Get down to Bel-Air for the fourth season of the Fresh Prince the cult TV show which launched the career of Will Smith. Episodes Comprise: 1. There There's a Will There's a Way (1) 2. There There's a Will There's a Way (2) 3. All Guts No Glory 4. Father of the Year 5. It's Better to Have Loved and Lost It... 6. Will Goes a-Courtin' 7. Hex and the Single Guy 8. Blood is Thicker Than Mud 9. Fresh Prince After Dark 10. Home is Where the Heart Attack Is 11. Take My Cousin -- Please 12. You've Got To Be a Football Hero 13. Twas the Night Before Christening 14. Sleepless in Bel-Air 15. Tho's the Boss 16. Know Why the Caged Bird Screams 17. Then You Hit Upon a Star 18. Stop Will! In the Name of Love 19. You'd Better Shop Around 20. The Ol' Ball and Chain 21. The Harder They Fall 22. M is For the Many Things She Gave Me 23. Mother's Day 24. Papa's Got a Brand-New Excuse 25. For Sale By Owner 26. The Philadelphia Story
After narrowly escaping an attempted rape Marjorie is haunted by the fact that her attacker knows where she lives. But when he appears on her doorstep and subjects her to a non-stop barrage of physical and mental assaults Marjorie manages to disarm and capture him. Filled with fear and hostility she conspires with her roommates to take the law into their own hands. But as her rage consumes her Marjorie shocks her friends with a proposal that challenges the perilously thin line bet
Lethal, professional hitwoman Mary (Taraji P. Henson) works for the most notorious crime family in town, headed by Benny (Danny Glover). When Mary shoots a protected mobster in order to save a young boy, she must take on a rogues' gallery of crime figures, from the Russian Mafia to those closest to her, including her former lover. Armed with her wits and a closet full of guns Mary must do whatever it takes to be the last woman standing in this energetic and explosive action thriller. Features: Mary's World featurette The Beginning of the End featurette If Looks Could Kill featurette
After witnessing the murder of her first and only boyfriend young Justice decides to forget about college and become a South Central Los Angeles hairdresser. Avoiding friends the only way for her to cope with her depression is by composing beautiful poetry...
The fourth series of Deep Space Nine can be summed up in one word: Klingons! The show's producers apparently felt beset from all sides. Babylon 5 was a huge hit, as was Star Trek: Voyager, the flagship of new channel UPN. Stepping up DS9's action quotient seemed to be the answer. Time would tell, however, whether doing so via Trek's tried-and-tested former bad guys was the best solution. Opening with a special two-hour extravaganza, the new year was immediately unfamiliar. Dennis McCarthy's original theme--despite winning an Emmy--was deemed too subdued. As its upbeat new rendition kicked off, the station was seen in battle and swarming with activity. Moments later, we met old/new crewmember Worf, whose sudden appearance was the result of a brewing invasive strategy by the Klingons. This initiated the first of many loyalty shifts, as the Cardassians became the victims. With plenty of re-appearances by Gowron, Kor and Kurn, it was clear that an ongoing space opera was being crafted. Dukat revealed a tragedy-ridden daughter; Odo's relationship with his people (and Kira) became increasingly melancholy; and even the Jem'Hadar foot soldiers were given a sympathetic angle by their drug addiction. Adding to the layers of ambiguity about Earth's (read: the Producers') position over being at war, was the "outing" of Eddington and Sisko's girlfriend as rebel activists. Lest we forget the homely/spiritual side of the Captain, time was spent with a future version of Jake, with his father (Brock Peters), and on the nature of his role as "The Emissary". Avery Brooks worked behind the camera a couple of times, but this year the surprise was LeVar Burton directing five shows. There was still time for comedy: the Ferengi warped back to Roswell in 1947 and Bashir played at James Bond. But the year will be recalled predominately for its violence. One of the episodes Burton directed had its fight scenes drastically cut, while the series as a whole won an Emmy for its space battle effects. On the DVD: Deep Space Nine, Series 4 contains more than two hours of extra features. Although they might all have been better compiled into one long documentary, the sections devoted to Aliens, Production Design and Artwork are, nevertheless, nicely contained. "Charting New Territory" is a 20-minute featurette on all the big changes attempted this year: Worf's introduction, arming the station and being daring with stand-alone episodes. There's also a terrific and candid dossier on Michael Dorn (Worf), ten mini-cameo cast tales, four seasons' worth of episode introductions, and a well-stocked Photo Gallery. All this can be found on the set's seventh disc; there's also the fourth CD-ROM disc, which allows you to build your own station at home. --Paul Tonks END
