Dean Corso is highly skilled at his work, a position which requires dexterity, cultural expertise, nerves of steel...and few scruples.
As far as Disney is concerned, The Sword in the Stone was a portent of things to come, with slapstick upstaging storytelling, and cultural in-jokes substituting for wonder. Based on TH White's beloved novel The Once and Future King, this Disney version chronicles King Arthur's boyish adventures. There's much to enjoy here as coach Merlin the magician shows the young Arthur, nicknamed Wart, the skills that will help him become the future ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with mean old Madame Mim still is worth a few chuckles, but it underlines the problem with most of the film--most of its scenes are only played for laughs. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Younger children will like it, while older kids will find it slower compared with recent Disney films. --Keith Simanton, Amazon.com
Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Maleficent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke, Amazon.com
Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Malificent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke, Amazon.com
As far as Disney is concerned, The Sword in the Stone was a portent of things to come, with slapstick upstaging storytelling, and cultural in-jokes substituting for wonder. Based on TH White's beloved novel The Once and Future King, this Disney version chronicles King Arthur's boyish adventures. There's much to enjoy here as coach Merlin the magician shows the young Arthur, nicknamed Wart, the skills that will help him become the future ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with mean old Madame Mim still is worth a few chuckles, but it underlines the problem with most of the film--most of its scenes are only played for laughs. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Younger children will like it, while older kids will find it slower compared with recent Disney films. --Keith Simanton, Amazon.com
Limited Edition 'Watch and Play' Pop-Up Package with character cutouts. Only available for a very short time at time of release. First time on 2-disc Platinum Edtion. Never seen before expanded version of the film.
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