"Actor: Astrid Henning "

• Lars Von Trier's E-Trilogy - Element Of Crime / Epidemic / Europa | DVD | (22/08/2005) from £15.19   |  Saving you £24.80 (163.27%)   |  RRP £39.99

  Lars Von Trier is considered one of world cinema's great auteurs. His reputation has been built upon controversial and experimental films such as The Idiots Dancer In The Dark and Dogville that often divide audiences. However he found his own unique voice with three early projects which have come to be known as the E-Trilogy: Element of Crime Epidemic and Europa - all dramas concerned with the nature of identity. Element Of Crime (1984

• The Element Of Crime | DVD | (29/07/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Way, way before he dreamt up his famous Dogme manifesto, Lars von Trier launched his feature-film career with The Element of Crime and proved that, 400 years after Hamlet, the Danes can still do melancholy like nobody else. Less a film noir than a film jaune sale, this ultra-enigmatic thriller is shot entirely in tones of grimy sepia in a world where nightfall seems to be an unceasing condition. A police detective, Fisher (Michael Elphick), is summoned from Cairo to "Europe" (the location never gets any more specific than that) to investigate a series of gory child-murders. He comes to suspect that the killer may be a mysterious character called Harry Grey and sets out to retrace Grey's movements. The film takes its title from a treatise written by Fisher's old mentor Osborne (Welsh actor Esmond Knight, a veteran of Powell and Pressburger's films), but it might as well refer to water. Von Trier conjures up a world not only permanently benighted, but dank, sodden and dripping both indoors and out, cluttered with mouldy, antiquated industrial machinery. There are echoes (or pre-echoes) here of half-a-dozen other movies--Blade Runner, City of Lost Children, Tarkovsky's Stalker, Welles' The Trial--and at times it feels as though von Trier has just set out to show he can do art house as well as anybody and possibly better. The plot makes no sense whatever and clearly isn't meant to, and Elphick's bemused expression, one suspects, derives from the actor as much as from the character he's playing. As always with von Trier you can't help wondering if whole thing isn't an elaborate put-on, especially since the director himself shows up, epicene and shaven-headed, playing a personage called "Schmuck of Ages". But what it lacks in coherence (either narrative or visual) Element of Crime makes up for in atmosphere, which it has, literally, by the bucketful. This release, incidentally, is the English-language version. --Philip Kemp