Set in Victorian England, Robert Hamer's 1949 masterpiece Kind Hearts and Coronets remains the most gracefully mordant of Ealing Comedies. Dennis Price plays Louis D'Ascoyne, the would-be Duke of Chalfont whose Mother was spurned by her noble family for marrying an Italian singer for love. Louis resolves to murder the several of his relatives ahead of him in line for the Dukedom, all of whom are played by Alec Guinness, in order to avenge his Mother--for, as Louis observes, " revenge is a dish which people of taste prefer to eat cold". He gets away with it, only to be arraigned for the one murder of which he is innocent. Guinness' virtuoso performances have been justly celebrated, ranging as they do from a youthful D'Ascoyne concealing his enthusiasm for public houses from his priggish wife ("she has views on such places") to a brace of doomed uncles and one aunt, ranging from the doddery to the peppery. Miles Malleson is a splendid doggerel-spouting hangman, while Valerie Hobson and Joan Greenwood take advantage of unusually strong female roles. But the great joy of Kind Hearts and Coronets is the way in which its appallingly black subject matter (considered beyond the pale by many critics at the time) is conveyed in such elegantly ironic turns of phrase by Dennis Price's narrator/anti-hero. Serial murder has never been conducted with such exquisite manners and discreet charm. --David Stubbs
A movie about those who appreciate the finer things in life.... for free! Director William Wyler went to Paris to shoot this frothy caper comedy. Nicole Bonnet (Audrey Hepburn) lives with her father Charles (Hugh Griffith). He keeps them in luxury by selling an occasional painting--maybe a Renoir maybe a van Gogh. A well-known art connoisseur he has an endless supply of paintings; he paints them himself--like his father before him he is an expert forger. Persuaded to loan
In this deliciously dark comedic thriller, a trio of crooks relentlessly pursue a young American, played by AUDREY HEPBURN (Roman Holiday, Breakfast at Tiffany's), outfitted in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is a suave, mysterious stranger, played by CARY GRANT (Bringing Up Baby, North by Northwest). Director STANLEY DONEN (On the Town, Singin' in the Rain, Two for the Road) goes splendidly Hitchcockian for Charade, a glittering emblem of sixties style and macabre wit. Features: Restored high-definition digital transfer, with uncompressed monaural soundtrack Audio commentary featuring director Stanley Donen and screenwriter Peter Stone Original theatrical trailer PLUS: A booklet featuring an essay by film historian Bruce Eder
Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
Paris When It Sizzles is an unusual screwball comedy to say the least. Whether it works is another matter, but the premise and humour are interesting enough to make it enjoyable. The basic problem with the film is its two stars: William Holden and Audrey Hepburn hardly sizzle with onscreen chemistry, and Hepburn's character, Miss Simpson, falls far too easily into the hands of Holden's drunken screen writer. However, the story is an interesting play on the typical Hollywood romance, with two plot lines running in parallel to each other. Holden's Richard Benson has only two days to finish a script for an enigmatic producer (Noel Coward). Hepburn's Miss Simpson is drafted in as the typist and as the script is dictated it manifests itself on the screen, allowing the two lead characters to play out any number of romantic stories. It's the cameo appearances in the imaginary world that really steal the show, with the blink-and-you'll-miss-it last screen appearance by Marlene Dietrich, as well as Tony Curtis having fun with his own screen persona. It's not one of Hepburn or Holden's best, but is worth a look purely for the interesting slant on the mechanical nature of Hollywood's romances. On the DVD Paris When It Sizzles offers little of any note in regards to special features, with only an extended trailer (which seems to try and sell the film on the merits of the stars alone). The mono soundtrack is nothing special, though the print has cleaned up nicely, offering a 1.78:1 widescreen picture that brings the Technicolor to life. --Nikki Disney
Desecrated graves, dead bodies dug up and left arranged in show-homes... Every time, the same ritual: a woman, a man, a teenager, who weren't related but who form a macabre family. Amid the bodies a photo of Paul Maisonneuve is placed, a Crime Squad legend in the North of France, now retired but forced to return to duty. Who is digging up the bodies? Who is leaving them in these show-homes and why? Young female detective Sandra Winckler, in charge of the case, must work with Paul to find out who is behind these disturbing human tableaus. During her investigation, she will have to delve into Paul's past, always sensing that he is hiding something. Because that's where the truth must lie: somewhere in Paul's past. For the detective and the ex-cop, life will never be the same... For in the shadows is a man who will stop at nothing to satisfy his thirst for a long and drawn-out revenge...
Stanley Donen's sophisticated comedy drama charts the lives of a stylish British couple (Albert Finney Audrey Hepburn) as they travel on various holidays over the course of their 12-year marriage with separate vignettes combining to form a collage of highs and lows as the young couple struggles to maintain their fading marital bliss...
