Two of the most iconic science fiction epics from Paramount Pictures come together in one out-of-this-world double feature from producer George Pal. Making its 4K UHD debut, THE WAR OF THE WORLDS is an Oscar®-winning* adaptation of the chilling H.G. Wells novel. Then, get ready for impending disaster when a runaway star signals the destruction of Earth in WHEN WORLDS COLLIDE, included on Blu-ray⢠remastered from the original film elements. Both are essential Technicolor masterpieces from the Golden Age of Hollywood, delivering eye-popping visual effects. Product Features > Commentary by Actors Ann Robinson and Gene Barry Commentary by Film Director Joe Dante, Film Historian Bob Burns, and Bill Warren, author of Keep Watching The Skies ! The Sky Is Falling: Making The War of the Worlds H.G. Wells: The Father of Science Fiction The Mercury Theatre On The Air presents The War of the Worlds Radio Broadcast Original Theatrical Trailer
Christopher Nolan writes and directs this war drama that tells the story of the Dunkirk evacuation during the Second World War. In May 1940, in the early days of the Second World War, hundreds of thousands of Allied soldiers are trapped on the beaches of Dunkirk after being pushed back by the German army during the Battle of France, prompting a massive rescue operation to evacuate them. As the evacuation, code-named Operation Dynamo, gets underway, the soldiers of the British Expeditionary Force holds a shrinking position as the Nazi's advance upon them. Meanwhile, civilian sailors back home are called upon to use whatever vessels they have to aid the rescue effort across the Channel and the Royal Air Force tries to defend the vulnerable troops on the ground from the skies. The ensemble cast includes Fionn Whitehead, Tom Hardy, Cillian Murphy, Mark Rylance, Kenneth Branagh and Harry Styles.
Set on Death Row in a Southern prison in 1935, The Green Mile is the remarkable story of the cell block's head guard, who develops a poignant, unusual relationship with one inmate who possesses a magical gift that is both mysterious and miraculous.
Provoked by forbidden passions, Lester Burnham (Kevin Spacey) decides to make a few changes in his rut of a life
Celebrate 25 years of midnight movie madness! The Rocky Horror Picture Show is an ""erotic nightmare beyond any measure."" Relive Richard O'Brien's sinfully twisted salute to horror sci-fi B-movies and rock music - a ""sensual daydream to treasure forever"" - starring Tim Curry (in his classic gender-bending performance) Barry Bostwick and Oscar winner Susan Sarandon. Do the ""Time Warp"" and sing ""Hot Patootie"" with Meatloaf again...and again...and again...at home or in a movie theater
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: Saving Private Ryan on disc comes in a good-quality anamorphic 1.85:1 transfer with a suitably dynamic Dolby Digital 5.1 sound mix in which bullets fly all around your living room. Extra features are pretty minimal, with a standard 30-minute "making of" piece called "Into the Breach" and two trailers. There are text notes on the cast and crew as well as the production, and a brief message from Mr Spielberg himself about why he decided to make the movie. --Mark Walker
Based on an improbable but true story, Cool Runnings concerns the Jamaican bobsled team that competed in the 1988 Winter Olympics. Director Jon Turteltaub (Phenomenon) does a fine job with both the absurdity of the situation (the athletes had never even seen snow) and the passion behind it (their desire to compete and win). John Candy, in one of his last roles, is touching as a disgraced coach who seizes the opportunity to work with the Jamaicans as a chance for redemption. The bobsled scenes look good and the races are exciting. The climax, which is entirely unexpected, takes the film to a wholly different level, even if events in the story don't quite match the facts. --Tom Keogh
Jack Nicholson stars in this chilling and classic horror from director Stanley Kubrick.
A group of teens must escape from a massive labyrinth, survive a desert wasteland and break into the legendary Last City in this epic trilogy based on the Maze Runner book series.
A hip, heart-pounding combination of action, music and incredible aerial photography helped make "Top Gun" the blockbuster hit of the '80s.
Andrew Lloyd Webber's The Phantom Of The Opera is a worldwide entertainment phenomenon. It has been staged in 145 cities across 27 countries and its box office sales eclipse Avatar, Titanic and Star Wars. Seen by over 130 million people, the stage show has never been available to own on DVD or Blu-ray. Until now. To celebrate its 25th Anniversary year, Cameron Mackintosh presents The Phantom Of The Opera in a fully-staged, lavish production, set in the sumptuous Victorian splendour of the Royal Albert Hall. Phantom Of The Opera At The Albert Hall stars Ramin Karimloo as 'The Phantom' and Sierra Boggess as 'Christine'. They are joined by Barry James as 'Monsieur Firmin', Gareth Snook as 'Monsieur Andr', Liz Robertson as 'Madame Giry', Wynne Evans as 'Piangi' and a supporting cast and orchestra of over 200, plus some very special guest appearances.This is a spectacular, once-in-a-lifetime staging of the world's biggest musical, and a must-have on DVD and Blu-ray for fans everywhere.
