Julia Roberts and Richard Gere get it on in one of Hollywood's biggest, and most beloved, blockbusters.
In this crowd-pleasing 1983 comedy of high finance about a homeless con artist who becomes a Wall Street robber baron, Eddie Murphy consolidated the success of his startling debut in the previous year's 48 Hours and polished his slick-winner persona. The turnabout begins with an argument between super-rich siblings, played by Ralph Bellamy and Don Ameche: are captains of industry, they wonder, born or made? To settle the issue, the meanies construct a cruel experiment in social Darwinism. Preppie commodities trader Dan Aykroyd (perfectly cast) is stripped of all his worldly goods and expelled from the firm, and Murphy's smelly derelict is appointed to take his place, graduating to tailored suits and a world-class harem in record time. Eventually the two men team up to teach the nasty old manipulators a lesson, cornering the market in frozen orange juice futures in the process. Director John Landis (The Blues Brothers) doesn't have the world's lightest touch, but he hits most of the jokes hard and quite a few of them pay off. Trading Places is also a landmark film for fans of Jamie Lee Curtis. --David Chute, Amazon.com
Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre's most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt).In Behind the Mask, the dastardly Dr X' murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family's secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband's life.This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival short films, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units.INDICATOR LIMITED EDITION 3 x BLU-RAY BOX SET SPECIAL FEATURESHigh Definition remasters of Behind the Mask, Black Moon, Air Hawks, Island of Doomed Men, Cry of the Werewolf, and The Soul of a MonsterTinted and black-and-white presentations of Black MoonOriginal mono audioAudio commentary with filmmaker and film historian Daniel Kremer on Behind the Mask (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on Black Moon (2024)Audio commentary with film historian Jeremy Arnold on Air Hawks (2024)Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson on Island of Doomed Men (2024)Audio commentary with academic and curator Eloise Ross on Cry of the Werewolf (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on The Soul of a Monster (2024)Sheldon Hall on Jack Holt (2024): the author and academic assesses the forgotten star of Behind the Mask and Black MoonJonathan Rigby on Peter Lorre (2024): the author of American Gothic: Six Decades of Classic Horror Cinema looks at the iconic performerTom Vincent on Burnett Guffey (2024): the archivist provides an overview of the prolific cinematographer's award-winning careerThe BEHP Interview with Constance Cummings (1997): archival audio recording of the Behind the Mask actor in conversation with Roy FowlerNew York to Berlin in Twenty-Six Hours (1933): documentary short on the exploits of aviator Wiley Post, who plays himself in Air HawksDon't Kill Your Friends (1943): World War II short film featuring Cry of the Werewolf star Nina FochImage galleries: promotional and publicity materialsNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive 120-page book with new essays by Bethan Roberts, Ellen Wright, Sergio Angelini, Paul Duane, Tim Snelson, and Jeff Billington; archival profiles of actors Boris Karloff, Fay Wray, and Rochelle Hudson; archival reports on the death of Air Hawks actor Wiley Post; extracts from Cry of the Werewolf's pressbook; a new piece on actor Rose Hobart's blacklisting; new writing on the short films; and film creditsWorld and UK premieres on Blu-rayLimited edition box set of 6,000 individually numbered units for the UKAll extras subject to change
One of the top five screwball comedies of the 1930s, this helped to cement a genre that waxed golden until the end of the Second World War. Director Leo McCarey won an Oscar for Best Director for this 1937 romantic comedy--one of the most successful films of his career. Irene Dunne and Cary Grant are a squabbling couple who separates because of supposed infidelities on both sides. They part, but cannot really keep away from each other. Grant finds himself hooked up with a socialite, Dunne becomes engaged to a millionaire hick played by the hapless Ralph Bellamy (as if he ever stood a chance as the "other" man!). When not dating others or baiting one another in a verbal war, Grant and Dunne wage a custody battle over their pathetic pooch. Gags, double entendre, witty remarks, snide comments, and fast-paced dialogue helped this to garner six Academy Award nominations. The Awful Truth was awfully good to Dunne and Grant, as both were breaking out of much more serious moulds and this secured their positions. --Rochelle O'Gorman