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death. Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy". Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. --Sam Sutherland, Amazon.com
SERIES EIGHT OF THE CRITICALLY ACCLAIMED & BAFTA-NOMINATED FRENCH POLICE DRAMA FOR BBC FOUR, KNOWN AS ENGRENAGES' IN FRANCE. The end of series seven saw the demise of the Laure-Gilou team, but not of their relationship together. Their unorthodox investigation methods have landed Gilou in prison, awaiting trial. Taking advantage of the situation, Crime Squad Superintendent Brémont asks him to get acquainted with a fellow prisoner who's a high-profile criminal. In exchange for his reinstatement into the police, Gilou is taken out of prison to infiltrate a gang of heisters. Meanwhile, Laure and Ali are struggling to work as a team in a group that's been sidelined. The murder of a young Moroccan migrant spurs them back into action, although they have to deal with the trauma of Gilou's incarceration. Josephine decides to defend the murder suspect an unaccompanied Moroccan minor called Souleymane and develops a close bond with him. Things get complicated when the cases Laure and Gilou are working on turn out to be connected. They join forces again to see their investigations through, exposing themselves to all kinds of danger. A Series Created By Alexandra Clert. Starring: Caroline Proust, Thierry Godard, Audrey Fleurot, Tewfik Jallab, Louis-Do De Lencquesaing, Valentin Merlet, Bruno Debrandt, Kool Shen,Clara Bonnet & Lionel Erdogan.
A riotous comedy hit about a bunch of students on the loose in Barcelona learning lessons about life love and finding a future. Romain Duris is the young Parisian who embarks on a European exchange scheme in Spain's most exuberant city - and has to take pot luck by sharing an apartment with a culturally diverse group of fellow students including two Brits. He says farewell to his family and girlfriend (Audrey Tautou) - and then the fun begins!
Audrey Hepburn is the delightful, young, eponymous Sabrina, the daughter of a chauffeur who is hopelessly in love with David Larrabee (William Holden), the playboy younger son in the rich Long Island household her father works for. In order to help her forget her woes, Sabrina is shipped off to cooking school in Paris. While there, she befriends a baron who provides a bit of culture--and the encouragement to snip off her childlike ponytail. Upon her return to New York, Sabrina is transformed into a sophisticated woman, and David is entranced by her. However, his older brother Linus (Humphrey Bogart) has arranged David's marriage to Elizabeth Tyson in order to seal a business merger and thus must steer David away from Sabrina. To do this, Linus takes on the task of wooing her for himself. Full of great dialogue ("A woman happy in love, she burns the soufflé; a woman unhappy in love, she forgets to turn on the oven") and wonderful performances, this film is a romantic masterpiece. Also enjoyable is the 1995 remake, starring Julia Ormond and Harrison Ford. --Jenny Brown
Hollywood's legendary "woman's director", George Cukor (The Women, The Philadelphia Story), transformed Audrey Hepburn into street-urchin-turned-proper-lady Eliza Doolittle in this film version of the Lerner and Loewe musical. Based on George Bernard Shaw's play Pygmalion, My Fair Lady stars Rex Harrison as linguist Henry Higgins (Harrison also played the role, opposite Julie Andrews, on stage), who draws Eliza into a social experiment that works almost too well. The letterbox edition of this film on video certainly pays tribute to the pageantry of Cukor's set, but it also underscores a certain visual stiffness that can slow viewer enthusiasm just a tad. But it's really star wattage that keeps My Fair Lady exciting--that and such great songs as "On the Street Where You Live" and "I Could Have Danced All Night". Actor Jeremy Brett, who gained a huge following later in life portraying Sherlock Holmes, is quite electric as Eliza's determined suitor. --Tom Keogh
Steven Spielberg directs this heartwarming romantic adventure USA Today calls a ""winner"". Pete Sandrich (Richard Dreyfuss) is a legendary pilot with a passion for daredevil firefighting. However Dorinda (Holly Hunter) the woman he loves and Al (John Goodman) Pete's best friend know that legends can't take risks forever. After sacrificing himself to save Al the ace pilot faces his most challenging mission: helping Dorinda move on with her life. Breathtaking cinematography and exhilarating aerial choreography highlight this compelling adventure that co-stars Brad Johnson and features a special appearance by Audrey Hepburn.
After a violent shipwreck, onetime billionaire Oliver Queen (series star STEPHEN AMELL) was missing and presumed dead for five years before being discovered alive on a remote island in the North China Sea. He returned home to Star City, bent on righting the wrongs done by his family and fighting injustice. As the Green Arrow, Oliver successfully saved his city with the help of his team including former soldier John Diggle (series star DAVID RAMSEY), computer-science expert Felicity Smoak (EMILY BETT RICKARDS), former protégé Roy Harper (COLTON HAYNES), street-savvy Rene Ramirez (series star RICK GONZALEZ), metahuman Dinah Drake (series star JULIANA HARKAVY), brilliant inventor Curtis Holt (ECHO KELLUM) and Earth-2 Laurel Lance (series star KATIE CASSIDY). Following the untimely arrival of godlike being The Monitor (series regular LaMONICA GARRETT), Oliver Queen left his home, his family, and his team behind to take on his most challenging battle yet, knowing the cost may be his life. But this time it's not just his city he's seeking to protect it's the entire multiverse: everything that ever was or ever will be. In ARROW's eighth and final season, Oliver's quest will send him on a journey where he is forced to look back at his years as the Green Arrow and confront the reality of the ultimate question: what is the true cost of being a hero?
