this hilarious spy caper. James Bond has nothing to fear when Eric and Ernie get mixed up with Colonel Grant MI5 and the KGB. Their task: to protect the Ballerina Madam Petrovna the idol of the Russian people and God help Madam Petrovna. Her life is in the hands of two of the world's most incompetent spies dressed as Ballerina's and one of them showing off his short fat hairy legs. Intelligence work has never been so funn
The Morecambe & Wise Collection brings together the total cinematic oeuvre of Eric Morecambe and Ernie Wise: The Intelligence Men (1965), That Riviera Touch (1966) and The Magnificent Two (1967). Though intermittently amusing, they serve mostly to confirm that Morecambe & Wise did the smart thing in devoting the majority of their career to television sketch show. Their comedy was most potent in small doses. The Intelligence Men is an obvious but likeable parody of the early Bond films and sets the pattern for all three films: Eric and Ernie as two well-meaning blunderers cast into an unfamiliar milieu (in this case, international espionage) and forced to survive armed with little more than a repertoire of wince-inducing puns. That Riviera Touch is an obvious but likeable parody of the heist genre. Again, Eric and Ernie are cast as hapless ingénues, in this case a pair of traffic wardens whose holiday in France intersects with the plottings of a gang of jewel thieves. If anything, its even more contrived than that sounds, but the scenes in which Eric cleans out the casino by accident are wonderfully understated, and a reminder of a peerless comic actor. The Magnificent Two, the final and by some distance the least funny of the three, is an updated though rather laboured subversion of the Spaghetti Western, relying rather too much on the notion that anything and everything to do with foreigners is inherently hilarious. On the DVD: The Morecambe & Wise Collection has English subtitles for all three discs and all include the original cinematic trailer. That Riviera Touch is presented in 4:3 format, the remaining two in 16:9. As special features go, these are annoyingly desultory for a release that will certainly only be purchased by die-hard fans. It wouldnt have killed the producers to commission some liner notes at the very least.--Andrew Mueller
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