Yes Minister: (1980 - 1984) From the minds of Jonathan Lynn and Antony Jay comes the complete box set of all three series of Yes Minister. First-class political satire and a worldwide favourite seen in over 80 countries Yes Minister is well-known for being closer to the truth than those in the political arena would like to admit. Re-live the exploits of the amiable and honourable Jim Hacker and his permanent Secretary the urbane but evasive Sir Humphrey Appleby as they balance the intricacies of government bureaucracy. The four-disc set contains the complete Yes Minister collection from Hacker's arrival on the political arena as Minister of Administrative Affairs through to the extraordinary events that turned Jim Hacker MP into Jim Hacker PM. Yes Prime Minister (1986 - 1988): Following his stout stand against the Eurosausage The Rt Hon James Hacker was propelled along the corridors of power to the very pinnacle of politics - No. 10. Fortunately for the country however his scheming adversary Sir Humphrey Appleby finds himself in the exalted position of Cabinet Secretary. Appleby is more than willing to steer the unsteady ship of state through the perilous waters of government... Features every episode from both seasons of Yes Prime Minister.
Brand New condition, Factory sealed. & disc set of "Yes Minister" and "Yes Prime Minister". -Box 1-
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
Kiss the Girls is a thriller about a collaboration between two serial killers, and, coming after The Silence of the Lambs and Seven, it feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any one of dozens of similar thrillers. --Jeff Shannon, Amazon.com
Edward Petherbridge stars as Lord Peter Wimsey. Harriet Vane decides it is time to take a break and heads to North Devon. On a walking tour the peace is shattered when she finds the body of a man on the beach with his throat slit.
If any artist deserved a hagiography it was Hendrix, and Joe Boyd's 1973 "authorised" tribute The Jimi Hendrix Story adequately sanctifies the legend. Perversely for a documentary, it achieves this simply by well-chosen concert footage rather than through the insights of the various talking heads. Pete Townshend, Eric Clapton, Mick Jagger, Lou Reed and Germaine Greer are all wheeled out to wax lyrical about their days with Jimi--but nothing is more eloquent than watching and listening to him play. From "Hey Joe" in grainy black and white on Ready Steady Go, classic footage of Monterey, Woodstock (yes, "The Star-Spangled Banner") and the Isle of White festivals, to an acoustic 12-string rendition of "Hear My Train a' Comin'", Hendrix the musician speaks for himself. But if Hendrix the musician shines through, this is not the most insightful profile of Hendrix the man: the circumstances surrounding his death, for example, are hardly touched upon (girlfriend at the time Monika Dannemann gets only a few seconds screen time). Interview footage with Hendrix himself plus some occasionally rambling and incoherent comments from such intimates as his father, army buddies, ex-girlfriends (including Linda Keith, who "discovered" him in New York and brought him to England) and fellow musicians all take second place to the music itself. The most sensible quote comes from Little Richard, who proves once and for all that he's utterly bonkers, when he says of Jimi's music: "At times he made my big toes shoot up into my boot." On the DVD: This is a dual-layer disc, with a widescreen (1.85:1) print on one side and a standard (4:3) ratio version on the other--although watching in widescreen is redundant, as the film is shot in 4:3 anyway. There are no extras other than a theatrical trailer (despite being advertised as such a menu and scene access surely don't count as "special features": what use is a disc without them?) --Mark Walker
Along Came A Spider:A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross (Morgan Freeman) drawing him into the case even though he's recovering from the loss of his partner... Kiss The Girls:North Carolina police detective Dr. Alex Cross (Morgan Freeman) tracks an elusive psychopath whose modus operandi is not necessarily killing the young women he abducts but ""collecting"" them as trophies
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