For Rosemarys Baby, his modern horror tale about Satanic worship and a pregnant womans decline into madness, Roman Polanski moves from the traditional monolithic mansions of Gothic flicks to an apartment building in New York City. Based on Ira Levins novel, the story concerns Rosemary (Mia Farrow) and Guy Woodhouse who find the apartment of their dreams in a luxurious complex in Manhattan. Soon after moving in and making friends with a group of elderly neighbours, Guys career takes off and Rosemary discovers she is pregnant. Their happiness seems complete. But gradually Rosemary begins to sense that something is wrong with this baby, and slowly and surely her life begins to unravel. Polanski uses such subtle means to build up the sense of preternatural disquiet that initially you suspect Rosemarys prenatal paranoia to be a figment of her imagination. But the guilty parties and their demonic plan to make Rosemary the receptacle of their masters child are eventually revealed and, as Rosemary looses her grip on reality, she realises that no one can be trusted. The performances are excellent throughout; Farrow as the young wife is so fragile that you wonder how she made it unscathed to adulthood and John Cassavetes is horrifyingly duplicitous as her husband Guy. But the real star is Polanskis masterful direction. The mood is at the same time oppressive and hysterical with the mounting terror coming from the situation and gradually unravelling plot rather than any schlock horror moments. On the DVD: the Dolby 5.1 soundtrack shows off Christopher Komedas eerie "lullaby" score to its haunting best. The film is presented in 1.85:1 anamorphic widescreen and is relatively free of speckle and dust, some scenes filmed in low light are slightly grainier but this adds to the oppressive tension that Polanski is building up in the film. In terms of extras there is a 20-minute "making of" feature from 1968 and retrospective interviews with Polanski, production designer Richard Sylbert and producer Robert Evans. --Kristen Bowditch
The very rich and extremely greedy Duke Brothers (Don Ameche and Ralph Bellamy) wager a bet over whether born-loser Billy Ray Valentine (Eddie Murphy) could become as successful as the priggish Louis Winthorpe III (Dan Aykroyd) if circumstances were reversed. So begins one of the funniest, most outrageous comedies of the '80s, cementing Eddie Murphy's superstar status. Alongside the street-smarts of Ophelia (Jamie Lee Curtis), Winthorpe and Valentine are a trio ready for a riotous revenge that culminates on the commodities trading floor in New York City. Trading Places is presented here newly remastered from a 4K film transfer, under the supervision of director John Landis. Product Features New Filmmaker Focus: Director John Landis on Trading Places HD Insider Trading: The Making of Trading Places Dressing the Part The Trade in Trading Places Trading Stories Industry Promotional Piece Deleted Scene with commentary by Executive Producer George Folsey, Jr. Deleted Scene Isolated Score Theatrical Trailer
A puppeteer (John Cusack) discovers a door in his office that allows him to enter the mind and life of John Horatio Malkovich (John Malkovich) for 15 minutes.
Sometimes a movie works despite all its faults. Outrageous Fortune has a flimsy, formulaic script, so-so production values and an odd combination of stars, but somehow it's engaging and fun. Shelley Long and Bette Midler play two struggling actresses--one a hoity-toity priss and the other a brassy slob--who learn they've been sleeping with the same guy (Peter Coyote) when he gets blown up in a terrorist assault and they confront each other in the morgue. When they discover that he's still alive, the bickering pair track him down, traipsing across the US in high heels, pursued all the way by government agents, using their dubious acting talents to get them out of tough situations. The absurd plot keeps things moving and director Arthur Hiller (Silver Streak, The Out of Towners) gets cheerful performances out of everyone, particularly the strong supporting cast--including Robert Prosky (Broadcast News, Mrs. Doubtfire) as a pompous acting teacher, comedian George Carlin as a burnt-out would-be Indian and the underused John Schuck (M*A*S*H, McCabe & Mrs. Miller) as a long-suffering agent. Although contrived and cliché-ridden, the film is just absurd enough to entertain. --Bret Fetzer
Pretty Woman: Julia Roberts stars a street-wise down-on-her-luck working girl whose chance encounter with a handsome corporate mogul leads to an improbable love affair... and a modern-day Cinderella fantasy that has captured the hearts of movie-goers all over the world. Featuring a chart-topping soundtrack this is an irresistible and timeless romantic comedy. Runaway Bride: ""Roberts and Gere confirm their status as an eternal screen team"" in this delightful laugh-filled romantic comedy. Roberts plays small-town girl Maggie Carpenter whose marches down the aisle become a series of near Mrs. when she bolts before saying ""I Do"". Gere is Ike graham a cynical big city newspaper columnist eager to write a tell-all story about Maggie. But the more Ike finds out about skittish Maggie the more he finds he's falling in love...
