"Actor: Barbara Bain"

• Mission: Impossible - Series 3 | DVD | (29/10/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £44.99

  Season 3, should you decide to accept it (and you definitely should), was Mission's most accomplished. It garnered six Emmy nominations, and an Emmy for Barbara Bain, her third consecutive win, probably for "The Exchange," one of her finest hours, in which, breaking series format, her character is captured and psychologically tortured to discover for whom she works. As always, the first five minutes of any Mission: Impossible episode are the coolest: the lit fuse signaling Lalo Schifrin's indelible theme song, the opening-credits montage teasing the action in the upcoming episode, and Jim Phelps (Peter Graves), in some nondescript location, receiving his covert mission (usually to some nonexistent, but real-sounding country as Povia or Costa Mateo), on that self-destructing tape. It always seemed a waste of time for Phelps to go through the dossiers of possible Impossible Missions Force agents for each mission (and he does that less this season) as he invariably chose the same ones: model beauty Cinnamon (Bain), master of disguise Rollin Hand (Martin Landau), electricians expert Barney Collier (Greg Morris), and strongman Willie Armitage (Peter Lupus). Mission: Impossible didn't delve into the team members' private lives: it was all about the mission, and together, the IMF foils any number of domestic and international villains. Some missions (foil a coup, rescue a dissident) have more at stake than others (restore boxing's good name), but there's that great moment in almost every episode when the team's target discovers that he or she has been royally IMF'd. "Don't you see?" the warden of a so-called escape-proof automated prison protests in "The Glass Cage," "they thought of everything!" He's not kidding. Not even "Q" on his best day would have come up with that faux briefcase that secretly dispenses exact replicas of the prison's towels. Mission: Impossible today does seem a little low-tech, especially when compared to the special effects-laden feature films. And for anyone who has seen Airplane, it may be difficult initially to keep a straight face whenever Peter "Do you like gladiator movies?" Graves is onscreen. But with its clever and complex stories, impeccable ensemble, and fun-to-spot guest stars (that's John "Dean Wormer" Vernon torturing Cinnamon in "The Exchange"), Mission is impossible to resist. --Donald Liebenson

• Skinheads | DVD | (25/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  Two students making their way through the Nevada badlands are discouraged to find their pit stop at a roadside diner interrupted by a violent gang of racist neo-Nazi skinheads. After offending the gang they've no choice but to head for the hills where a mountain hermit helps them plan to take back the town...

• Space: 1999 - Series 2 - Vol. 6 | DVD | (12/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.

• Space: 1999 - Vol. 4 - Episodes 13-16 | DVD | (11/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com

• Space: 1999 - Vol. 6 - Episodes 21-24 | DVD | (11/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com

• Space: 1999 - Vol. 5 - Episodes 17-20 | DVD | (11/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com

• Space: 1999 - Series 2 - Vol. 1 | DVD | (12/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.

• Space: 1999 - Vol. 2 | DVD | (30/04/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com

• Space: 1999 | DVD | (11/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £45.99

  For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com

• Space: 1999 - Vol. 3 | DVD | (30/04/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com

• Space: 1999 - Series 2 - Vol. 4 | DVD | (12/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Seed of Destruction: Whilst exploring a bizarre asteroid Koenig is detained and replaced by a double. The fake Koenig returns to Moonbase with a crystal which is discovered will draw all the energy from Moonbase in order to revitalise its home the steroid where the real Koenig is still a prisoner. The Beta Cloud: After a cloud of space dust causes a mystery illness on Alpha an Eagle crew is sent to track the storm cloud. They return with a terrifying space creature which they discovered is their agent and wants the Moonbase life support system. Tony and Maya must fight to defeat the space creature. A Matter of Balance: When Koenig and Shermeen decide to explore an apparently lifeless planet Shermeen wanders into a temple and comes under the spell of a Vindrus. She wants to help Vindrus' doomed race but soon learns that for each Vindrus saved one Alphan will be doomed and that she is the first in line. Space Warp: Two crises strike the Alphans simultaneously. Koenig and Tony who are checking out a derelict spaceship in when Eagle One encounter a space warp and end up five light years away while Maya is stricken down by a fever and changes into a range of creatures. Before long she changes into a space animal and escapes to the moon surface. Koenig and Tony began to find a way back through.