Fifteen Minutes partners Robert De Niro and Saving Private Ryan's Edward Burns in a thriller satire on America's "reality TV" industry. De Niro plays celebrity detective Eddie Fleming, who must reluctantly work with arson investigator Jordy Warsaw (Burns) when a grisly fire is discovered to conceal a murder. This is the work of Emil (Karel Roden) and Oleg (Oleg Taktarov), East European psychos bent on a maniacal spree of killings. All of these are videotaped by Emil, who renames himself after his hero Frank Capra, in a perverse tribute to the US of A, where "no one is responsible for what they do!". Soon the duo decide to sell their footage to Kelsey Grammer's creepily shameless frontline TV journalist. As a pair of loons whose scariness is just the right side of cardboard villainy, Roden and Taktarov steal the movie as well as their camcorder. However, the central theme of voyeurism and video murder was dealt with far more effectively in the 1992 Belgian movie Man Bites Dog and, while the action tears along in explosive fashion, it does so at the expense of both plausibility and the anti-media satire, which seems hitched crudely onto the bumper of what is essentially a satisfying but conventional blockbuster thriller. --David Stubbs
A wealthy family living in Bel-Air California receives a dubious gift from their poorer relations in Philadelphia when Grammy Award-winner Will Smith arrives as The Fresh Prince Of Bel-Air. His mother wants him to learn some good old-fashioned values from his successful relatives. But Will shatters the sophisticated serenity of Bel-Air with his streetwise common sense much to the dismay of his upper-crust uncle Philip Banks (James Avery) Aunt Vivian (Janet Hubert-Whitten and Daph
'Last Train From Gun Hill' is the ultimate revenge tale set in an unlawful Old West... The Marshal's trail to find his wife's murderer leads him to the town of Gun Hill where he discovers the son of an old ally is responsible for the crime. A dangerous game of cat-and-mouse unfolds as the Marshall is trapped in a race against time to avenge his wife's death before he can catch the last train out of town...
A wealthy family living in Bel-Air California receives a dubious gift from their poorer relations in Philadelphia when Grammy Award-winner Will Smith arrives as The Fresh Prince Of Bel-Air. His mother wants him to learn some good old-fashioned values from his successful relatives. But Will shatters the sophisticated serenity of Bel-Air with his streetwise common sense much to the dismay of his upper-crust uncle Philip Banks (James Avery) Aunt Vivian (Janet Hubert-Whitten and Daph
An early example of the techno-thriller, The Anderson Tapes--sharply directed by Sidney Lumet from the novel by Lawrence Sanders--follows just-out-of-stir Duke Anderson (a balding Sean Connery) as he plots the heist of an entire New York apartment building, enlisting a crew that includes Martin Balsam as a vintage 1971 gay stereotype and a very young Christopher Walken in perhaps the first of his jittery crook roles. The gimmick is that Anderson has been out of circulation so long that he doesn't realise his mafia backers are only supporting him because they feel nostalgic for the days before they were boring businessmen and that the whole setup is monitored by a criss-crossing selection of government and private agencies who don't care enough to thwart the robbery, which instead becomes unglued thanks to a gutsy young radio ham. With a cool Quincy Jones score, very tight editing, a lot of spot-on cameo performances from the likes of Ralph Meeker as a patient cop, this hasn't dated a bit: it's wry without being jokey and suspenseful without undue contrivance. On the DVD The Anderson Tapes offers a nice anamorphic transfer, a few trailers and various foreign language options. --Kim Newman
It Came from Beneath the Sea appeared two years after Ray Harryhausen unleashed The Beast from 20,000 Fathoms upon New York City. This time the master special-effects creator turned loose a giant (albeit six-armed) octopus on San Francisco, and the result is another enjoyable atom-age adventure that should please fans of vintage science fiction. Kenneth Tobey, who battled The Thing (From Another World) in 1951, stars as a Navy captain pursuing a monstrous octopoid (sextapoid?) after it attacks his atomic sub. After it wreaks havoc with shipping lanes, he tracks the creature to San Francisco for a final showdown. Scripting by George Worthing Yates (Them) and Hal Smith and direction by Robert Gordon are perfunctory at best, which gives the always-reliable Tobey and costar Faith Domergue little to do, but this is Harryhausen's show, and his monster, though the budget was restrained, is still impressive. Younger audiences weaned on digital FX may find this creaky, but nostalgic viewers will enjoy its simple thrills. --Paul Gaita
Star Trek: Deep Space Nine is set on a space station orbiting the planet Bajor. Commander Benjamin Sisko is in charge of a diverse crew who must fight off rival alien species who want to control DS9 because of its strategic position close to a wormhole that allows speedy travel to the far reaches of space.