The very rich and extremely greedy Duke brothers (Don Ameche and Ralph Bellamy) wager a bet over whether born loser Billy Ray Valentine (Eddie Murphy) could become as successful as the priggish Louis Winthorpe III (Dan Aykroyd) if circumstances were reversed. So begins one of the funniest, most outrageous comedies of the '80s, cementing Eddie Murphy's superstar status. Joining up with street smart Ophelia (Jamie Lee Curtis), Winthorpe and Valentine form a trio ready for a riotous revenge on the commodities trading floor in New York City. Trading Places is presented here for the first time ever in 4K ULTRA HDâ¢, under the supervision of director John Landis. Product Features Filmmaker Focus: Director John Landis on Trading Places Deleted Scene Deleted Scene with commentary by Executive Producer George Folsey, Jr. Insider Trading: The Making of Trading Places Dressing the Part The Trade in Trading Places Trading Stories Industry Promotional Piece
The Awful Truth (Dir. Leo McCarey 1937): Love is a comic battlefield especially when presided over by two superbly-matched sparring partners Cary Grant and Irene Dunne. A classic screwball Hollywood romp! Bringing Up Baby (Dir. Howard Hawks 1938): A dog belonging to an eccentric heiress (Hepburn) steals a dinosaur bone from David (Grant) an absent-minded Zoology professor. David follows the heiress to her home and all hell breaks loose when he loses his pet leopard
Julia Roberts and Richard Gere get it on in one of Hollywood's biggest, and most beloved, blockbusters.
The complete second series of the salon-set drama. After making her choice of Finn over her husband Gavin Allie returns to Manchester to find that Gavin is making the most of his newfound single life. As she has been pushed out of Henshall Ferraday Finn buys a new health and beauty spa for her to run but Allie realises that her talents are better suited to running her own hairdressing salon. To complicate matters Finn's ex wife Mia sets out to win him back at all costs and Gavin e
Contains the film titles: Top Hat: A musical comedy full of high style romance mistaken identity... and Fred Astaire and Ginger Rogers dancing and singing 11 of Irving Berlin's best songs. When Jerry Travers meets lovely Dale Tremont it's love at first sight for him. Unfortunately Dale's affections chill when she mistakenly believes he's her best friend's new husband. Now she's engaged to someone else... Will she find out Jerry's real identity before she goes ahead and mak
LADY ON A TRAIN (1945, Charles David) TIME OUT OF MIND (1947, Robert Siodmak) SINGAPORE (1947, John Brahm) A WOMAN'S VENGEANCE (1948, Zoltán Korda) AN ACT OF MURDER (1948, Michael Gordon) THE LADY GAMBLES (1949, Michael Gordon) Universal Noir #2 - the second in Indicator's series of box sets focusing on the celebrated film noir output of Universal Pictures collects six crime classics from Hollywood' Starring the cream of US and British acting talent - including Deanna Durbin, Ralph Bellamy, Phyllis Calvert, Fred MacMurray, Ava Gardner, Ann Blyth, Jessica Tandy, Cedric Hardwicke, Fredric March, and Barbara Stanwyck - these dark and dangerous dramas feature witnesses to murder (Lady on a Train), family rifts (Time Out of Mind), amnesia and smuggling (Singapore), murderous infidelity (A Woman's Vengeance), mercy killing (An Act of Murder), and gambling addiction (The Lady Gambles). This indispensable collection marks the UK Blu-ray premiere of all six films, and also features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, rare archival short films, and a 120-page book. Strictly limited to 6,000 individually numbered units. Product Features High Definition presentations of Lady on a Train, Time Out of Mind, Singapore, A Woman's Vengeance, An Act of Murder and The Lady Gambles Original mono audio Audio commentary with critics and writers Glenn Kenny and Farran Smith Nehme on Lady on a Train (2023) Audio commentary with film historian Adrian Martin on Time Out of Mind (2023) Audio commentary with screenwriter and author Kelly Goodner and filmmaker and film historian Jim Hemphill on Singapore (2023) Audio commentary with writer and film historian Pamela Hutchinson on The Lady Gambles (2023) Jose Arroyo on Time Out of Mind (2023): the writer and academic discusses the film Neil Sinyard on A Woman's Vengeance (2023): an in-depth appreciation by the author and film historian Christina Newland on Ava Gardner (2023): the writer and critic considers the famed actor's noir persona Wings Up (1943): WWII propaganda film featuring The Lady Gambles star Robert Preston alongside Hollywood