Grease Is The Word! The classic tale of good girl Sandy (Olivia Newton-John) and bad boy Danny (John Travolta) gets tuned up with new special features in this Grease: Exclusive 40th Anniversary Edition. Your favorite movie musical just gets better with time! Features: Commentary by Director Randal Kleiser and Choreographer Patricia Birch Introduction by Randal Kleiser Rydell Sing-Along The Time, The Place, The Motion: Remembering Grease Deleted/Extended/Alternate Scenes with Introduction by Randal Kleiser Grease Reunion 2002 - DVD Launch Party The Moves Behind the Music Olivia Newton-John and Robert Stigwood Grease Day Interview Photo Galleries
A brilliant ensemble stars in this enthralling film from Marvel Studios. ETERNALS follows a group of ancient heroes from beyond the stars who have protected humanity since the dawn of our existence. When Deviants monstrous creatures who were thought gone forever mysteriously reappear, the Eternals return, hoping to save humanity once again. Special Features Audio Commentary Immortalised Walks of Life Gag Reel Deleted Scenes
Wacky Professor Philip Brainard (Robin Williams) has just invented a revolutionary new compound. Its green it flies and it looks like rubber. Its Flubber! And it has the ability to save his financially troubled college as well as his broken engagement to his girlfriend Sara. That is until the gooey substance is stolen right from under the nose of his beloved but jealous robot assistant Weebo! Now the professor's got to get the goo and the girl back where they belong. Mix one
The years have endowed Saturday Night Fever with a powerful, elegiac quality since its explosive release in 1977. It was the must-see movie for a whole generation of adolescents, sparking controversy for rough language and clumsily realistic sex scenes which took teen cinema irrevocably into a new age. And of course, it revived the career of the Bee Gees to stratospheric heights, thanks to a justifiably legendary soundtrack which now embodies the disco age. But Saturday Night Fever was always more than a disco movie. Tony Manero is an Italian youth from Brooklyn straining at the leash to escape a life defined by his family, blue collar job and his gang. Disco provides the medium for him to break free. It was the snake-hipped dance routines which made John Travolta an immediate sex symbol. But seen today, his performance as Tony is compelling: rough-hewn, certainly, but complex and true, anticipating the fine screen actor he would be recognised as 20 years later. Scenes of the Manhattan skyline and the Brooklyn Bridge, representing Tony's route to a bigger world, now have an added poignancy, adding to Saturday Night Fever's evocative power. It's a bittersweet classic. On the DVD: Saturday Night Fever is presented in 2.35:1 anamorphic widescreen with a Dolby Digital 5.1 surround soundtrack, both of which help to recapture the unique atmosphere of the late 1970s. The main extra is a director's commentary from John Badham, with detailed descriptions of casting and the improvisation behind many of the scenes, plus the unsavoury reality behind Travolta's iconic white disco suit. --Piers Ford
Jesus Christ Superstar is a phenomenon: a brilliant example of modern moviemaking that translates a legendary rock opera to the screen. Told entirely in song images and music the story focuses on the last week of Christ's life his betrayal and crucifixion seen from the point of view of Judas. Producer-director Norman Jewison shot his film entirely on location in Israel and fills the screen with a never-ending series of dazzling images.
Jack Torrance (Jack Nicholson) becomes the winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.
In this remake of George Romero's classic horror, a ragtag group of survivors take refuge in a shopping mall as bloodthirsty zombies walk the earth.
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
WI T N E S S T H E B I R T H O F A C I N E M A T I C L E G E N D For the first time on Blu-ray, featuring new restorations and scores, experience 10 of Alfred Hitchcock's early works. From the silent film era to the first talkies, this 11-disc set also contains a newly commissioned, full-length documentary, Becoming Hitchcock, exploring the director's first sound picture, Blackmail. In 1929, Hitchcock directed Blackmail, the first British sound feature, hailed as a film which used sound and dialogue with more flair and imagination than any Hollywood or European film of the time. Hitchcock's inventive and expressionist use of sound demonstrated that the new technology opened a new realm of possibilities. The Ring (1927) The Farmer's Wife (1928)Champagne (1928) The Manxman (1929) (NEW SCORE) Blackmail (1929) - SILENT VERSION (new 4K restoration and NEW SCORE ) Blackmail (1929) - TALKIE VERSION (new 4K restoration) Juno and the Paycock (1930) Murder! (1930) The Skin Game 1931) - REMASTERED FOR 2024 Rich and Strange (1931) Number Seventeen (1932) (new 4K restoration) BRAND-NEW DOCUMENTARY - BECOMING HITCHCOCK THE LEGACY OF BLACKMAIL (2024) Directed by Laurent Bouzereau, Narrated by Elvis Mitchell, Produced by Studiocanal in association with Nedland Films, 72min.BECOMING HITCHCOCK THE LEGACY OF BLACKMAIL, a brand new 72-minute documentary from award-winning filmmaker Laurent Bouzereau (Faye, Music by John Williams, Five Came Back) and narrated by historian, critic and filmmaker Elvis Mitchell, reflects the development of Alfred Hitchcock's signature style, through the making of one of his benchmark films, Blackmail (1929). The documentary highlights the birth of the Hitchcock Touch at a period when talking pictures first emerged and explores his trademark themes, such as murder, suspense and cool blondes. While focusing on Blackmail, the documentary reveals how this film also foreshadows the director's later masterpieces, from Psycho to North by Northwest and from The Birds to Frenzy. / runtime: 70 mins
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