• Space: 1999 - Series 2 - Vol. 3 | DVD | (12/11/2001) from £9.98   |  Saving you £6.01 (60.22%)   |  RRP £15.99

  Brian The Brain: A spaceship approaching the Moon identifies itself as one of the four 'Swift' ships that left Earth in 1996 and disappeared. Inside there is no crew; just a lively computer named Brian the Brain. Once aboard it kidnaps Helena and Koenig. New Adam New Eve: A man appears claiming to be God and selects two couple to begin a new Earth. The couples (Helena with Tony Verdeschi and Koenig with Maya) are mismatched but using his powers 'God' makes it seem alright. However it is discovered that God is not God but instead Magus a cosmic magician. The AB Chrysalis: After regular bombardments by enormous electrical waves one more such wave could spell final destruction for Moonbase Alpha. Koenig visits the source of the bombardments a nearby planet and discovers a civilisation where people are in a chrysalis stage protected only by their computer which sees Moonbase as a threat to them and is therefore attacking it. Catacombs of the Moon: In the Catacombs of the Moon engineer Patrick Osgood is searching for titanium to save his wife's life in heart surgery and because it is vital to the Moonbase Alpha's life support system. Osgood fails to find any metal and takes his wife into the catacombs only to go missing. Koenig decides to release some titanium from the store but now must find the Osgoods.

• Space: 1999 - Series 2 - Vol. 5 | DVD | (12/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  The Bringers of Wonder (Part One): After crashing his Eagle Koenig is dragged from the wreckage unconscious. Meanwhile a faster-than-light-ship arrives on the Moon (the 'superswift'). One of the crew Guido announces that transport will soon be coming from Earth to rescue the Alphans but when Koenig regains consciousness he sees hideous aliens who plan to kill him. The Bringers of Wonder (Part Two): Having survived Koenig suggests that it could have been the brain machine which kept him from being deceived. Meanwhile the aliens are planning to manipulate three Alphans into blowing up the Moon's nuclear waste dumps to create energy. It is soon left to Maya Helena and Koenig to defeat the aliens. The Lambda Factor: A pretty young Alpha technician dies a horrible death. Maya discovers that a huge gaseous cloud is giving off Lambda waves which could give some people paranormal powers. Carolyn takes over the Commander Centre and Moonbase. Koenig must fight a mental battle against her to decide the future of Moonbase. The Seance Spectre: The planet Tora is sighted but is on a collision course with the Moon. A small group of angered Alphans use their laser guns to take over the Command Center made off-limits by Koenig. They hold a seance and claim Tora would be habitable. Koenig regains control but is faced with the ever-impending crash with Tora and the rebel opposition which could jeopardise things further.

• Space: 1999 - Series 2 - Vol. 2 | DVD | (12/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Journey To Where: Hopes are high when a message is received by neutrone transmission from Earth. But although the moon has been in outer space for only a few months it is 2120 AD on Earth. On the message is the technology which will allow the Alphans to return to Earth. However when Koenig Helena and Alan Carter decide to try it out they find themselves on Earth in 1339 during a Civil War. The Taybor: Taybor materialises on the Moon an interstellar trader with an excellent spaceship that travels through hyper-space. Koenig offers the entire Moon in exchange for the secret of Taybor's hyper-spacial travel. But Taybor wants Maya and when Koenig refuses Taybor kidnaps her. The Rules of Luton: Temporarily left on Luton a planet with lush vegetation Koenig and Maya explore. But when Koenig eats some flowers and Maya smells some flowers a thunderous voice booms out accusing them of murder. Their damage to the planet is unforgivable and they must face the consequences. The Mark of Archanon: A metallic cabinet long buried beneath the surface of the moon is recovered. Inside are Pasc and his son Etrec from the planet Archanon. Pasc was part of a team sent on a mission of goodwill but the hatred and violence on Earth was contagious. Pasc uses his new lease of life to make up for past misdeeds.

• American Gun | DVD | (30/05/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  American Gun

• American Gun | DVD | (15/09/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  Penny Tillman (Virginia Madsen) travels home to Vermont to spend the holidays with her parents Martin (James Coburn) and Anne (Barbara Bain). Their warm reunion is cut tragically short when a last-minute errand ends in Penny's untimely death and the holiday cheer is abruptly silenced by the sorrow of burying a loved one.

• American Gun | DVD | (15/09/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

• Virginian | DVD | (21/10/2004) from £7.20   |  Saving you £N/A (N/A%)   |  RRP £N/A