The trials and tribulations of criminal lawyer, Jimmy McGill, in the time leading up to establishing his strip-mall law office in Albuquerque, New Mexico. Click Images to Enlarge
From the legendary filmmaking duo Powell and Pressburger [A Matter of Life and Death The Red Shoes] The Small Back Room is the story of the troubled love affair between a tormented back room scientist and a beautiful secretary told against a background of ministerial intrigue and empire building. Sammy Rice [David Farrar] was the army's finest bomb disposal officer until he was injured in the war and left with a false foot. Now part of a specialist 'back room' team he dismantles the booby-trapped devices being dropped by Nazi bombers. He falls in love with Susan [Kathleen Byron] a colleague and the two begin a secret affair. However embittered by life he feels inferior; inferior as a lover inferior as a man unable to wear uniform; inferior in his work for although a brilliant scientist he allows himself to be exploited by his power-hungry boss. Haunted by his past he drowns his sorrows in whiskey. Sammy's life is descending into disarray when the news comes; a bomb has exploded with catastrophic consequences and another has been found. Faced with the biggest challenge of his career Sammy must confront his demons and take his own life in his hands to solve the mystery of the bomb's lethal mechanism.
One's a surfer. The other's a high diver. When these two sisters team up to find a new love for their newly single Dad it's a fun-loving eye-catching California adventure gone wild. Mary-Kate and Ashley star in this fabulously funny love-struck comedy filled with crazy schemes and cool surprises. Determined to find their Dad Max a new love the girls paint a personals ad on a giant billboard in the heart of Hollywood. After a few disastrous dates Max finally meets Brooke and it's love at first sight. There's just one hitch her unruly skateboarding son is the girls' arch rival. Now with the girls plotting every action-packed step of the way they've got to find out if love really does conquer all. Full of outrageous events mixed-up matches and lots of laughs Billboard Dad tops the charts as Mary-Kate and Ashley's coolest mischieve-making adventure ever.
Flipper, the 1963 film that inspired a popular television series about a chatty, loveable dolphin gets a sunny makeover in this 1996 update. Elijah Wood plays Sandy, a bleak adolescent from Chicago struggling with the recent divorce of his parents and wanting only to immerse himself in familiar comforts. Instead, Sandy is sent to Coral Key, an island off Australia, to spend a summer with his Uncle Porter (Paul Hogan), a benevolent old fisherman. The sights and pleasures of the island, including a pretty neighbour named Kim (Jessica Wesson), aren't enough to shake off Sandy's gloomy outlook. But when he meets Flipper while boating with Porter, his morale improves considerably. It gets another boost when Flipper develops a loyal attachment to him. A subplot about a crooked charter-boat company dumping toxic waste off the coast feels like a necessary evil, just to give the screenwriter something to do. Other than that, the film is quite fun and charming, and Hogan is a pleasure to see with his cracker-barrel wisdom. The film is great fun all around for ages six and up. --Tom Keogh
Alfred Hitchcock himself called this 1934 British edition of his famous kidnapping story "the work of a talented amateur", while his 1956 Hollywood remake was the consummate act of a professional director. Be that as it may, this earlier movie still has its intense admirers who prefer it over the Jimmy Stewart--Doris Day version, and for some sound reasons. Tighter, wittier, more visually outrageous (back-screen projections of Swiss mountains, a whirly-facsimile of a fainting spell), the film even has a female protagonist (Edna Best in the mom part) unafraid to go after the bad guys herself with a gun. (Did Doris Day do that that? Uh-uh.) While the 1956 film has an intriguing undercurrent of unspoken tensions in nuclear family politics, the 1934 original has a crisp air of British optimism glummed up a bit when a married couple (Best and Leslie Banks) witness the murder of a spy and discover their daughter stolen away by the culprits. The chase leads to London and ultimately to the site of one of Hitch's most extraordinary pieces of suspense (though on this count, it must be said, the later version is superior). Take away distracting comparisons to the remake, and this Man Who Knew Too Much is a milestone in Hitchcock's early career. Peter Lorre makes his British debut as a scarred, scary villain. --Tom Keogh
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
L.A. IS AT BOILING POINT. ONE COP IS TURNING UP THE HEAT. Kurt Russell (The Thing) gives a searing performance as an L.A. cop in this story of corruption from novelist James Ellroy (LA Confidential, The Black Dahlia) and David Ayer (Training Day). Spring, 1992. Days before the trial on the Rodney King L.A. riots. Eldon Perry (Russell), a veteran in the LAPD's Special Investigations Unit struggles with the racially charged violence erupting around him and questions his own underhand methods for dealing with them. Featuring a support cast of some of the finest character actors including Ving Rhames (Pulp Fiction), Brendan Gleeson (In Bruges) and Jonathan Banks (Breaking Bad) delivering classic hard-boiled dialogue wrapped in a powerhouse punch of direction from Ron Shelton (Bull Durham). Features: High Definition Blu-ray (1080p) presentation DTS-HD Master Audio 5.1 Optional English subtitles for the deaf and hard of hearing Audio commentary by director Ron Shelton Code Blue An archival documentary on the making of the film featuring Kurt Russell, Ving Rhames, screenwriter David Ayer, director Ron Shelton and others By the Book An archival featurette on the look of the film featuring art director Tom Taylor, production Dennis Washington, costumes designer Kathryn Morrison and more Necessary Force An archival featurette on the authentic portrayal of the cops in the film featuring technical advisor Bob Souza, Shelton and Russell Trailer and TV Spots Reversible sleeve featuring original and newly commissioned artwork by Tracie Ching FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by critic James Oliver