This classic Western adapted from the novel by Harold Robbins and starring STEVE MCQUEEN in the title role is an edgy and gripping story of revenge that interweaves a number of different stories together in one mans quest to track down the killers of his parents. NEVADA SMITH sees a return to form for McQueen in a genre that he excelled in and with a supporting cast including Karl Malden Martin Landau and Arthur Kennedy the film sparkles with great performances and breathtaking s
The stage is set during the 19th century London, in its capital where a wall divides the east and west of the Kingdom of Albion. Five high school girls, who enrolled in the prestigious Queens May Fair School, are involved in spy activities that involve disguise, infiltration, car chase, and more. These girls take advantage of their special abilities and fly around the shadow world.
Deep Space Nine's third series begins eventfully, with Sisko promoted to captain and being gifted a prototype warship equipped with a cloaking device, while Odo learns where he came from. In the two-part opening tale, this clever gambit is played to hook viewers into the idea of DS9 becoming an ongoing mystery/conflict show. Why the sudden intense format tweaking? Mostly this was to ensure the show continued to thrive when a really rather greedy production hierarchy fast-tracked Voyager onto the air mid-season (cue unnecessary crossover episode with Tuvok). Of greater concern was ratings thief Babylon 5, which played its counter-Trek cards at precisely the right time. Fortunately the result (initially at least) was a genuine boost for DS9. Cast members seemed to have hit their stride and played off one another more assuredly than before. For example, Odo's character took several additional interesting twists, especially in his relationship with Kira. Rene Auberjonois had a very good year, directing two episodes to boot. Avery Brooks had begun this trend with the previous year's penultimate show. The real surprise was seeing Jonathan Frakes's name working behind the camera on three occasions, because he also appeared on screen in his alternate rogue Riker role, when Thomas dramatically steals the Defiant. Other welcome cameos that aided the feeling of casual camaraderie included the return of Lwaxana Troi, as well as first appearances by Quark's Mum, the spooky Founder Leader, the lovely Leeta and the sneaky Eddington. Clint Howard--a cult Trek figure--was briefly welcomed back, and with the many faces of Jeffrey Combs another was born. Stories progressed the complicated Bajoran/Cardassian healing process, while simultaneously brewing potential conflicts far worse than the behind-the-scenes ratings war. --Paul Tonks
The early 1900's with its Mann-Act (disallowing women to be transported across State lines for immoral reasons) brings a married man to devise a scheme for taking his upper-class girlfriend away with him... he simply has her marry his unmarried buddy. However, it doesn't take very long before both men start laying claim to her affection... until, that is, she's about to be cut out of her parent's fortune. So, a new scheme is devised, which only adds to their problems...
THE BIG HIT follows the professional and romantic misadventures of Mel (Mark Wahlberg), a beleaguered hitman
The Startling True Story Of The Real Mr. Asia - Marty Johnstone And New Zealand's First-Ever Drug Cartel, The Syndicate. See how a boy from Auckland's North Shore became an international playboy with an industrial-scale global drug empire and how, due to a taste for his own product and a misplaced trust in his friends, ultimately became the architect of his own demise. 1970's New Zealand sees the country's most notorious criminals and young entrepreneurs get together to grow a small-scale ...
Deep Space Nine's sixth series began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other SF shows wouldn't commit to showing the impact of war (Babylon 5), here there were numerous visible sacrifices. Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode). This year also introduced the idea of Starfleet Intelligence and its sinister Section 31; alliances were built only to crumble almost immediately; Sisko led a suicide mission and at long last his destiny as the Emissary took a serious turn. Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed sometimes as if they were afraid of the seriesÂ’ dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's non-speaking character being sorely missed, the blend of Troi and Guinan into 60's crooner Vic Fontaine and, in one fan favourite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales. There were also cute reconciliations amongst Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes. Any of these events would have been satisfactorily cute if the war had ended and the show had moved on. But confusing the viewer, every so often the battle would be rejoined mid-episode. The clinching proof that no grand design was really at work was in the sudden and brutal dispatch of Dax. Actress Terry Farrell gave sufficient forewarning of having had enough of the show, but specifically asked not to be killed off. Despite all the jarring humour scattered about after the strong opening, the show seemed unable to avoid reverting to shock tactics for its finale. All of which hardly made the promised final year seem a particularly enticing prospect. --Paul Tonks
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