As the world awaited what should have been a routine lift-off for the space shuttle Challenger unattended complications with equipment turned the mission in to a ticking time-bomb. Adding to the excitement of the mission was the presence of Christa McAuliffe (played by Karen Allen) a small town school teacher chosen from hundreds of candidates to teach the first lesson in space. This compelling account offers a poignant look into the lives of each of the seven Challenger crew members during the months leading up to the launch. Not only devoted to astronauts these heroic seven were also devoted mothers fathers husbands and wives. But during these moments we witness bewildered corporate inability to resolve an issue before it becomes a catastrophe of the highest order. Excitement frustration and grief unfold as the true story of the space shuttle disaster is revealed.
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stories. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highlighted by dismembered body parts neatly wrapped in butcher paper wriggling back to life for revenge), but Charlotte Rampling and Britt Ekland are marvellous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer willpower. Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cushing), and ultimately Baker makes that gloomy look work for his increasingly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker, Amazon.com
Discover the world of fast talking hustlers and whiskey hard singers. Joe Hawkins (Jerry Reed) is a successful country and western singer. His success however always ends up in his manager Leon's pocket. Joe's brother Tom (Bo Hopkins) watches in disbelief as Joe is worn down by breakneck tours and one night stands and fired up on booze and drugs. Desperate to save his brother from his brutal addiction Tom kidnaps Joe and holds him captive in a remote cabin. Leon is not about to lose
This is an inspirational film about hope and faith as a young boy and an old man travel on a journey of the imagination as they are trapped beneath the rubble of a collapsed building. But as air is running low will having faith be enough for them to survive.
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