It's generally acknowledged that the Master of Suspense disliked costume dramas, and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to quit Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--du Maurier adaptations, Rebecca and The Birds.--Philip Kemp
1858, Augustus McCrae (Steve Zahn) and Woodrow Call (Karl Urban) join a small troop of Texas Rangers under the leadership of Captain Inish Scull (Val Kilmer) in pursuit of three outlaws: the celebrated Comanche horse thief Kicking Wolf; the Comanche Chief Buffalo Hump; and the notorious Mexican bandit Ahumado, feared for the torture he inflicts on his prisoners. When Kicking Wolf steals the Captain's war horse Scull decides to continue on foot and reclaim his prized mount. Promoting McCrae and Call to Captains he instructs them to ensure the Rangers' safe return to Austin.Together, McCrae and Call struggle to balance their personal lives with the responsibilities of Rangers, as they go in search of Scull and defend the western frontier against the defiant Comanches.
Based on the story by Grahame Greene Went The Day Well? Is a classic piece of propagandist entertainment a warning to British citizens to remain ever alert for the arrival of the enemy. Alberto Cavalcanti's film tells the story of a quiet English village which has been infiltrated by German Soldiers masquerading as British Troops leaving the plucky villages to uncover the plot and fight back.
Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.
Double bill of musical teen comedies following the fortunes of an all-girl a cappella singing group. In 'Pitch Perfect: Sing-along' (2014), Anna Kendrick stars as Beca, a freshman who is persuaded to join The Bellas, her university's all-female singing group. Raising their energy and expanding their repertoire, The Bellas have soon taken their music to a whole new level, culminating in a sing-off against their male counterparts in a campus-wide competition. In 'Pitch Perfect 2' (2015) The Barden Bellas enter an international singing competition that a group from the US have yet to win. Can they impress the judges enough to beat their competitors? The cast also includes Elizabeth Banks, Hailee Steinfeld, Brittany Snow and Katey Sagal.
Something unnamed and evil threatens the sleepy town of Wheelsy in this comedy horror.
Director Elizabeth Banks takes the helm as the next generation of fearless Charlie's Angels take flight. In Banks' bold vision, Kristen Stewart, Naomi Scott, and Ella Balinska are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world's smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere. The screenplay is by Elizabeth Banks from a story by Evan Spiliotopoulos and David Auburn.
A wartime cottage on a Scottish estate becomes a focus of attention when not only the new tenant but a London evacuee and a downed fighter pilot all move in. The interest may not be unconnected with the fact that the landowner is also a key British military inventor. For a start the butler is obviously a Scotland Yard flatfoot.
As a police psychologist works to talk down an ex-con who is threatening to jump from a Manhattan hotel rooftop, the biggest diamond heist ever committed is in motion...
This groundbreaking ATV children's drama memorably blends hard science and fantasy in its tale of two teenagers who discover the existence of a 'time barrier' enabling them to travel to different periods and locations from World War Two to the Antarctica of the future.Devised by The Tomorrow People's Ruth Boswell, Timeslip was unabashedly intelligent and often prescient in its theme of the use and abuse of science. Well remembered to this day as a benchmark of 1970s drama, this set contains all 26 episodes.Three children have vanished from the tiny Midlands village of St Oswald. First to disappear is local girl Sarah, then Simon Randall and Liz Skinner, who are on holiday with Liz's parents. Only Commander Traynor, an apparent stranger to the area, can offer some idea of where they are and that idea is so incredible and horrifying that the Skinners cannot believe it...
Films comprise: 1. I Was Monty's Double (Dir. John Guillermin 1958) 2. Ice Cold In Alex (Dir. J. Lee Thompson 1958) 3. Went The Day Well? (Dir. Alberto Cavalcanti 1942)
As a police psychologist works to talk down an ex-con who is threatening to jump from a Manhattan hotel rooftop, the biggest diamond heist ever committed is in motion...
Leslie Banks stars alongside Alastair Sim, John Mills and a very young George Cole in this thrilling wartime espionage drama from award-winning director Anthony Asquith. Adapted from Geoffrey Kerr's smash West End play (which also starred Banks, Sim and Cole), Cottage to Let is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. Working in secret for the Air Ministry at his remote country house laboratory, John Barrington is key to the ongoing war effort against the Nazis. Barrington's household, however, has been infiltrated by enemy agents - who plan to take him back to Berlin as prisoner. Special Features: Image gallery
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