Yes Minister: (1980 - 1984) From the minds of Jonathan Lynn and Antony Jay comes the complete box set of all three series of Yes Minister. First-class political satire and a worldwide favourite seen in over 80 countries Yes Minister is well-known for being closer to the truth than those in the political arena would like to admit. Re-live the exploits of the amiable and honourable Jim Hacker and his permanent Secretary the urbane but evasive Sir Humphrey Appleby as they balance the intricacies of government bureaucracy. The four-disc set contains the complete Yes Minister collection from Hacker's arrival on the political arena as Minister of Administrative Affairs through to the extraordinary events that turned Jim Hacker MP into Jim Hacker PM. Yes Prime Minister (1986 - 1988): Following his stout stand against the Eurosausage The Rt Hon James Hacker was propelled along the corridors of power to the very pinnacle of politics - No. 10. Fortunately for the country however his scheming adversary Sir Humphrey Appleby finds himself in the exalted position of Cabinet Secretary. Appleby is more than willing to steer the unsteady ship of state through the perilous waters of government... Features every episode from both seasons of Yes Prime Minister.
Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
Hilarious high-jinks from the Grace Bros. team as they troop off to sunny Spain for the staff trip of a lifetime. Cheerfully they disgrace themselves on the Costa Plonka. Mr Humphries is free while Captain Peacock wants everything under the sun from Miss Brahms. Mrs Slocombe only hopes her pussy can survive as the comedy capers carry on abroad in the riotous screen version of the television comedy classic.
Deep in an inner city hell a ghastly figure is killing off the bad guys. A vigilante or a demon? For the beautiful high school student Jada that's the question that will bring her face to face with the killer clown Killjoy.
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