The Parisian police and lawyers return for a fourth series of the acclaimed and riveting crime drama. Police Captain Laure Berthaud and her lieutenants, Gilou and Tintin, investigate when a student is abandoned by his accomplices in a forest near Paris after being blown asunder by their homemade bomb. Lawyer Josephine Karlsson is getting herself into dangerous waters defending undocumented immigrants; her colleague, Pierre Clment, surprisingly finds himself representing crime boss, Johnny Jorkal; while Judge Roban returns to the Palais De Justice, sidelined and on the warpath. As the story unfolds to reveal a group of extremist’s intent on waging a war against the Parisian Gendarmerie and a dangerous arms-trafficking operation, the police and the lawyers begin to turn on each other in another tense and gripping series.
Sullivan Stapleton (300: Rise of an Empire), Jaimie Alexander (Thor films) and Oscar® nominee Marianne Jean-Baptiste (Without a Trace) star in this one-hour action thriller from Berlanti Productions (The Flash, Arrow, Pan) and writer/executive producer Martin Gero. Stapleton stars as hardened FBI agent Kurt Weller, who is drawn into a complex conspiracy when a naked amnesiac, Jane Doe (Alexander), is found in Times Square covered in a series of cryptic tattoos ... including his name on her back. As Weller and his teammates at the FBI -- among them, wartime vet Edgar Reed, the secretive Tasha Zapata and Assistant Director Mayfair (Jean-Baptiste) -- begin to investigate the veritable treasure map that are Jane Doe's tattoos, they are drawn into a high-stakes underworld that twists and turns through a labyrinth of secrets and revelations -- the information they uncover might ultimately change the world. At the center of this mystery is the relationship between Weller and Jane Doe. With every passing day, Jane unveils a new skill or a hidden talent without understanding its origin, while Weller is drawn deeper into his troubled, complicated relationship with this enigmatic woman. They both strive to make a connection, unaware of the dangerous blindspot that threatens them.
INCLUDES ALL 86 EPISODES FROM SERIES 1-8 OF THE CRITICALLY ACCLAIMED FRENCH POLICE DRAMA. Powerful performances, utterly believable characters and gripping plotlines have made cult viewing of this gritty, brutal, crime drama set on the mean streets of Paris. Subtitled and known as 'Engrenages' in France. No-nonsense and doggedly determined Police Captain Laure Berthaud leads her lieutenants, Gilou and Tintin, in their investigations into serious crime. But they must also battle the investigating magistrates in their department; the cool and clinical Judge François Roban, the handsome young Deputy Prosecutor, Pierre Clément and the ambitious police-hating lawyer, Joséphine Karlsson. A thriller, this is French justice in all its cynical, corrupt, backstabbing glory, where the good guys - cops, lawyers and judges - are deeply flawed and the criminals are vicious and irredeemable. As they take on corruption, murder, sex trafficking, arms dealing, serial killers and terrorists, each episode draws you into a dark and sordid world of corruption, crime and an internecine legal system. It's a belter taut, intelligent and very adult Radio Times It just gets better and better The Observer Darker and more twisted than The Wire The Guardian BAFTA-nominated French crime drama for BBC Four, starring Caroline Proust, Philippe Duclos, Fred Bianconi, Thierry Godard, Audrey Fleurot, Louis-Do Lencquesaing, Valentin Merlet, Nicolas Briancon, Bruno Debrandt, Dominique Daguier, Tewfik Jallab and Isabel Aime Gonzalez. A Series Created By Alexandra Clert.
Under the stark white lights of an empty Broadway theatre, a stream of hopefuls audition before Zach, the harsh and critical director of a new musical. There is tension in the air as sixteen are singled out for further auditioning, and as the director and his assistant put the dancers through their paces, they begin to relay their lives into word and song. Suddenly an unexpected latecomer arrives. It is Cassie, a beautiful and talented dancer who used to be a star, returned to ask Zach, her former lover, for a job. Passions run high, but he allows her to audition. Over the course of the day, the dancers, all desperate for the job, reveal more and more about themselves to the ever watchful director, as he searches for his chosen Chorus Line. Starring Michael Douglas, and directed by Richard Attenborough, A CHORUS LINE is based on the hugely successful and award winning Broadway musical of the same name.
Titles Comprise: Breakfast at Tiffany's: The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. My Fair Lady: Audrey Hepburn stars as Eliza Doolittle a poor flower girl who under the guidance of Professor Higgins played by Rex Harrison becomes the Belle of British Society. Winner of 8 Academy Awards including Best Picture and blessed with an array of scintillating songs this classic movie is a feast for both the eyes and the ears and is breathtaking entertainment for the whole family. Roman Holiday: Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Sabrina: Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face : S'Wonderful S'Marvelous! Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we. Paris When it Sizzles: A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris.
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