legends Clark Gable, Gilbert Roland and William Holden Reward Unlimited (1944): dramatised short film about the training of cadet nurses during WWII, directed by Jacques Tourner and featuring Singapore actor Spring Byington The Library of Congress (1945): documentary short, made as part of The American Scene film series, narrated by Lady on a Train star Ralph Bellamy French Town (1945): documentary short offering a portrait of a French town following liberation, narrated by A Woman's Vengeance actor Cedric Hardwicke Welcome Home (1945): documentary short about returning soldiers following the end of WWII, narrated by An Act of Murder star Fredric March With This Ring (1954): dramatised promotional film for the Miller Brewing Company, directed by John Brahm Mollé Mystery Theatre: 'The Gioconda Smile' (1945): radio play based on the Aldous Huxley short story, later adapted as A Woman's Vengeance Lux Radio Theatre: 'Singapore' (1947): radio adaptation of the film's screenplay, featuring Fred MacMurray and Ava Gardner reprising their original roles Theatrical trailers Image galleries: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 120-page book with new essays by Ellen Wright, Paul Duane, Philip Kemp, Tara Judah, Imogen Sara Smith, and Iris Veysey, extensive archival articles and interviews, new writing on the various short films, and film credits UK premieres on Blu-ray Limited edition box set of 6,000 individually numbered units for the UK All extras subject to change
Meet Clark Kent. Sent to Earth as an infant from the dying planet Krypton, he arrived with as many questions as the number of light-years he traveled. Now a young man, he makes his living in Metropolis as an intern at the Daily Planet alongside reporter Lois Lane while secretly wielding his alien powers of flight, super-strength and x-ray vision in the battle for good. Follow the fledgling hero as he engages in bloody battles with intergalactic bounty hunter Lobo and before fighting for his life with the alien Parasite. The world will learn about Superman but first, Superman must save the world!
Criminal psychologist Malcolm Bright (Tom Payne) knows how killers think and how their minds work. Why? His father is The Surgeon, a serial killer who has taken the lives of more than 20 people. He works with NYPD detective Gil Arroyo (Lou Diamond Phillips); Detective Dani Powell (Aurora Perrineau), a headstrong cop; Dr. Edrisa Tanaka (Keiko Agena), an off-center coroner; and Detective JT Tarmel (Frank Harts), who questions whether Bright is a psychopath himself. But Bright's best resource is his homicidal yet oddly loving father, Dr. Martin Whitly (Michael Sheen). As he helps track down dangerous criminals, Bright also battles his own demons and it doesn't help that his mother, former leading socialite Jessica Whitly (Bellamy Young), has an opinion on every aspect of his life. Thankfully, he has the support of his annoyingly normal sister, Ainsley (Halston Sage), a TV journalist. Malcolm Bright isn't a serial killer, he was just raised by one.
Director Richard Brooks' marvellous ode to friendship, loyalty and disillusionment The Professionals may not have the stylistic bravado or fatalistic doom of Sam Peckinpah's more famous The Wild Bunch, but Brooks' storytelling is simple and steady and just as insightful. The difference is that Brooks is a lot more optimistic. Lee Marvin and Burt Lancaster are buddies who have drifted into oblivion after fighting together in the Mexican Revolution. Marvin, the principled loyalist and munitions expert, lost his wife and his heart. Lancaster, the dynamite expert and unprincipled adventurer, keeps losing his pants. They team up with wrangler Robert Ryan and archer Woody Strode to rescue the beguiling Claudia Cardinale, who has been kidnapped by their old revolutionary buddie Jack Palance. So it's back into bloody Mexico they go on a "mission of mercy" for railroad tycoon Ralph Bellamy, who's paying handsomely for the return of his wife. But nothing is what it seems in this exciting, existential adventure, which was beautifully shot by Conrad Hall. Sarcastic quips, philosophical musings and heart-rending reversals underlie Brooks' humanistic sentiments. These are tired, world-weary men who somehow find the strength and the will to pull together for the sake of love and commitment. Through it all, Brooks seems to be lamenting a decline in professionalism much deeper than his story. He's decrying Hollywood and the society at large, anticipating Peckinpah's later strategy. --Bill Desowitz
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